The Handbell Works of Matt Johnson

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Matt Johnson discovered Handbells when as a 12-year old, he joined the Youth Handbell choir at his church. While piano remained his primary instrument of study, he continued ringing bells throughout high school and college. Eventually employed as the Director of Music within the church world, Matt led many handbell choirs during his 30+ year career and often composed and arranged for the groups he directed.

In addition to writing, arranging, engraving the scores and recording the music, Matt created the cover art for each sound recording. His visually playful sense of humor is abundantly evident and includes: • Chopsticks used to eat noodles from a handbell for “Chopstix;” • A “knight” chess piece is featured for “Night in a Manger;” • A carton of eggs proclaims, “We Gather Together;” • In a roomful of NOEL robots, only the first NOEL wears a distinguishing hat.

Chronological listing of works, single release information and "A Baker's Dozen: The Handbell Works of Matt Johnson" compilation album details are linked below.

Handbell Processional Brells New Life Silent Night Surprise Postlude The First Noel Chopstix We Gather Together Come, Ye Thankful People, Come Night in a Manger Christmas Carol Medley World Communion Handbells Every Time I Feel the Spirit A Baker's Dozen: The Handbell Works of Matt Johnson

Scores available from these retailers in addition to the links below.

JW Pepper SheetMusic Direct Handbell World SheetMusic Plus

Chopstix

Matt's encore or novelty handbell choir arrangement of Euphemia Allen’s 1877 waltz tune "Chopsticks" utilizes many techniques unique to handbells. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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New Life

The joyous birth of a child—expressed with handbells. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Every Time I Feel the Spirit

A fun and unexpected handbell choir arrangement which “grooves” in a slow, swing-styled adaptation of the well-known spiritual. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Christmas Carol Medley

An unassuming medley of carols arranged for handbells. A quote from the tune “O Tannenbaum” opens and closes the work. Carols are presented simply, while featuring a few harmonic variations. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Silent Night

This soothing piano arrangement of Silent Night swirls with Matt’s jazzy reharmonizations. Light instrumental assistance frames the imaginative melodic renderings and fluid piano accompaniment. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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We Gather Together

A tender expression of thanksgiving—arranged for beginning handbell choirs. A repetitive harmonic motif winds its way throughout the arrangement. The melody is presented by both the lower and upper bells, with some reharmonization later in the piece. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Come, Ye Thankful People, Come

Slow 5/4 reframing of the traditional Thanksgiving tune—arranged for handbell choirs. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Surprise Postlude

This conceptual musical work uses 16 "hidden" handbells from a 3-octave set to surprise listeners. Most effective at events when handbells are unexpected. • The concept emerged while driving to church without a definite postlude planned to conclude the service. No handbells were slated to perform that particular Sunday, so no one was expecting to see or hear bells…which made for a delightful surprise. • Implementation: It is suggested that ringers be “planted” throughout the congregation/crowd, making sure to hide the bells. At the end of the service/event—and seemingly spontaneously—one ringer stands and begins slowly pulsing the low C bell. Every two measures, another ringer is “inspired” to add their bell to the growing quartal chord tension. The low C’s rhythmic change signals a more pleasing “resolution” chord at the end. • Eight or more ringers may participate. No director is needed to conduct (no visual spoiler). The rhythms and/or pitches may be changed as needed for each performance. This work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Night in a Manger

This handbell arrangement overlaps two traditional carols—Silent Night and Away in a Manger…thus, the title. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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World Communion Handbells

Necessity proved to be the mother of invention for this arrangement. A fledgling group of handbell ringers were tasked to present a musical work in celebration of World Communion Sunday…observed annually around the world on the first Sunday in October. Unable to find a suitable piece, Matt combined “Let Us Break Bread Together” and “One Bread, One Body” to create this medley for handbell quartet with piano accompaniment. Accompaniment TRACKS and SCORE are linked below. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Handbell Processional

The eye-catching and giggle-invoking cover graphic belies a more serious 5-octave handbell work. This piece was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed. Intended as a dramatic musical opening for a service or concert event, the first 16 measures may be repeated as a processional, until all ringers are at the tables and ready to perform the rest of the piece. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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The First Noel

This intimate adaptation features melodic handbells floating above the harmonic swirls of the piano. Elegantly sparse orchestration frames the hypnotic rhythm and lulls the listener into a peaceful mood. The work was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed.

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Brells

Composed during Matt’s time at Harvard University, this original work is a musical dialogue between a Brass ensemble and a Handbell choir. Their bantering with changing time signatures and unexpected harmonic choices ultimately produces a rousing opening concert piece. The title was created using letters from Brass and handbells. This piece was created during Matt’s 30+ year career as Director of Music within the church world. He often composed or arranged for the handbell choirs he directed. Disclaimer: Although Matt studied at the New England Conservatory in Boston, the musical ideas for Brells revealed themselves while he was playing a “gig” at Harvard University in 1989. You never know when inspiration may strike.

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A Baker's Dozen: The Handbell Works of Matt Johnson

As a 12-year old, Matt joined the Youth Handbell choir at church. While piano remained his primary instrument of study, he continued ringing bells throughout high school and college. Eventually employed as the Director of Music within the church world, Matt led many handbell choirs during his 30+ year career and often composed and arranged for the groups he directed. The album’s title refers to the 13 handbell works Matt has created thus far. While each track was released as a “single” upon completion, they are all finally united in this compilation album. Of course, handbells are always featured, but some arrangements include accompaniment from piano, cello, rhythm section, brass ensembles…and more.

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DISCOGRAPHY

https://musicbrainz.org/artist/23d8458f-dcc0-4a51-9d09-af933af07eec

MattJohnsonMusic.x

The music and creative works of American pianist/composer Matt Johnson. (October 25, 1961 - ) www.MattJohnsonMusic.com Dolce & Nuit Productions

PUBLIC DOMAIN RELEASE

To Whom It May Concern: I, Matt Johnson, (American pianist/composer, ISNI: 0000 0004 6875 3420) fully intend to enjoy the copyright benefits of my creative works while I am alive. However, upon my death I will relinquish all Intellectual property rights, copyrights and neighboring rights, thus bequeathing my entire catalog of creative works to the worldwide public domain. Concurrently, I’ll relinquish all copyrights for each sound recording found within my discography—which is officially listed on www.MusicBrainz.com—into the public domain. My goal is to contribute my life’s work to the global community and allow all of my endeavors to become freely available to everyone—no strings attached. I’ve elected to use a three-tier copyright waiver created by the Creative Commons* called CC0 for this purpose. It is the best tool to legally release all copyrights on my works, as it provides adequate fallback permissions in case any part of the waiver is deemed legally invalid. This waiver nullifies and voids all copyright on my works. It also provides a fallback all-permissive license in case the waiver is deemed legally invalid. In the worst case that even the license is deemed invalid, the license contains a promise from me, the copyright holder, not to exercise any copyrights I own in my works. CC0 enables me to waive the interests in my works and thereby place them as completely as possible in the public domain, so that others may freely build upon, enhance and reuse my works for any purposes without restriction under copyright or database law. CC0 gives me the choice to opt out of the exclusive rights automatically granted under copyright and instead choose a “no rights reserved” alternative. Further clarification: Upon my death, I explicitly disclaim any proprietary interest and release all rights to my entire catalog of Intellectual Property—i.e., musical compositions, sound recordings, books, prose, graphics, etc.—thereby placing everything in the worldwide public domain. Attribution: Please extend the professional and ethical courtesy of keeping my name as creator. Peace, Matt Johnson Statement of Purpose The laws of most jurisdictions throughout the world automatically confer exclusive Copyright and Related Rights (defined below) upon the creator and subsequent owner(s) (each and all, an "owner") of an original work of authorship and/or a database (each, a "Work"). 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Public Domain Release_MattJohnsonMusic_DNP.pdf MattJohnsonMusic.x https://ipfs.io/ipfs/QmfDYohhwGcFvdhiNj45jqiPAmfk45U5ht6cSNY7MVAM61

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