For the demon, see Eurynomos.

Dead (left) and Euronymous (right)
Background information
Birth name Øystein Aarseth
Born 22 March 1968
Egersund, Norway
Died 10 August 1993(1993-08-10) (aged 25)
Oslo, Norway
Genres Black metal
Occupation(s) Musician, producer
Instruments Guitar
Years active 1984–1993
Labels Deathlike Silence Productions
Associated acts Mayhem, Burzum, L.E.G.O., Checker Patrol, Horn
Notable instruments
Gibson Les Paul

Øystein Aarseth /ˈøʏstɛɪn ˈɔʂət/ (22 March 1968 – 10 August 1993),[1] who went by the pseudonym Euronymous, was a Norwegian guitarist and co-founder of the Norwegian black metal band Mayhem. He was also founder and owner of the extreme metal record label Deathlike Silence Productions and record shop Helvete.

Euronymous was a founder of and central figure in the early Norwegian black metal scene until he was killed by fellow musician Varg Vikernes in August 1993.



Aarseth formed Mayhem in 1984 along with bassist Jørn 'Necrobutcher' Stubberud and drummer Kjetil Manheim. At the time he was going by the stage name 'Destructor' but later changed his name to Euronymous,[2] derived from the demon Eurynomos.

In summer 1986, Euronymous, Necrobutcher and Jon 'Metalion' Kristiansen visited the German thrash metal band Assassin and recorded the Metalion in the Park demo under the name Checker Patrol, Metalion contributing background vocals to the title song Metalion in the Park.[3]

In 1988, Per "Dead" Ohlin became Mayhem's vocalist and Jan Axel 'Hellhammer' Blomberg became its drummer. By 1991, Dead, Euronymous and Hellhammer were living in a house in the woods near Kråkstad, which was used as a place for the band to rehearse.[4] Mayhem bassist Necrobutcher said that, after living together for a while, Dead and Euronymous "got on each other's nerves a lot" and "weren't really friends at the end".[4] Hellhammer recalls that Dead once went outside to sleep in the woods because Euronymous was playing synth music that Dead hated. Euronymous then went outside and began shooting into the air with a shotgun.[5] Varg Vikernes claims that Dead once stabbed Euronymous with a knife.[6]

On 8 April 1991, Dead committed suicide while alone in the house. He was found by Euronymous with slit wrists and a shotgun wound to the head. Before calling the police, he went to a shop and bought a disposable camera with which he photographed the body, after re-arranging some items.[7][8][9] One of these photographs was later used as the cover of a bootleg live album: Dawn of the Black Hearts.[10] Necrobutcher recalls how Euronymous told him of the suicide:

Øystein called me up the next day ... and says, "Dead has done something really cool! He killed himself". I thought, have you lost it? What do you mean cool? He says, "Relax, I have photos of everything". I was in shock and grief. He was just thinking how to exploit it. So I told him, "OK. Don't even fucking call me before you destroy those pictures".[11]

Euronymous used Dead's suicide to foster Mayhem's 'evil' image and claimed Dead had killed himself because death metal had become 'trendy' and commercialized.[12] In time, rumors spread that Euronymous had made a stew with bits of Dead's brain and had made necklaces with bits of his skull.[13] The band later denied the former rumor, but confirmed that the latter was true.[10][13] Moreover, Euronymous claimed to have given these necklaces to musicians he deemed worthy,[14] which was confirmed by several other members of the scene, like Bård 'Faust' Eithun[15] and Metalion.[16]

Necrobutcher later speculated that taking the photographs and forcing others to see them was a way for Euronymous to cope with the shock of seeing his friend dead.[7][11] He claimed that Euronymous "went into a fantasy world".[7] Faust of Emperor believes that Dead's suicide "marked the point at which, under Euronymous's direction, the black metal scene began its obsession with all things satanic and evil".[11] Kjetil Manheim said that, after the suicide, Euronymous "tried to be as extreme as he had talked about".[7] The suicide caused a rift between Euronymous and some of his friends, who were disgusted by his attitude towards Dead before the suicide, and his behavior afterwards. Necrobutcher ended his friendship with Euronymous.[7] Thus, after the suicide, Mayhem was left with only two members: guitarist Euronymous and drummer Hellhammer. Stian 'Occultus' Johannsen was recruited as Mayhem's new singer and bassist. However, this was short-lived; he left the band after receiving a death threat from Euronymous.[4]


The basement of Euronymous's former record shop, showing graffiti from the early 1990s

During May–June 1991,[17] Euronymous opened a record shop named Helvete[18] (Norwegian for 'Hell')[19] at Schweigaards gate 56 in Oslo. Norwegian black metal musicians often met in the shop's basement, including the two members of Mayhem, the members of Emperor, Varg 'Count Grishnackh' Vikernes of Burzum, and Snorre 'Blackthorn' Ruch of Thorns. Euronymous also started an independent record label called Deathlike Silence Productions, which was based at Helvete. It released albums by Norwegian bands Mayhem and Burzum, and Swedish bands Merciless and Abruptum. Euronymous, Varg[8] and Emperor guitarist Tomas 'Samoth' Haugen[20] all lived at Helvete at various times. Emperor drummer Faust also lived and worked there.[11] The shop's walls were painted black and bedecked with medieval weapons, posters of bands, and picture discs, while its window featured a polystyrene tombstone.[11]

According to Occultus, the space that Euronymous rented "was far too big and the rent was too high. That's the reason why it never did well". Only a small part of the building was used for the shop itself.[21] Nevertheless, it became the focal point of the Norwegian black metal scene. Metalion, writer of the fanzine Slayer, said that the opening of Helvete was "the creation of the whole Norwegian Black Metal scene".[22] Daniel Ekeroth wrote in 2008,

Within just a few months [of Helvete opening], many young musicians had become obsessed with Euronymous and his ideas, and soon a lot of Norwegian death metal bands transformed into black metal bands. Amputation became Immortal, Thou Shalt Suffer turned into Emperor, and Darkthrone swapped their Swedish-inspired death metal for primitive black metal. Most notoriously, Old Funeral's guitar player Kristian Vikernes had already left the band to form his own creation, Burzum.[23]

Euronymous "took Vikernes, who was five years younger than him, under his wing: inviting him to play bass with Mayhem and offering to release his music as Burzum". However, it has been claimed that their friendship turned to rivalry. Looking back, Faust said: "It sounds really silly, but I think there was a little bit of a contest between them to see who could be more evil. It created a very difficult situation, especially for Euronymous, who wanted the glamour and the showbiz. With him, there was a lot of smoke but not so much fire".[11]

Euronymous took part in the burning of Holmenkollen Chapel (pictured)

On 6 June 1992, the Fantoft Stave Church in Bergen was destroyed by arson. Vikernes is strongly suspected as the culprit, but was never convicted.[24] There followed a wave of church burnings across Norway, perpetrated by musicians and fans of the Norwegian black metal scene.[18][25] Euronymous was present at the burning of Holmenkollen Chapel together with Vikernes and Faust,[7][8][26][27] who were convicted for the arson after Euronymous was dead. Faust says he believes that Euronymous got involved because he "felt he had to prove that he could be a part of it and not just in the background".[11] To coincide with the release of Mayhem's De Mysteriis Dom Sathanas, Vikernes and Euronymous had allegedly plotted to blow up Nidaros Cathedral, which appears on the album cover. Euronymous's death in August 1993 put an end to this plan and stalled the album's release.[7] In a 1993 interview on a Swedish radio show, Euronymous said of the church burnings:

They [Christians] must feel that there is a dark, evil power present that they have to fight, which…will make them more extreme. We also believe that when a church burns it's not only Christians who suffer, but people in general. Imagine a beautiful old stave church...what happens when it burns? The Christians feel despair, God's house is destroyed and ordinary people will suffer from grief because something beautiful was destroyed. So you end up spreading grief and despair, which is a good thing.[28]

In January 1993, an article in one of Norway's biggest newspapers, Bergens Tidende (BT), brought the black metal scene into the media spotlight.[29] Varg Vikernes (using his pseudonym 'Count Grishnackh') gave an anonymous interview to a journalist from the newspaper, in which he claimed to have burnt the churches and killed a man in Lillehammer.[29] According to Vikernes, the anonymous interview was planned by himself and Euronymous. The goal, he says, was to scare people, promote black metal and get more customers for Helvete.[30] He added that the interview revealed nothing that could prove his involvement in any crime.[29] However, by the time the article was printed, Vikernes had already been arrested. Some of the other scene members were also arrested and questioned, but all were released for lack of evidence. Vikernes himself was released in March 1993, also for lack of evidence.[29]

After the Bergens Tidende episode, Euronymous decided to shut Helvete as it began to draw the attention of the police and media. Vikernes and the authors of Lords of Chaos claim that Euronymous's parents pressured him into shutting Helvete.[31][32]

Murder and aftermath

In early 1993, animosity arose between Euronymous and Vikernes, and between Euronymous and the Swedish black metal scene.[26]

On the night of 10 August 1993, Vikernes and Snorre 'Blackthorn' Ruch drove from Bergen to Euronymous's apartment at Tøyengata[4] in Oslo. Upon their arrival a confrontation began and Vikernes fatally stabbed Euronymous. His body was found on the stairs outside the apartment with 23 stab wounds – two to the head, five to the neck, and 16 to the back.[33] Euronymous' murder was initially blamed on Swedish black metalers by the media.[26]

It has been speculated that the murder was the result of a power struggle, a financial dispute over Burzum records, or an attempt at "out doing" the stabbing in Lillehammer.[34] Vikernes denies all of these, claiming that he attacked Euronymous in self-defense. He says that Euronymous had plotted to stun him with an electroshock weapon, tie him up and torture him to death while videotaping the event. Vikernes explains: "If he was talking about it to everybody and anybody I wouldn't have taken it seriously. But he just told a select group of friends, and one of them told me".[8] He said Euronymous planned to use a meeting about an unsigned contract to ambush him.[8][35] Blackthorn stood outside smoking while Vikernes climbed the stairs to Euronymous's apartment on the fourth floor.[35] Vikernes said he met Euronymous at the door and handed him the contract, but when he stepped forward and confronted Euronymous, Euronymous "panicked" and kicked him in the chest.[35] The two got into a struggle and Vikernes stabbed Euronymous to death. Vikernes defends that most of Euronymous's cut wounds were caused by broken glass he had fallen on during the struggle.[35] After the slaying, Vikernes and Blackthorn drove back to Bergen. On the way, they stopped at a lake where Vikernes disposed of his bloodstained clothes.[35] The self-defense story is doubted by Faust[36] and other members of the scene.

According to Vikernes, Blackthorn only came along to show Euronymous some new guitar riffs and was "in the wrong place at the wrong time".[35] Blackthorn claims that, in the summer of 1993, he was almost committed to a mental hospital but fled to Bergen and stayed with Vikernes. He said Vikernes planned to murder Euronymous and pressured him into coming along. Blackthorn said of the murder, "I was neither for nor against it. I didn't give a shit about Øystein".[37] Vikernes called Blackthorn's claims a "defense […] to make sure I couldn't blame him [for the murder]".[35]

Vikernes was arrested on 19 August 1993 in Bergen.[31] Many other members of the scene, including Blackthorn and Faust, were also taken in for questioning. The trial began on 2 May 1994. At the trial it was claimed that he, Blackthorn and another friend had planned the murder. The third person stayed at the apartment in Bergen as an alibi. To make it look like they never left Bergen, he was to rent films, play them in the apartment, and withdraw money from Vikernes's credit card.[38] On 16 May 1994,[30] Vikernes was sentenced to 21 years in prison (Norway's maximum penalty) for the murder of Euronymous, the arson of three churches, the attempted arson of a fourth church, and for the theft and storage of 150 kg of explosives. However, he only confessed to the latter. Two churches were burnt the day he was sentenced, "presumably as a statement of symbolic support".[39] Blackthorn was sentenced to 8 years in prison for being an accomplice.[39]

At Euronymous's funeral, Hellhammer (Mayhem's then-drummer) and Necrobutcher (Mayhem's former bassist) decided to continue with the band and worked on releasing the De Mysteriis Dom Sathanas album.[11] Before the release, Euronymous's family asked Hellhammer to remove the bass tracks recorded by Vikernes. Hellhammer said: "I thought it was appropriate that the murderer and victim were on the same record. I put word out that I was re-recording the bass parts, but I never did".[11] The album, which has Euronymous on electric guitar and Vikernes on bass guitar, was finally released in May 1994.

A part of the Norwegian scene considered Vikernes a traitor for murdering Euronymous[40] and turning his back on Satanism in favor of nationalism and Odinism,[41] although Vikernes claims he was never a Satanist and had only used 'Satan' to provoke. They saw Euronymous's death as a significant loss to the scene, and some black metalers "have sworn to avenge Aarseth's death".[42] A few years after the murder, Ihsahn of Emperor said "There's no discipline in the scene anymore, like earlier on around the shop".[43] After his death, a new generation of musicians tried to gain credibility by 'hyping-up' Euronymous,[42] although he was also hailed as "the King"[40][41] or "Godfather of Black Metal"[41] by bands that had emerged before this new generation.[40] However, many of Euronymous's friends and bandmates "speak of the killing with a tone of indifference". Lords of Chaos remarks: "what is striking [...] is how little they care about the lives or deaths of one another".[44] In the book, Hellhammer,[45] Ihsahn[31] and Samoth[46] claim that Euronymous's death did not affect or at least not shock them. Anders Odden (a friend of Euronymous at the time) said of the murder: "It wasn't odd that he ended up getting killed. He thought he could threaten to kill people without it having any consequences". He added: "I think many people felt relief once he was gone". Writer and musician Erlend Erichsen agreed, saying "Nobody was there to boss them about. The 'black metal police' were gone".[7]

Beliefs and personality

The book Lords of Chaos says of Euronymous:

He was always dressed in black from head to foot, his hair dyed black for added effect. He sported long, aristocratic mustaches and wore knee-high boots. His black leather biker jacket was decorated with badges [...] When talking, he seemed stern and serious, sometimes with pomposity verging on the theatrical".[47]

In interviews, Euronymous claimed to be against individualism, compassion, peace, happiness and fun. He claimed he wanted to spread hatred, sorrow and evil.[48] In a 1993 interview he said "There is NOTHING which is too sick, evil or perverted".[48] Metalion (who knew Euronymous since 1985[2] and considered him to be his best friend)[49] said that Euronymous "was always telling what he thought, following his own instincts [...] worshipping death and being extreme".[22] Ihsahn, who frequented Helvete, said that "if you were trusted, if they knew you were serious in your views, you were accepted" there, which was important to be a part of the Helvete scene.[43]

However, Lords of Chaos claims that many who knew Euronymous say "the extreme Satanic image he projected was, in fact, just that – a projection which bore little resemblance to his real personality".[44] They include Kjetil Manheim,[4] Vikernes[8] and Blackthorn.[50] Faust said that with Euronymous, "there was a lot of smoke but not so much fire".[11] When asked why Euronymous made such extreme statements to the press, Ihsahn said: "I think that was very much to create fear among people".[51] He added that the scene "wanted to be in opposition to society" and "tried to concentrate more on just being 'evil' than having a real Satanic philosophy".[52] Mayhem drummer Kjetil Manheim (who was friends with Euronymous from 1983 until his death) described Euronymous as "blond, health oriented, very good at school. He worked-out a lot, didn't smoke, didn't drink ... That was the Øystein we knew. A nice guy, a family guy ... But when we weren't around he could play out his role". Manheim claimed that Euronymous became "extreme" towards the end of his life: "He liked telling people that they were worthless; [that] he was the best. He was all 'I define black metal. Black metal is me!' ... I think he was trapped in the image of Mayhem. He became a megalomaniac".[7] In the documentary Pure Fucking Mayhem he said "Øystein's daily life was a total theater" that was based on the black metal "archetype" of 'Euronymous'.[4]


In interviews, Euronymous said he was a Theistic Satanist:[48][53] In an interview by Esa Lahdenperä early August 1993, Euronymous stated:

I believe in a horned devil, a personified Satan. In my opinion all the other forms of Satanism are bullshit. [...] Satanism comes from religious Christianity, and there it shall stay. I'm a religious person and I will fight those who misuse His name. People are not supposed to believe in themselves and be individualists. They are supposed to OBEY, to be the SLAVES of religion. [48]

The Theistic Satanism espoused by Euronymous was an inversion of Roman Catholic dogma[48][53] and he claimed "We praise the evil and we believe blindly in a godly creature just like a Christian".[54] On the relationship between religion and science he said: "Scientists can't disprove [...] religion. No matter how hard you try, you can't explain the universe. You can't leave out a religious belief".[54]

He opposed the Satanic and occultist teachings of Anton LaVey and Aleister Crowley, for unlike Euronymous they promoted what he saw as "peace" and commercial frivolity, as well as individualism in contrast to precedence of dogma.[48][53] He said he would "Never accept any band which preaches Church of Satan ideas, as they are just a bunch of freedom and life-loving atheists, and they stand exactly the opposite of me".[48] When asked what he thought of Crowley's code of "Do what thou wilt shall be the whole of the Law", he answered "People shall do what WE want them to do. We're against freedom, and forced a band from Rogaland in Norway – Belsebub – to split up".[54]

As noted earlier, a number of those who knew Euronymous claim that his "extreme Satanic image" was an act. While Mortiis said that Euronymous "was such a devil worshipper you wouldn't believe it",[55] in the black metal documentary Until the Light Takes Us, Varg Vikernes claimed that Euronymous was not a Satanist. He said: "To Aarseth everything was about image and he wanted to appear extreme. He wanted people to think of him as being extreme; the most extreme of them all. But he didn't want to be extreme and he wasn't really extreme".[8] While Metalion, who was friends with both Vikernes and Euronymous when the latter died, and called Euronymous his best friend,[56] wrote that "some people in our scene read a few books and considered themselves Satanists", he made no such statements about Euronymous.[57] Tenebris (allegedly Jon Nödtveidt[58]) from the Misanthropic Luciferian Order, a Swedish Satanic order formed in 1995, wrote that "[b]ack then, in 1991, things mainly concerned black metal and ideological Satanism […] and kind of stood and fell with Euronymous and his shop. Therefore, it vanished with his death in '93".[59]

Over time, some members of the Norwegian scene began to follow Paganism. Vikernes later claimed that Euronymous—"obsessed with this 'Satanist' thing"—disapproved of Vikernes promoting Paganism.[60] Euronymous showed no explicit disapproval of Paganism though and released the Pagan band Enslaved's first album, Vikingligr Veldi, on Deathlike Silence Productions.

Black metal and death metal

Euronymous said that the term black metal can apply to any kind of metal, so long it is "Satanic" and "heavy".[28] He said "If a band cultivates and worships Satan, it's black metal"[61] and that "In a way, it can be ordinary heavy metal or just noise. What's important is that it's Satanic; that's what makes it black metal".[28] He rejected bands like Immortal being called black metal, "as they are not Satanists", but supported the band nonetheless.[48] As noted earlier, bands who had LaVeyan beliefs were also rejected.[48] When it was pointed out that Venom (the band who coined the term 'black metal') only used 'Satanism' as a gimmick, Euronymous said that he and the 'Black Circle' "choose to believe otherwise".[62]

Likewise, Euronymous said that the term death metal can apply to any kind of metal, so long as the band "cultivates and worships death".[61] Euronymous lamented the commercialization and loss of extremity within death metal. He said "Real Death Metal should be something normal people are afraid of, not something mothers can listen to" and "Death Metal is for brutal people who are capable of killing, it's not for idiotic children who want to have [a] funny hobby after school".[63]

Like many others in the black metal scene, Euronymous originally believed that black metal should stay underground. However, he later changed his mind and said the idea should be got rid of. He believed that the idea of staying underground came from hardcore punk and said "Those who scream most about being in 'underground' is also often those who make so bad music that they don't have a chance to get big themselves". He added: "I wouldn't mind making DSP big and earn a million, as long as I don't change my ways of thinking and being [...] If there were one million black metal fans in the world, most of them would be jerks, but there would be really many true and brutal people as well. The bigger we get, the more we can manipulate people into thinking like us".[48]


Euronymous called himself a Communist and, for a time, he was a member of the Norwegian Communist youth group Rød Ungdom.[64][65] According to fellow black metal musician Frost, here he may have honed the leadership skills he would use in the early Norwegian black metal scene, where he allegedly led a "Black Metal Inner Circle". He left Rød Ungdom, allegedly because he came to realize that they were "just a bunch of humanists".[65] Euronymous claimed to favor the totalitarian style of communism practiced by Joseph Stalin and Pol Pot.[66] According to Lords of Chaos, Nicolae Ceaușescu was one of his idols and he collected Eastern Bloc memorabilia.[65] Although he did not use the music of Mayhem to promote his political leanings, he saw them as mutually compatible with black metal.[66]


Euronymous played a Standard sunburst Gibson Les Paul guitar, which can be seen in many pictures of him playing. He stated in various interviews that his and Mayhem's main influences were Venom,[48] Bathory,[48] Hellhammer,[48] Sodom[48] and Destruction.[48] He played through a slightly modified 1981 Marshall Super Lead tube amp and used an Ibanez Tube Screamer pedal as well as an Arion Metal Master distortion pedal.


Euronymous was ranked No. 51 out of The 100 Greatest Heavy Metal Guitarists of All Time by Guitar World.[67]

In March 2012, low-cost carrier Norwegian Air Shuttle set up a public poll asking customers to pick a famous Norwegian historic figure whose picture would decorate the aircraft's tailfin. Aarseth was leading the poll but his name was removed from the campaign after his family's request.[68][69]


Euronymous played guitar on the following albums except where noted, any additional instruments or credits in notes.

Band Title Recorded Released Notes
Mayhem Pure Fucking Armageddon19851985
Checker Patrol Metalion in the Park[3]19861986
Mayhem Deathrehearsal19871987
Mayhem Deathcrush19871987
Mayhem Live in Leipzig19901993
Burzum Burzum19921992Producer. Guitar solo on "War" and Gong on "Dungeouns of Darkness" only. Uncredited.[70]
Burzum Det som Engang var19921993Gong on "Den onde kysten" only. Uncredited.[71]
Mayhem Dawn of the Black Hearts19901995Posthumous. Cover art photograph.
Mayhem Freezing Moon/Carnage19901996Posthumous.
Mayhem Out from the Dark19911995Posthumous.
Mayhem De Mysteriis Dom Sathanas1992–19931994Posthumous.


  1. Euronymous' passport
  2. 1 2 Kristiansen, Jon (2011). Metalion: The Slayer Mag Diaries. Bazillion Points Books. p. 39.
  3. 1 2 Kristiansen, p. 53.
  4. 1 2 3 4 5 6 Stefan Rydehed (director) (2008). Pure Fucking Mayhem (motion picture). Index Verlag.
  5. Lords of Chaos, p. 52.
  6. Lords of Chaos, p. 57.
  7. 1 2 3 4 5 6 7 8 9 Martin Ledang (director), Pål Aasdal (director) (2007). Once Upon a Time in Norway (motion picture). Another World Entertainment.
  8. 1 2 3 4 5 6 7 Aaron Aites (director, producer), Audrey Ewell (director, producer) (2009). Until the Light Takes Us (motion picture). Variance Films.
  9. Lords of Chaos, p. 49.
  10. 1 2 Sounds of Death magazine (1998): Hellhammer interview
  11. 1 2 3 4 5 6 7 8 9 10 Campion, Chris (20 February 2005). "In the Face of Death". The Observer. Guardian Unlimited. Retrieved 6 October 2007.
  12. Lords of Chaos, pp. 59–60.
  13. 1 2 Michael Dome (director) (2007). Murder Music: Black Metal (motion picture). Rockworld TV.
  14. Sam Dunn (director) (2005). Metal: A Headbanger's Journey (motion picture). Seville Pictures.
  15. Lords of Chaos, p. 55.
  16. Kristiansen, p. 219.
  17. Lords of Chaos, p. 66.
  18. 1 2 "Øystein 'Euronymous' Aarseth". June 1992. Retrieved 10 October 2009. Well, the original idea was to make a specialist shop for metal in general, but that's a long time ago. Normal metal isn't very popular any more, all the children are listening to 'death' metal now. I'd rather be selling Judas Priest than Napalm Death, but at least now we can be specialized within 'death' metal and make a shop where all the trend people know that they will find all the trend music. This will help us earning money so that we can order more EVIL records to the evil people. But no matter how shitty music we have to sell, we'll make a BLACK METAL look on the shop, we've had a couple of 'actions' in churches lately, and the shop is going to look like a black church in the future. We've also thought about having total darkness inside, so that people would have to carry torches to be able to see the records.
  19. Norwegian dictionary entry for "Helvete"
  20. Christe, Ian (2003). Sound of the Beast: the Complete Headbanging History of Heavy Metal. New York, New York: HarperCollins Publishers Inc. p. 271.
  21. Lords of Chaos, p. 64.
  22. 1 2 Lords of Chaos, p. 39.
  23. Daniel Ekeroth: Swedish Death Metal. Second printing. Brooklyn, NY: Bazillion Points 2009, p. 247.
  24. Lords of Chaos, p. 78.
  25. Grude, Torstein (director) (1998). Satan rir Media (motion picture). Norway: Grude, Torstein.
  26. 1 2 3 Lords of Chaos, p. 117.
  27. Kristiansen, p. 261.
  28. 1 2 3 Interview with Euronymous of Mayhem on a Swedish radio show, 1993
  29. 1 2 3 4 Lords of Chaos, pp. 95–97.
  30. 1 2 "Count" Regrets Nothing.
  31. 1 2 3 Lords of Chaos, p. 120.
  32. Torstein Grude: Satan rir media, 1998.
  33. Steinke, Darcey. "Satan's Cheerleaders". SPIN. February 1996.
  34. Mayhem Biography on Yahoo! Music
  35. 1 2 3 4 5 6 7 Vikernes, Varg: A Burzum Story: Part II - Euronymous.
  36. Lords of Chaos, p. 123.
  37. Lords of Chaos, p. 130.
  38. Lords of Chaos, p. 129.
  39. 1 2 Lords of Chaos, p. 141.
  40. 1 2 3 Various Artists: Nordic Metal - A Tribute to Euronymous. Necropolis Records, 1995.
  41. 1 2 3 Lords of Chaos, p. 139.
  42. 1 2 Lords of Chaos, p. 138.
  43. 1 2 Lords of Chaos, p. 65.
  44. 1 2 Lords of Chaos, p. 137.
  45. Lords of Chaos, p. 136.
  46. Lords of Chaos, p. 121.
  47. Lords of Chaos, p. 73.
  48. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Esa Lahdenpera: Northern Black Metal Legends at the Wayback Machine (archived 7 February 2012). In: Kill Yourself, no. 2, August 1993. Retrieved 30 January 2013.
  49. Kristiansen, pp. 266-269.
  50. Lords of Chaos, p. 134.
  51. Lords of Chaos, p. 222.
  52. Lords of Chaos, p. 218f.
  53. 1 2 3 Rare Euronymous interview - SMNnews Forums
  54. 1 2 3 Interview with Euronymous from Beat, Issue 2 (1993)
  55. Ian Christe: Sound of the Beast: the Complete Headbanging History of Heavy Metal. New York, NY: HarperCollins, 2004.
  56. Jon Kristiansen: Metalion: The Slayer Mag Diaries. Bazillion Points Books 2011, pp. 266-269.
  57. Kristiansen 2011, p. 261f.
  58. Jon Kristiansen: Metalion: The Slayer Mag Diaries. Brooklyn, NY: Bazillion Points Books 2011.
  59. MLO. Misantropiska Lucifer Orden. In: Jon Kristiansen: Metalion: The Slayer Mag Diaries. Bazillion Points Books 2011, p. 551.
  60. "Updated: Burzum Leader Fails to Return After Short Leave from Prison". Roadrunner Records. 26 October 2003. Retrieved 30 January 2013.
  61. 1 2 Interview with Euronymous by Faust in Orcustus zine
  62. Lords of Chaos, p. 100.
  63. Interview with Euronymous and Dead in Slayer, Issue 8 (1991)
  64. Kevin Coogan: How Black Is Black Metal. Retrieved 30 January 2013.
  65. 1 2 3 Lords of Chaos, p. 74.
  66. 1 2 Documents: Euronymous as Kafka
  67. "Guitar World's 100 Greatest Heavy Metal Guitarists of All Time". Roadrunner Records. 23 January 2004. Retrieved 11 September 2011.
  70. "A Burzum Story: Part VI - The Music".
  71. "A Burzum Story: Part VI - The Music".


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