Teapot

A basic black teapot
Chinese porcelain hand painted blue and white teapot, 18th Century

A teapot is a vessel used for steeping tea leaves or an herbal mix in boiling or near-boiling water, and for serving the resulting infusion which is called tea. Dry tea is available either in tea bags or as loose tea, in which case a tea infuser or tea strainer may be of some assistance, either to hold the leaves as they steep or to catch the leaves inside the teapot when the tea is poured. Teapots usually have an opening with a lid at their top, where the dry tea and hot water are added, a handle for holding by hand and a spout through which the tea is served. Some teapots have a strainer built-in on the inner edge of the spout. A small air hole in the lid is often created to stop the spout from dripping and splashing when tea is poured. In modern times, a thermal cover called a tea cosy may be used to enhance the steeping process or to prevent the contents of the teapot from cooling too rapidly.

History

Two Victorian Era teapots
Glass teapot containing mint leaves, being warmed by a tealight, Kashgar, Xinjiang, China
Japanese silver teapot

The teapot was invented in China during the Yuan Dynasty. It was probably derived from ceramic kettles and wine pots, which were made of bronze and other metals and were a feature of Chinese life for thousands of years. Tea preparation during previous dynasties did not use a teapot.[1] In the Tang Dynasty, a cauldron was used to boil ground tea, which was served in bowls. Song Dynasty tea was made by boiling water in a kettle then pouring the water into a bowl with finely ground tea leaves. A brush was then used to stir the tea. Written evidence of a teapot appears in the Yuan Dynasty text Jiyuan Conghua, which describes a teapot that the author, Cai Shizhan, bought from the scholar Sun Daoming. By the Ming Dynasty, teapots were widespread in China.[1] The earliest example of a teapot that has survived to this day seems to be the one in the Flagstaff House Museum of Teaware; it has been dated to 1513 and is attributed to Gongchun.[2]

Early teapots are small by western standards because they are generally designed for a single drinker, and the Chinese historically drank the tea directly from the spout. The size reflects the importance of serving single portions so that the flavours can be better concentrated and controlled, then repeated.[3]

From the end of the 17th century tea was shipped from China to Europe as part of the export of exotic spices and luxury goods. The ships that brought the tea also carried porcelain teapots. The majority of these teapots were painted in blue and white underglaze. Porcelain, being completely vitrified, will withstand sea water without damage, so the teapots were packed below deck whilst the tea was stowed above deck to ensure that it remained dry.[4]

Tea drinking in Europe was initially the preserve of the upper classes, due the expense. Porcelain teapots were particularly desirable because porcelain could not be made in Europe at that time. It wasn't until 1708 that Ehrenfried Walther von Tschirnhaus devised a way of making porcelain in Dresden, Germany, and started the Meissen factory in 1710.[5] When European potteries began to make their own tea wares they were inspired by the Chinese designs.

In colonial America, Boston became the epicenter for silver production and artistry. Among the many artists in Boston there were four major families in the city's silver market: Edwards, Revere, Burt and Hurd. Their works of art included silver teapots.[6]

Heat retention

To keep teapots hot after tea is first brewed, early English households employed the tea cosy, a padded fabric covering, much like a hat, that slips over the tea pot. Often decorated with lace or log cabin motifs in the early 1900s, the modern tea cosy has come back into fashion with the resurgence of loose leaf tea ateliers.

Chocolate teapot

A chocolate teapot is a teapot that would be made from chocolate. It is commonly supposed that such a teapot would melt, and be impossible to use, therefore the term is often used as an analogy for any useless item.

Experimental researchers in 2001 did indeed fail to successfully use a chocolate teapot they had made.[7] Later research, however, by The Naked Scientists in 2008, showed that such a teapot could be used to make tea, provided that the walls of the teapot were more than one centimetre thick.[8]

Teapots in non-teamaking contexts

The kyusu is a common Japanese teapot, often with its handle on the pot's side

A teapot has a rather distinctive shape, and its fame may sometimes have little to do with its primary function.

In architecture

See also

A small metal teapot for a single person from Ireland, this type may also be found in diners, greasy spoons and some restaurants
Korean antique teapot
Wikimedia Commons has media related to Tea pots.

References

  1. 1 2 Kuei-Hsiang Lo (1986). The Stonewares of Yixing: From the Ming Period to the Present Day. Hong Kong University Press. p. 18. ISBN 978-962-209-112-2. Retrieved 8 February 2013.
  2. Collecting teapots Leah Rousmaniere ISBN 0-375-72045-6
  3. http://www.imperialteapots.com/servlet/the-template/guidetoyixingteapots/Page
  4. Teapots Paul Tippett ISBN 0-8212-2269-4
  5. Gleeson, Janet. The Arcanum, an accurate historic novel on the greed, obsession, murder and betrayal that led to the creation of Meissen porcelain. Bantam Books, London, 1998.
  6. Birmingham Museum of Art (2010). Birmingham Museum of Art : guide to the collection. [Birmingham, Ala]: Birmingham Museum of Art. p. 107. ISBN 978-1-904832-77-5.
  7. "An Appraisal of the Utility of a Chocolate Teapot". Plokta. Retrieved 2009-01-21.
  8. "How useless is a Chocolate Teapot?". Kitchen Science Experiments. The Naked Scientists. Retrieved 2008-12-10.
  9. Mary White. "Teapot". The Book of Games. Charles Scribner's Sons, New York NY 1896. Retrieved 2015-03-17.
  10. "Sky Kingdom | Ayah Pin : Apologetics research resources". Apologeticsindex.org. Retrieved 2012-06-12.
  11. "Teapot". Cityofzillah.us. 2004-01-01. Retrieved 2014-03-12.

Further reading

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