Walt Disney anthology television series

Walt Disney anthology television series

Opening title for The Wonderful World of Disney used from 2002 to 2007.
Also known as

Genre Anthology series
Created by Walt Disney
Presented by Walt Disney (1954–1966)
Michael Eisner (1986–2002)
Narrated by Dick Wesson (1954–1979)
Mark Elliot (1979–1988)
Danny Dark (1988–1991)
Opening theme "When You Wish Upon a Star" (1954–1961 and 1968–present; various instrumental adaptations)
"The Wonderful World of Color" (1961–1968)
Country of origin United States
Original language(s) English
No. of seasons 53
No. of episodes 1,224
Camera setup Multi-camera (hosted segments)
Running time 156–180 minutes
Distributor Walt Disney Productions (1954–1983)
Walt Disney Domestic Television Distribution (1983–1985)
Buena Vista Television (1985–2007)
Disney–ABC Domestic Television (2007–present)
Original network ABC (1954–1961, 1986–1988 and 1997–present)
NBC (1961–1981 and 1988–1991)
CBS (1981–1986, 1991–1997)
Disney Junior (2012-present)
Disney Channel (1991-1997)
Picture format 480i (SDTV),
720p (HDTV)
Original release October 27, 1954 (1954-10-27) – present

Walt Disney Productions (later The Walt Disney Company) has produced an anthology television series under several different titles since 1954:

The original version of the series premiered on ABC on Wednesday, October 27, 1954. The same basic series has since appeared on several networks. The show is the second longest running prime-time program on American television, behind rival film anthology, the Hallmark Hall of Fame. However, Hallmark Hall of Fame aired as a weekly program during its first five seasons before becoming a bi-monthly program, while Disney remained a weekly program for more than 40 years.


Originally hosted by Walt Disney himself, the original format of the Disney anthology series consisted of a balance of theatrical animated cartoons, live-action features, and other informational material (some original, some pre-existing) from the studio's library. For many years, the show also featured edited one-hour versions of such then-recent Disney films as Alice in Wonderland, and in other cases, telecasts of complete Disney films that were split into two or more one-hour episodes.[1] Later original programs consisted of dramatizations of other historical figures and legends along the lines of the Davy Crockett mini-series. These included a miniseries based on Daniel Boone (not the Fess Parker characterization), Texas John Slaughter, Elfego Baca, Francis Marion, the "Swamp Fox", and 1977's Kit Carson and the Mountain Man (with Christopher Connelly as Kit Carson, Robert Reed as John C. Fremont, and Gregg Palmer as mountain man Jim Bridger).

Occasionally, a more educational-based segment would be featured (such as The Story of the Animated Drawing), including nature and animal programs similar to the True-Life Adventures that were released in theatres, as well as various dramatic installments which were either structured as single-part, two-part, and sometimes, multi-part editions. .[2] Much of the original informational excerpts were to create awareness for Disneyland. In spite of essentially serving as advertisements for the park, entertainment value was emphasized as well to make the shows palatable. Some of the program's informational content was formatted to promote upcoming feature film releases by the studio (such as 20,000 Leagues Under the Sea and Darby O'Gill and the Little People), with some programs focusing on the art and technology of animation itself.

Walt Disney's Disneyland (1954–1959)

Although Walt Disney was the first major film producer to venture into television, there were two established independent film producers that successfully ventured into television production before Disney, Hal Roach and Jerry Fairbanks. Disney wanted to produce a television program in order to finance the development of the Disneyland amusement park. After being turned down by both CBS and NBC, Disney eventually signed a deal with ABC (which had merged with United Paramount Theaters in 1953) on March 29, 1954. The show contained teasers for Walt's park, as well as episodes representing life in one of the park's main sections: Adventureland, Tomorrowland, Fantasyland and Frontierland, with the opening titles used from its inception until the show's move to NBC in 1961, showing the entrance to Disneyland itself, as well as the four aforementioned lands, which were then identified as the main feature of that evening's program.

Consequently, "Davy Crockett" and other pioneers of the Old West, and American history in general appeared in "Frontier Land". Similarly, 20,000 Leagues Under the Sea might be the focus of an evening spent in "Adventure Land", although a documentary on the film could also be possibly presented as a topic for such episodes, including clips from the actual film. Topics for "Fantasy Land" would include either actual cartoons, and animated films, as well as documentaries on "The Making of ..." (such as behind-the-scenes presentation of Peggy Lee singing the duet of the wicked Siamese cats in Lady and the Tramp, or the barbershop quartet of lost dogs in the municipal Dog Pound); excerpts from a True-Life Adventure documentary may also be included (for example, one on the life and works of beavers and their dam-building) or those using stroboscopic stop-action photography (such as investigating what really happened when a rain-drop fell in a puddle, as part of a "Fantasy Land" episode), explaining the techniques of cartoon animation. The multi-plane camera used to create the three-dimensional effects of Bambi was also as a topic for a "Fantasy Land"-set telecast. In one episode, four different artists were given the task of drawing the same tree, with each artist using his own preferred ways of drawing and imagining a tree; this led to cartoon examples of differently animated trees, as in some of the early Silly Symphonies shorts, and later full-length animated films. "Tomorrow Land" was an opportunity for the Disney studio staff to present cutting-edge science and technology, and to predict possible futures, such as futuristic automobiles, and highways. This format remained basically unchanged through the 1980s, though new material was scarce in later years. Other episodes were segments from Disney films such as (Seal Island and Alice in Wonderland), or cartoons of Donald Duck and other Disney standbys.

The program spawned the Davy Crockett craze of 1955 with the airing of a three-episode series (not shown over the course of consecutive weeks) about the historical American frontiersman, starring Fess Parker in the title role. Millions of dollars of merchandise relating to the title character were sold, and the theme song, "The Ballad of Davy Crockett", became a hit record that year. Three historically based hour-long programs aired during late 1954/early 1955, and were followed up by two dramatized installments the following year. The TV episodes were later edited into two theatrical films.

On July 17, 1955, the opening of Disneyland was covered on a live television special, Dateline: Disneyland,[1] which is not technically considered to be part of the series. It was hosted by Walt along with Bob Cummings, Art Linkletter and Ronald Reagan, and featured various other guests.[3]

Walt Disney Presents (1959–1961)

In 1959, the series was retitled Walt Disney Presents, and moved to a Friday night timeslot; but by 1960, it switched to Sunday nights, where it would remain for 21 years.

Walt Disney's Wonderful World of Color (1961–1969)

Although the basic format remained the same, the series moved to NBC on September 24, 1961 to take advantage of that network's ability to broadcast programming in color.[1] In addition, Walt Disney's relationship with ABC had soured as the network resisted selling its stake in the theme park before doing so in 1960.[4] In a display of foresight, Disney had filmed many of the earlier shows in color, allowing them to easily be repeated on NBC; since all but three of Disney's feature-length films were also made in color (the three black-and-white exceptions were The Shaggy Dog, The Absent-Minded Professor and Son of Flubber, all family comedies starring Fred MacMurray), they could now also be telecast in that format.

To emphasize the new feature, the series was retitled Walt Disney's Wonderful World of Color when NBC began airing it,[5] retaining that moniker until 1969, by which point the Big Three networks were all broadcasting in color. The first NBC episode even dealt with the principles of color, as explained by a new character named Ludwig Von Drake (voiced by Paul Frees), a bumbling professor with a thick German accent, who was the uncle of Donald Duck. Von Drake was the first Disney character created specifically for television.

Walt Disney's Wonderful World of Color title sequence

Walt Disney died on December 15, 1966, twelve years after the anthology series premiered. While the broadcast that aired three days after his death featured a memorial tribute from Huntley-Brinkley Report anchor Chet Huntley with film and television star Dick Van Dyke,[6] the intros that Walt already filmed prior to his death continued to air for the remainder of the season. After that, the studio decided that Walt's persona as host was such a key part of the show's appeal to viewers that the host segment was dropped.

The Wonderful World of Disney (1968–1979)

The series was retitled The Wonderful World of Disney in September 1968, as the previous title was no longer needed due to the aforementioned developments in color broadcasting. It continued to gain solid ratings, often ranking in the Top 20, until the mid-1970s.

In 1976, Disney showed its hit 1961 film The Parent Trap on television for the first time, as a 2½-hour special. This marked a major step in broadcasting for the studio, which had never shown one of its more popular films on television in a time slot longer than an hour (although it had shown Now You See Him, Now You Don't and Napoleon and Samantha respectively in a two-hour format in 1975).[7] Walt Disney Productions also began running some of its multi-episode television programs, such as 1962's Sammy The Way-Out Seal, as televised feature films on the anthology series. A slightly edited version of the 1954 Disney classic 20,000 Leagues Under the Sea made its television debut as a two-hour special on NBC in October 1976.[7] Several other Disney films, some of them not especially successful (such as Superdad, which was an outright flop in its initial theatrical release) were also aired on the program in the form of two-hour broadcasts that year. However, the multi-episode format for feature films had not been discontinued; as late as 1981, films such as Pollyanna were still being shown on the Disney program in several installments running a week apart.[7]

During the early 1970s, the show began to increasingly concentrate less on animated cartoons and dramatic or comedy films, and began to place an emphasis on nature-oriented programs (such as the True-Life Adventures).[7]

The show's continued ratings success in the post-Walt era came to an end during the 1975–76 season. At this time, Walt Disney Productions was facing a decline in fortunes due to falling box-office revenues, while NBC as a whole was also slipping in the ratings. The anthology series became even more dependent on airings of live-action theatrical features, its True-Life Adventures, reruns of older episodes, and cartoon compilations. Nothing from the Disney animated features canon aired, with the exceptions of Alice in Wonderland and Dumbo. Additionally, in 1975, when CBS regained the broadcast rights to the 1939 Metro-Goldwyn-Mayer film The Wizard of Oz, it was scheduled opposite Disney, as it had been between 1960 and 1968. At that time, telecasts of that film were highly rated annual events, which largely attracted the same family audience as the Disney series. From 1968 to 1975, when NBC held the television rights to Oz (which it had acquired from CBS in 1967), it usually pre-empted Disney to show it. However, the show's stiffest weekly competition came from CBS's newsmagazine 60 Minutes.

In 1975, an amendment to the Prime Time Access Rule gave the Sunday 7:00 p.m. Eastern Time slot back to the networks, allowing NBC to move Disney back by a half-hour. It also allowed CBS to schedule 60 Minutes at 7:00 p.m. Eastern Time starting on December 7; prior to this, 60 Minutes had aired at 6:00 p.m. Eastern and did not begin its seasons until after the National Football League season ended. Disney fell out of the Top 30, while 60 Minutes saw its ratings rise significantly.

Disney's Wonderful World (1979–1981)

In September 1979, the studio agreed to the network's request for changes to the program. The show shortened its title to Disney's Wonderful World, and updated the opening sequence with a computer-generated logo and disco-flavored theme song, but largely kept the same format. The problems for the show continued, as a result of the ratings strength of 60 Minutes; compounded by low ratings, increasingly less original material, and frequent pre-emptions (primarily due to sporting events such as NFL game telecasts), NBC cancelled Disney in 1981.

Walt Disney (1981–1983)

Following NBC's announcement that it would drop the anthology series, CBS picked up the program and began airing it on Saturdays at 8:00pm Eastern Time, In September 1981. Despite more elaborate credit sequence and another title change, to simply Walt Disney, the series' format remained unchanged. It lasted two years on CBS, its end coinciding with the launch of the studio's cable television network, The Disney Channel. While ratings were a factor, the final decision to end the show came from Walt Disney Productions' then-CEO E. Cardon Walker, who felt that having both the show and the new channel active would result in cannibalization of viewership.[8]

The Disney Sunday Movie (1986–1988)

After the studio – which was rechristened as The Walt Disney Company in 1986 – underwent a change in management, Disney sought to bring back some sort of programming to broadcast television. Their efforts led to the premiere of The Disney Sunday Movie, which debuted on February 2, 1986 on ABC. Many names were considered to serve as presenter for the revived show, including Julie Andrews, Dick Van Dyke, Cary Grant, Tom Hanks,[8] Walter Cronkite, Roy E. Disney (who closely resembled his uncle), and even Mickey Mouse.[9] The studio finally decided to have Michael Eisner, the company's recently hired CEO, host the series. Although he was not a performer, after filming a test video with his wife Jane and a member of his executive team (which required multiple takes), studio management believed he could do the hosting job. Eisner hired Michael Kay, a director of political commercials for then-U.S. Senator Bill Bradley, to help him improve his on-camera performance.[9]

The Disney Sunday Movie initially aired as ABC's lead-off program on Sundays, running from 7:00 to 9:00 p.m. Eastern Time. By this point, the format was similar to a movie-of-the-week, offering more original programming in the form of family-oriented television films from the studio that made up much of the material. A larger selection of theatrical library films than the previous Disney anthology programs had in the last few years of its original run were also shown (including another animated canon entry, 1973's Robin Hood), but with the advent of cable television and home video, these presentations were not as popular.

The program's ratings were never strong as the established 60 Minutes and scripted mystery series Murder, She Wrote on CBS, both of which Disney was competing with for viewers, remained the leading prime time programs on Sunday nights. In 1987, The Disney Sunday Movie was reduced from two hours to one. The move did not help drive ratings, and the network decided not to renew its contract with Disney, and pick up a fourth season of the second iteration of the anthology series.

The Magical World of Disney (1988–2002)

In the spring of 1988, NBC decided to renew its association with the company after it cut ties to the anthology series eight years earlier; the network brought the series, now named The Magical World of Disney, to serve as the lead-in of its Sunday lineup in September 1988. As the program had done during its last season as The Disney Sunday Movie, The Magical World of Disney ran for one hour, airing at 7:00 p.m. Eastern Time; Michael Eisner also returned as its presenter.

After two seasons experiencing the same lackluster ratings as it had accrued during the tail end of its initial NBC run and its subsequent runs on CBS and ABC, Disney elected to move The Magical World of Disney off of broadcast television and began airing the anthology on The Disney Channel – in the same timeslot it had been airing for the past decade – starting in September 1990, expanding back to a two-hour format. Since The Disney Channel operated as a premium channel at the time, films presented on the series were presented without commercial interruption. The Magical World of Disney originally aired on the cable channel as a weekly Sunday-only program for its first 5½ years; however in September 1996, as part of the first phase of a programming revamp that culminated in its formal conversion into a commercial-free basic cable channel in April 1997, The Disney Channel expanded the Magical World brand to encompass its Monday through Saturday prime-time film block, maintaining its 7:00 p.m. Eastern time slot.

The Wonderful World of Disney (1991–present)

The Wonderful World of Disney returned in 1991 as an umbrella title for Disney specials airing on major networks (CBS airings used the historical title The Wonderful World of Disney, while other networks broadcast the show with another title, A Disney Special).

In 1997, with Disney acquiring ABC the previous year, ABC gave the series a regular slot in the schedule. It led the network's Sunday night lineup, resulting in the displacement of Sunday mainstay America's Funniest Home Videos, which had occupied the 7:00 p.m. Eastern time slot since 1992. This incarnation also replaced The ABC Sunday Night Movie, which initially continued to air alongside Wonderful World during the 1997–98 season, before that program was cancelled. The 1997 revival of the rechristened Wonderful World followed the same format as the Disney Sunday Movie, shifting its format more similarly to the Hallmark Hall of Fame to expand focus on original made-for-TV films (such as the 2005 television adaptation of Once Upon a Mattress), which the series had began to incorporate more of during its second run on NBC, although it continued to feature periodic broadcasts of various theatrical films.

In 2002, a Spanish language version of the program premiered on Telemundo (which, incidentally, was acquired by the English version's former home, NBC, that same year) as El Maravilloso el Mundo de Disney, with more of a focus on Disney theatrical films than the English broadcasts at the time.

In September 2003, The Wonderful World of Disney moved to Saturdays at 8:00pm Eastern time, with the previous Sunday time slot being ceded to AFV (which moved back to Sundays that season) and drama series in the 8:00 p.m. hour. There were rare exceptions to the program's format during this time; for example, a Little House on the Prairie miniseries ran for several weeks in 2004 under the Wonderful World of Disney banner. For most of its second run on ABC, the program aired throughout the television season, with the exception of the 2005–06 season (when it aired during the midseason only), and in 2007 and 2008 (when it was relegated to the summer months), with a broader array of films occupying the network's Saturday prime time slot at other times, when sports programming did not air.

At this point, the series began to shift focus toward Disney theatrical films, relying less on original television films; however, the series aired two Disney Channel Original Movies (2003's Cadet Kelly and 2008's Camp Rock, currently the only Disney Channel television films to have aired on non-Disney Channel-branded network domestically) during its ABC run. The second ABC revival also included some family-oriented films produced by studios other than Disney under the Wonderful World banner, such as 20th Century Fox's The Sound of Music and Warner Bros.' Harry Potter film series, as well as television films such as Princess of Thieves (from Granada Productions) and the 2001 remake of Brian's Song (from Columbia-TriStar Television, now Sony Pictures Television).

On December 12, 2015, ABC's The Wonderful World of Disney officially returned to its anthology format with a showing of Mary Poppins, hosted by Dick Van Dyke. Van Dyke took viewers on a tour through the Disney Archives, as they explore props and costumes from the production of Mary Poppins and discuss the film’s history and context within the Disney legacy.[10] It was then shown on February 21, 2016, with the special Disneyland 60, which honored Disneyland's 60th anniversary.[11]


Around the same time that the 1980s incarnations aired on ABC and NBC, reruns of older episodes of the Disney anthology series, airing under the Wonderful World of Disney banner, were syndicated to broadcast television stations throughout the United States[12][13] as well as in various international markets. In Australia, the program aired on Network Seven on Saturdays at 6:30pm, before it was dropped in 1994 due to Optus Vision (later Foxtel)'s launch of a domestic version of The Disney Channel, with Saturday Disney replacing it as the channel's main block of Disney films.

Reruns of the shows were a staple of The Disney Channel for several years under the title Walt Disney Presents (which used the same title sequence as the 1980s CBS incarnation), when it was an outlet for vintage Disney cartoons, television series and films, basically serving the same function that the anthology series served in the days before cable. The original opening titles were restored to the episodes in 1997. Reruns of the anthology series were discontinued when the channel purged all vintage material with the removal of its Vault Disney late-night block on September 16, 2002.[14] However, a few select episodes are available on VHS or DVD (some of which are exclusive to the Disney Movie Club), with the possibility of additional future releases.

Recently, live-action Disney films from the 1950s, 1960s and 1970s have aired on Turner Classic Movies, without commercial interruption, and presented uncut and with letterboxing.

All of the episodes and existing material used on the series up to 1996 are listed in the Bill Cotter book The Wonderful World of Disney Television, which was released in 1997 by Hyperion Books (which was owned by The Walt Disney Company at the book's publication).[3]

Films not yet televised

As of 2010, there are still two classic Disney films that have never been shown on Television at all in their entirety. They are Fantasia and Song of the South. Though it has been re-released to U.S. theatres several times,[15] and the Zip-A-Dee-Doo-Dah and Tar Baby segments have been shown on television, Song of the South has never been released on VHS or an authorized DVD in the U.S., due to the company's unease over the portrayal of Uncle Remus, a key black character in the film. No reason has been given for the withholding of Fantasia for telecast. Nearly all of the segments of Fantasia have been shown on television separately on the Disney TV program, notably The Sorcerer's Apprentice, as well as the uncensored Pastoral Symphony, but never the entire film with all its animated segments from start to finish.

Snow White and the Seven Dwarfs never aired in its entirety until it was telecast on February 14, 2010 on ABC Family, nearly 56 years after the beginning of the first Disney anthology show.

Theme music

International broadcasts


The Telefe era

El mundo de Disney (The World of Disney) aired for the first time on the OTA network Telefe in 1990, hosted by Leonardo Greco.[16] He remained as the sole presenter of the show, lasting until 1995, when the series concluded. The programme started airing at 8:00pm nightly from the second half of 1990 until December of 1992. By 1993, it was moved to weekday afternoons at 5:00pm. When it was coming to an end, around 1994, shifted to sunday afternoons, and aired a long marathon of movies and cartoons. According to Greco, this programme was possible because of a distributor who acquired the material, and was allowed to be shown without following a strict format, because the company wanted to do so.[17] Telefe wanted a comeback, and appointed chef and host Maru Botana (then network talent) to present Planeta Disney (Disney Planet) on sunday evenings, at 8:00pm, beginning November 21, 2004.[18] Starting on July 9, 2005,[19] Botana was replaced with two personalities employed by Disney, Carolina Ibarra and Dani Martins. They both shared the duties of hosting this show and the South American edition of Zapping Zone, on Disney Channel. This lasted for one year and a half, with a relative success.[20]

The Canal 13 era

While Telefe had a major success carrying the animated movies and some TV series like Blossom or Dinosaurs (distributed by Buena Vista Television), Canal 13 saw the possibility of buying material from the company and airing it (sometimes competing against the Telefe's programme) on Sunday afternoons, beginning in 1994, which at that time was filled with telecasts of ancient Argentinian films from the 1950s, 1960s or 1970s, and by reruns of Tarzan and The Three Stooges. The only clear difference was that only movies starring human actors, like Chitty Chitty Bang Bang or The Island at the Top of the World, could be broadcast, and not the cartoons. This experiment lasted until early 1996.[21] By 2007, the network took off from Telefe the exclusive rights to show all the Disney franchise movies and programs, and began to air its movies on Sunday evenings at 7:00pm, without a host. This also allowed Canal 13 to detain rights for other shows not related with Disney, but with the ABC network, like Lost or Grey's Anatomy, and to produce a localised version of the high-grossed film High School Musical.[22]


The ABC run of the program under The Magical World of Disney title originally aired in that country under the title Cine Disney on the Brazilian version of Sistema Brasileiro de Televisão (SBT). The ABC run of the program under The Wonderful World of Disney title originally aired in that country under the title O Maravilhoso Mundo de Disney on the Brazilian version of Disney Channel; the program moved to SBT as Mundo Disney in 2015.



Nielsen seasonal ratings

Network Season Timeslot TV Season Season Premiere Season Finale Season
Viewers (m)
ABC 1 Wednesday 7:00 p.m. ET 1954–1955 October 27, 1954 July 13, 1955 #6 12.00
2 1955–1956 September 14, 1955 May 30, 1956 #4 13.05
3 1956–1957 September 12, 1956 June 5, 1957 #14 12.37
4 1957–1958 September 11, 1957 May 14, 1958
5 Friday 7:00 p.m. ET 1958–1959 October 3, 1958 May 29, 1959
6 1959–1960 October 2, 1959 April 1, 1960
7 Sunday 7:00 p.m. ET 1960–1961 October 16, 1960 June 11, 1961
NBC 8 1961–1962 September 24, 1961 April 15, 1962 #23 11.02
9 1962–1963 September 23, 1962 March 24, 1963 #24 11.22
10 1963–1964 September 29, 1963 May 17, 1964 #21 11.87
11 1964–1965 September 20, 1964 April 4, 1965 #11 13.54
12 1965–1966 September 19, 1965 April 10, 1966 #17 12.49
13 1966–1967 September 11, 1966 April 2, 1967 #19 11.85
14 1967–1968 September 10, 1967 April 28, 1968 #25 11.73
15 1968–1969 September 15, 1968 March 23, 1969 #22 12.41
16 1969–1970 September 14, 1969 March 29, 1970 #9 13.81
17 1970–1971 September 13, 1970 March 14, 1971 #14 13.46
18 1971–1972 September 19, 1971 April 9, 1972 #19 13.66
19 1972–1973 September 17, 1972 April 1, 1973 #9 15.23
20 1973–1974 September 16, 1973 March 13, 1974 #13 14.76
21 1974–1975 September 15, 1974 March 23, 1975 #18 15.07
22 1975–1976 September 14, 1975 July 25, 1976
23 1976–1977 September 26, 1976 May 22, 1977
24 1977–1978 September 18, 1977 June 4, 1978
25 1978–1979 September 17, 1978 May 13, 1979
26 1979–1980 September 16, 1979 July 27, 1980
27 1980–1981 September 14, 1980 August 16, 1981
CBS 28 Saturday 7:00 p.m. ET 1981–1982 September 26, 1981 July 31, 1982
29 1982–1983 September 25, 1982 September 24, 1983
ABC 30 1985–1986 February 2, 1986 June 22, 1986
31 1986–1987 September 21, 1986 August 30, 1987
32 1987–1988 October 4, 1987 May 22, 1988
NBC 33 1988–1989 October 9, 1988 July 23, 1989
34 1989–1990 October 1, 1989 August 26, 1990
CBS 35 Sunday 8:00 p.m. ET 1990-1991 September 23, 1990 September 15, 1991
36 1991-1992 September 22, 1991 September 13, 1992
37 1992-1993 September 20, 1992 September 12, 1993
38 1993-1994 September 19, 1993 September 11, 1994
39 1994-1995 September 18, 1994 September 10, 1995
40 1995-1996 September 17, 1995 August 25, 1996
41 1996-1997 September 2, 1996 December 1, 1996
ABC 42 1997–1998 September 28, 1997 May 18, 1998 #30 13.50[23]
43 1998–1999 September 27, 1998 May 30, 1999 #45 11.90[24]
44 1999–2000 September 26, 1999 May 14, 2000 #29 12.82[25]
45 2000–2001 October 8, 2000 May 31, 2001 #39 12.10[26]
46 2001–2002 September 16, 2001 May 19, 2002 #38 11.20[27]
47 2002–2003 November 3, 2002 July 27, 2003 #53 10.10[28]
48 Saturday 9:00 p.m. ET 2003–2004 September 27, 2003 May 10, 2004 #99 7.39[29]
49 2004–2005 October 16, 2004 June 17, 2005 #96 6.93[30]
50 2005–2006 November 3, 2005 July 8, 2006 #137 5.30[31]
51 2006–2007 December 16, 2006 August 4, 2007 #208[32] 4.28[33]
52 2007–2008 December 23, 2007 December 24, 2008 #172[34] 4.01[35]

Awards and nominations

Emmy Awards


  1. Best Individual Program of the Year (Operation Undersea, 1955)
  2. Best Television Film Editing (Lynn Harrison, Grant K. Smith, Operation Undersea, 1955)
  3. Best Action or Adventure Series (1956)
  4. Best Producer – Film Series (Walt Disney, 1956)
  5. Outstanding Program Achievement in the Field of Children's Programming (1963)
  6. Outstanding Program Achievements in Entertainment (Walt Disney, 1965)
  7. Special Classification of Outstanding Program and Individual Achievement – Programs (Ron Miller, executive producer, 1971)
  8. Outstanding Main Title Design (1998)


  1. Best Television Film Editing (Chester W. Schaeffer, "Davy Crockett: Indian Fighter", 1955)
  2. Best Single Program of the Year ("Davy Crockett and River Pirates", 1956)
  3. Best Musical Contribution for Television (Oliver Wallace, 1957)
  4. Outstanding Program Achievement in the Field of Children's Programming (1962)
  5. Outstanding Program Achievements in the Fields of Variety and Music – Variety (1962)
  6. Outstanding Children's Program (Walt Disney, Ron Miller (Further Adventures of Gallagher, 1966)
  7. Outstanding Achievement in Children's Programming – Programs (Ron Miller, executive producer, 1969)
  8. Outstanding Achievement in Children's Programming – Programs (Ron Miller, executive producer, 1970)
  9. Special Classification of Outstanding Program and Individual Achievement – General Programming (Ron Miller, producer, 1972)
  10. Special Classification of Outstanding Program Achievement (Ron Miller, executive producer, 1977)
  11. Outstanding Children's Program (The Art of Disney Animation, 1981) [36]

Home video

Several home video releases have included episodes of the anthology series.

In the 1980s, Walt Disney Home Video released 15 volumes of the anthology series on VHS, while many episodes have been released on DVD from either the Disney Movie Club or the Disney Generations movies-on-demand (MOD) program on Amazon.com.

See also


  1. 1 2 3 "Walt Disney Presents (a Titles & Air Dates Guide)". Epguides.com. August 5, 2012. Retrieved October 15, 2013.
  2. "Disneyland (1955)". IMDb.com. Retrieved October 15, 2013.
  3. 1 2 Bill Cotter (1997). The Wonderful World of Disney Television. New York: Hyperion Books. p. 17. ISBN 0-7868-6359-5.
  4. "Chronology of Disneyland Theme Park (1960–1965)". Islandnet.com. February 1, 1956. Retrieved October 15, 2013.
  5. "The Story of Color Television". Retrieved October 15, 2013.
  6. Tim Brooks; Earle Marsh (1985). The Complete Directory to Prime Time Network and Cable TV Shows, 1946–present (3rd ed.). New York: Ballantine. p. 1092. ISBN 0-345-31864-1.
  7. 1 2 3 4 "Appendix B – The Anthology Series". BillCotter.com. Retrieved October 15, 2013.
  8. 1 2 James B. Stewart (2005). "1". Disneywar (1st ed.). New York: Simon & Schuster. pp. 76–78. ISBN 0-684-80993-1.
  9. 1 2 Kim Masters (2000). "13". The Keys to the Kingdom: The Rise of Michael Eisner and the Fall of Everybody Else (2nd ed.). New York: HarperCollins. pp. 189–190. ISBN 0-06-662109-7.
  10. Dick Van Dyke to host “Mary Poppins” on “The Wonderful World of Disney” Inside the Magic, Retrieved December 12, 2015
  11. ABC special celebrates Disneyland turning 60 WBAY, Retrieved January 28, 2016
  12. Al Delugach (October 28, 1985). "Disney to Put 20 Films Into TV Syndication". The New York Times. The New York Times Company.
  13. Diane Haithman (July 1, 1987). "KTTV Offers A Daily Dose Of Disney". Los Angeles Times. Times Mirror Company.
  14. Jim Hill (September 6, 2002). "Vhat Vood Vault Do?". Jim Hill Media. Retrieved October 15, 2013.
  15. http://www.imdb.com/title/tt0038969//releaseinfo
  16. http://www.lanacion.com.ar/1771672-leonardo-greco-amo-este-pais-aunque-hay-que-arreglarle-algunas-cosas
  17. http://delosnoventas.blogspot.com.ar/2009/10/entrevista-con-leonardo-greco-la-cara.html
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