The Wooden Prince

The Wooden Prince (Hungarian: A fából faragott királyfi) Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914-1916 (orchestrated 1916-1917) to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango.

The work

The Wooden Prince has never achieved the fame of Bartók's other ballet, The Miraculous Mandarin (1926), but it was enough of a success at its premiere to prompt the Opera House to stage Bartók's opera, Bluebeard's Castle the following year (it had been waiting for a performance since 1911). Like Bluebeard, The Wooden Prince uses a huge orchestra (it even includes saxophones), though the critic Paul Griffiths believes it sounds like an earlier work in style (Griffiths p. 71). The music shows the influence of Debussy and Richard Strauss, as well as Wagner (the introduction echoes the prelude of Das Rheingold). Bartók used a scenario by the poet Béla Balázs, which had appeared in the influential literary journal Nyugat in 1912.


This is probably the work in which Bartók uses his largest orchestra:


A prince falls in love with a princess, but is stopped from reaching her by a fairy who makes a forest and a stream rise against him. To attract the princess' attention, the prince hangs his cloak on a staff and fixes a crown and locks of his hair to it. The princess catches sight of this "wooden prince" and comes to dance with it. The fairy brings the wooden prince to life and the princess goes away with that instead of the real prince, who falls into despair. The fairy takes pity on him as he sleeps, dresses him in finery and reduces the wooden prince to lifelessness again. The princess returns and is finally united with the human prince.



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