Samson and Delilah (van Dyck, London)

Samson and Delilah is a 1620 painting by Anthony van Dyck. He produced it just after his return from Italy and shortly before leaving for London^[1] It was heavily inspired by his tutor Rubens's version of the same subject and for a long time was attributed to Rubens. Van Dyck inverted the composition and showed Delilah in white chalk make-up and heavily rouged cheeks, the makeup traditionally worn by Parisian prostitutes. The painting is now held in the Dulwich Picture Gallery in London.^[2] He returned to the subject in 1630.

References

↑ Christopher White, "Anthony Van Dyck: Thomas Howard, the Earl of Arundel", Getty Publications, 1995
↑ http://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/samson-and-delilah/

http://www.artble.com/artists/anthony_van_dyck/paintings/samson_and_delilah
Beatrice Marshall, Old Blackfriars: A Story of the Days of Anthony Van Dyck (1901), Kessinger Publishing, 2009

Samson

Cultural
depictions

Art	Samson Slaying a Philistine (Giambologna) The Blinding of Samson (Rembrandt) Samson and Delilah (Rubens) Samson and Delilah (van Dyck, 1620) Samson and Delilah (van Dyck, 1630)

Comics	Black Samson Doc Samson Mighty Samson Samson

Film	Samson (1914) Samson and Delilah (1922) Samson and Delilah (1949) Samson (1961) Samson and Delilah (1984) Samson and Delilah (1996)

Literature	Samson Agonistes (Milton)

Music	Samson (Handel) Samson and Delilah (Saint-Saëns) Samson and Delilah (traditional song) Sam and Delilah (Gershwin) Samson (Emly Starr) Delilah (The Dresden Dolls) Samson (Regina Spektor)

Television	Samson & Goliath

Other

Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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