The Tribute Money (Titian)

Cristo della moneta

Artist	Titian
Year	c. 1516[1]
Medium	oil on panel
Dimensions	75 cm × 56 cm (30 in × 22 in)
Location	Gemäldegalerie Alte Meister, Dresden

The Tribute Money (Italian: Cristo della moneta - literally Christ of the coin) is a c. 1516 oil painting by Titian, now held at the Gemäldegalerie Alte Meister in Dresden. It is signed "Ticianus F.[ecit]", painted on the trim of the Pharisee's collar. It depicts Christ and a Pharisee at the moment in the Gospels (Matthew 22:15-22, Mark 12:13-17, Luke 20:20-26) when Christ is shown a coin and says "Render unto Caesar..."^[2][3] Giorgio Vasari thought the head of Christ the 'most stupendous and miraculous' thing painted by Titian and that all artists at the time believed it to be an insuperable achievement.

See also

• The Tribute Money (Masaccio)

Notes

References

• Francesco Valcanover, L'opera completa di Tiziano, Rizzoli, Milano 1969.
• Аlexander Medvedev, Tiziano’s «Denarius of Caesar» and F.M. Dostoevsky’s «The Grand Inquisitor»: on the Problem of Christian Art In: The Solovyov Research, 2011, № 3 (31), p. 79-90.

Titian (List of works)
Portraits	Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–06) A Man with a Quilted Sleeve (c. 1509) La Schiavona (1510–12) Vincenzo Mosti (c. 1520) Young Woman in a Black Dress (c. 1520) Man with a Glove (c. 1520) Laura Dianti (c. 1520–25) Federico II Gonzaga (c. 1529) Charles V with a Dog (1533) Ippolito de' Medici (1533) Giacomo Doria (1533–35) Isabella d'Este (1534–36) La Bella (c. 1536) A Young Englishman (1540–45) Clarissa Strozzi (1542) The Vendramin Family (1543–47) Pietro Aretino (1545) Lavinia Vecellio (c. 1545) Pope Paul III (1545–46) Pope Paul III and His Grandsons (1545–46) Equestrian Portrait of Charles V (1548) Charles V (1548) Isabella of Portugal (1548) Philip II in Armour (1550) Christina of Denmark (1555–56) Jacopo Strada (1567–68)
Self portraits	Self-Portrait (1546–47) Self-Portrait (c. 1560)
History painting	Pastoral Concert (c. 1509 – also attributed to Giorgione) The Gypsy Madonna (c. 1510) Miracle of the Jealous Husband (1511) The Three Ages of Man (c. 1512–14) Balbi Holy Conversation (c. 1513) Sacred and Profane Love (c. 1514) Lucretia and her Husband (1515) Flora (c. 1515) Salome (c. 1515) Vanity (c. 1515) Violante (c. 1515) Woman with a Mirror (c. 1515) The Tribute Money (c. 1516) The Worship of Venus (1518–19) Venus Anadyomene (c. 1520) Averoldi Polyptych (1520–22) Bacchus and Ariadne (1520–23) The Bacchanal of the Andrians (1523–26) Venus of Urbino (1538) Alfonso d'Avalos Addressing his Troops (1540) Venus and Music (1547) The Martyrdom of Saint Lawrence (c. 1548–59) The Punishment of Tythus (1549) The Fall of Man (c. 1550) Venus and Adonis (c. 1553) Danaë (series) (1543–65) Mater Dolorosa (c. 1555) Venus with a Mirror (1555) Diana and Actaeon (1556–59) Diana and Callisto (1556–59) The Death of Actaeon (c. 1559–75) Venus and Adonis (c. 1560) Venus Blindfolding Cupid (c. 1565) Allegory of Prudence (c. 1565–70) Tarquin and Lucretia (comp. 1571) Punishment of Marsyas (1570–76)
Biblical	Christ Carrying the Cross (c. 1505 – also attributed to Giorgione) St. Mark Enthroned (c. 1510) Noli me tangere (c. 1514) Assumption of the Virgin (1516–18) Pesaro Madonna (1519–26) Gozzi Altarpiece (1520) Malchiostro Annunciation (c. 1520) The Entombment of Christ (c. 1520) The Madonna of the Rabbit (1530) Penitent Magdalene (1533) Saint John the Baptist (1540) The Crowning with Thorns (1542–43) Saint Jerome in Penitence (1552) Saint Jerome in Penitence (1575) Crucifixion (1558) The Entombment (1559) St Margaret and the Dragon (c. 1559) Annunciation (1559–64) Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560) Penitent Magdalene (1565) Saint Sebastian (c. 1575) Pietà (1576)