Béla Fleck and the Flecktones
|Béla Fleck and the Flecktones|
(L to R) Victor Wooten, Béla Fleck, Jeff Coffin, and Futureman
|Origin||Nashville, Tennessee, United States|
|Genres||Jazz, jazz fusion, progressive bluegrass, jam band|
|Labels||Warner Bros., Columbia/Sony BMG|
Béla Fleck and the Flecktones are an American musical group, that plays primarily instrumental music. Critic Thom Jurek describes their music as an "unclassifiable meld of jazz, progressive bluegrass, rock, classical, funk, and world music traditions," a style of sometimes dubbed "blu-bop". The band's name is a play on the name of the 1960s rock band Dick Dale and the Del-Tones.
The band formed in 1988 after the breakup of Fleck's New Grass Revival, to perform on the PBS series Lonesome Pine Specials. The original version of the Flecktones consist of Béla Fleck on acoustic and electric banjo, Victor Wooten on bass guitar, his brother, Roy Wooten (a.k.a. Future Man) on Drumitar, and Howard Levy on harmonica and keyboard. Levy departed in 1992, and the group continued as a trio for several years until sax player Jeff Coffin joined. Coffin departed in 2010 to join the Dave Matthews Band, and Levy rejoined in 2011.
The Flecktones have toured extensively since then, often playing over 200 concerts per year. Each of the current members of the quartet has released at least one solo album.
FormationFleck met Howard Levy at the Winnipeg Folk Festival in 1987. He received a phone call from Victor Wooten, who played bass over the phone for him. Wooten also introduced his brother, Roy, who played the drums. Fleck also received a phone call inviting him to perform on the TV program Lonesome Pines in Kentucky and assemble an "avant-garde banjo show".
Following the brief tour, the band recorded their first album, Bela Fleck and the Flecktones in February 1990. The album was well received. Critic Geoffrey Himes wrote, "Fleck's banjo-playing takes the quartet on wide tangents through the outer space of jazz improvisation and minimalist composition, but he always brings them back to the traditions of rural America". Himes also praised Harmonica-player Howard Levy as the star of the album.
In March 1990, the band began an extensive year of touring that would become characteristic of the band moving forward. The quartet received attention for their musical innovations and invention, including praise from music critic Bill Kolhaase. However, he was critical of the band's lack of a drum kit, claiming that Wooten's "electronic beat seemed a bit muddy compared to the real thing".
1991 saw another year of extensive touring and another new album. On June 2, 1991, the Flecktones released their second album, Flight of the Cosmic Hippo. Like their previous album, Cosmic Hippo was received favorably. Himes applauded for their use of their prodigious improvisatory ability. John Griffin of The Gazette also praised the group's ability to create such an individual style that "the whole of idea of style disappears." Mike Joyce, of the Washington Post was impressed by the Flecktones' unique sound and ability to maintain a distinct voice and personality. In a review of one of their concerts, Joyce called a Flecktones show a "musical free-for-all, embracing the band's recorded material and venturing off into the great unknown the next."
Once again, the Flecktones toured extensively in 1992, and in August, released their third album, UFO Tofu. UFO Tofu was another successful album. Jim Santella of the Buffalo News praised the band's mastery of styles and their ability to weave together complicated pieces. Santella even compared Fleck's playing to a "miniature Bach canon."
Departure of Howard Levy
UFO Tofu would be the last album the Flecktones recorded with their original lineup. Howard Levy, the band's harmonica, keyboard player left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring, and wanted to spend more time with his wife and children.
The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. ‘We started finding ways to sound good, and it was real exciting.'" Critic Alan Sculley remarks on how without Levy, the band loses some its "pop appeal", but on the other hand, with their new trio, all three musicians have more room to show off their chops. Sans Levy, the Flecktones, as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.
In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio even took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister" off of the album.
In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008.
1997 saw more collaborations with big-name jam bands. In June, the Flecktones opened for The Dave Matthews Band, which drew rave reviews. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish.
In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." While some, including Horak praised the new musical directions the band was going, others, Geoffrey Himes remarked that Left of Cool sounded too ordinary. In his negative review he wrote, "Unfortunately the Flecktones' first studio album in five years reveals that they've become a very ordinary band." Himes adds, "The four Flecktones are all marvelous musicians, and they come up with imaginative parts for the new album's 15 cuts. The overall concept, however has diminished into easy-to-digest pop-jazz, for which there is too much already."
In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year.
Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert.
Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds.
In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. ‘Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet.
Hidden Land received mixed reviews. Critic Michael Endelman of Entertainment Weekly, wrote that the Flecktones sound "hasn't aged well." Dan Ouelette of Billboard found Hidden Land to be "by far their best album." Ouelette was particularly impressed by the quartet's range of repertoire in this album.
After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way. Jingle All the Way was received well. Geoffrey Himes praised the band for being able to package the Flecktones' complex sound into an easily digestible holiday album, without having to compromise the band's quintessential Flecktone sound.
Jingle All the Way would turn out to be the Flecktones' last album with saxophone player Jeff Coffin. After the death of Dave Matthews Band saxophone player LeRoi Moore, Coffin went on to become the sax player for Matthews. To replace Coffin, the band decided to bring Howard Levy back into the fold. Levy returned to the Flecktones in the summer of 2011 for a brief tour and to record a new album, Rocket Science. Rocket Science is the Flecktones' fourteenth album, and fourth with Howard Levy. Fans of the Flecktones' first three albums were thrilled to hear Levy's return to the fold. Jeff Kelman of Jazz Times writes favorably about Rocket Science and Levy's reunion with the Flecktones, "Rocket Science recaptures everything that made the Flecktones so fresh, so innovative, so important during its first five years." Kelman particularly praised the album's writing and the interactions between Levy and Fleck. Allmusic critic Thom Jurek also gave Rocket Science a rave review, "Rocket Science fires on all cylinders and comes off as a fresh and exciting reintroduction to a newly energized Flecktones."
In January 2016, the Flecktones announced a short reunion tour scheduled for June 2016, confirming an appearance at the Telluride Bluegrass Festival on June 16, 2016.
|Béla Fleck and the Flecktones||1990||Warner Bros.|
|Flight of the Cosmic Hippo||1991||Warner Bros.|
|UFO Tofu||1992||Warner Bros.|
|Three Flew Over the Cuckoo's Nest||1993||Warner Bros.|
|Live Art||1996||Warner Bros.|
|Left of Cool||1998||Warner Bros.|
|Greatest Hits of the 20th Century||1999||Warner Bros.|
|Live at the Quick||2002||Columbia|
|Ten From Little Worlds||2003||Columbia|
|The Hidden Land||2006||Sony|
|Jingle All the Way||2008||Rounder|
- Béla Fleck – banjo, synthesizers (1988–)
- Howard Levy – harmonica, piano, keyboards, Jew harp (1988–1993, 2010–)
- Victor Wooten – bass guitar, double bass (1988–)
- Roy Wooten – drumitar, drums, percussion, electronic drums (1988–)
- Jeff Coffin – saxophones, flute, clarinet (1998–2010)
- 1996: Best Pop Instrumental Performance, "The Sinister Minister"
- 1998: Best Instrumental Composition, "Almost 12"
- 2000: Best Contemporary Jazz Album, Outbound
- 2006: Best Contemporary Jazz Album, The Hidden Land
- 2008: Best Pop Instrumental Album, Jingle All the Way
- 2011: Best Instrumental Composition, "Life in Eleven"
- Jurek, Thom. "Bela Fleck and the Flecktones: Rocket Science". Allmusic. Retrieved 2014-04-21.
- Harris, Paul (February 2, 1992). "Fusion on Folk: Bela Fleck Thrives on Unlikely Blends". St Louis Dispatch. Retrieved 2014-04-20.
- "flecktones.com". Retrieved April 18, 2014.
- Himes, Geoffrey (May 18, 1990). "Bluegrass Roots of Space Age Banjo". The Washington Post. Retrieved 2014-04-20.
- Kohlhaase, Bill (June 27, 1990). "Flecktones-- Fusion of a New Order". Los Angeles Times. Retrieved 2014-04-20.
- Himes, Geoffrey (September 20, 1991). "Improvised Jazz-Folk with the Flecktones". The Washington Post. Retrieved 2014-04-20.
- Griffin, John (July 10, 1992). "Flecktones blow away musical boundaries". The Gazette (Montreal, Quebec). Retrieved 2014-04-14.
- Joyce, Mike (September 23, 1991). "Bela Fleck and the Flecktones". The Washington Post. Retrieved 2014-04-20.
- Santella, Jim (December 10, 1992). "Banjo Virtuosos Keep Crowd Stompin'". Buffalo News (New York). Retrieved 2014-04-20.
- Sculley, Alan (November 13, 1993). "Life After Levy: The Flecktones Make Some Musical Adjustments". St. Louis Post Dispatch. Retrieved 2014-04-20.
- "Archive in Cowtown". Retrieved 2014-04-20.
- McLennan, Scott (June 12, 1997). "Eclectic Fleck is Ideal Pre-Jam Fit With Dave Matthews". The Telegram and Gazette (Massachusetts). Retrieved 2014-04-20.
- "Setlists Featuring Bela Fleck". phish.net. Retrieved 2014-04-20.
- Horak, Terri (May 30, 1998). "WB's Flecktones Stretch Out With 'Left of Cool' Set". Billboard Vol. 110 Issue 22. Retrieved 2014-04-20.
- Himes, Geoffrey (July 3, 1998). "Bela Fleck and the Flecktones: Left of Cool". The Washington Post. Retrieved 2014-04-14.
- Graybow, Steve (2000-07-29). "Fleck Goes 'Outbound' In Sony Deal". Billboard. Retrieved 2014-04-20.
- Tauss, Lucy. "Bela Fleck and the Flecktones: Live At the Quick". Jazz Times. Retrieved 2014-04-18.
- Vrabel, Jeff (January 20, 2006). "Back to the Basics; Bela Fleck and the Flecktones Look Within Their Own Group for Their Latest, Stripped Down Record". Florida Times-Union (Jacksonville). Retrieved 2014-04-20.
- Endelman, Michael (2006-02-17). "Bela Fleck and the Flecktones: The Hidden Land". Entertainment Weekly. Retrieved 2014-04-20.
- Ouellette, Dan (February 18, 2006). "Bela Fleck and the Flecktones: The Hidden Land". Billboard. Retrieved 2014-04-18.
- Himes, Geoffrey (December 2, 2008). "Bela Fleck's Holiday Surprise". The Washington Post. Retrieved 2014-04-18.
- Kelman, John. "Bela Fleck and the Flecktones: Rocket Science". Jazz Times. Retrieved 2014-04-21.
- "Bela Fleck and Flecktones Announce Hiatus". Jambands.com. Retrieved 2014-04-21.
- "Flecktones // News". Flecktones.com. Retrieved 2016-03-04.
- "Flecktones // Tour". Flecktones.com. Retrieved 2016-03-04.