The Golden Spiders: A Nero Wolfe Mystery

The Golden Spiders:
A Nero Wolfe Mystery
Genre Period drama
Created by A&E Television Networks
in association with Jaffe/Braunstein Films Ltd.
Written by Paul Monash (screenplay)
Rex Stout (novel)
Directed by Bill Duke
Starring Timothy Hutton
Maury Chaykin
Bill Smitrovich
Mimi Kuzyk
Colin Fox
Saul Rubinek
Fulvio Cecere
Trent McMullen
R.D. Reid
Theme music composer Michael Small
Country of origin United States
Original language(s) English
Producer(s) Michael Jaffe
Howard Braunstein
Editor(s) Ronald Sanders
Running time 100 minutes
Original network A&E
Original release March 5, 2000
Followed by A Nero Wolfe Mystery

The Golden Spiders: A Nero Wolfe Mystery is a 2000 made-for-television film based on the 1953 novel by Rex Stout. Set in 1950s Manhattan, the A&E Network production stars Maury Chaykin as the heavyweight detective genius Nero Wolfe, and Timothy Hutton as Wolfe's assistant, Archie Goodwin, narrator of the Nero Wolfe stories. Veteran screenwriter Paul Monash adapted the 1953 novel by Rex Stout; Bill Duke directed. When it first aired on the A&E Network March 5, 2000, The Golden Spiders was seen in 3.2 million homes, making it the fourth most-watched A&E original movie ever.[1] Its success led to the A&E original series, A Nero Wolfe Mystery (2001–2002).


The voice of Archie Goodwin (Timothy Hutton) introduces us to the seventh-of-a-ton master sleuth Nero Wolfe (Maury Chaykin) — "a man who thinks he's the world's greatest detective. Truth being, he is." Wolfe lives in an opulent Manhattan brownstone on West 35th Street, where he enjoys reading, the cultivation of rare orchids, beer, and fine food prepared by his resident chef, Fritz Brenner (Colin Fox). The brownstone is also home to Archie, Wolfe's confidential assistant and legman, whose responsibilities include goading his sedentary boss into working occasionally to replenish the coffers.

When Archie joins him in the dining room, Wolfe is unfazed by the news that he is overdrawn at the bank — but he is taken aback at the discovery that Fritz has altered one of his favorite dishes without consulting him. The resulting tantrum prompts Archie to do something uncharacteristic when the doorbell rings: admit one of the neighborhood kids, Pete Drossos (Robert Clark), who says he has to see Nero Wolfe.

Pete has a case. He tells Wolfe he works the wipe racket — cleaning the windshields of cars stopped at intersections, for the occasional tip. About an hour before, Pete saw a good-looking woman wearing large gold earrings shaped like spiders, at the wheel of a 1952 Cadillac. As Pete wiped her windshield the woman mouthed the words, "Help. Get a cop." A male passenger stuck a gun in her ribs and the car drove off. Pete wrote down the license number. If the woman is found dead, Pete believes he can claim a reward by identifying the man who was with her. Since the case is too big for him to handle alone, Pete asks Nero Wolfe to go 50-50. Wolfe instructs Archie to call the police, to suggest they do a routine check on the license plate number, and Pete hurries home to his mother.

The next evening Sergeant Purley Stebbins (R. D. Reid) of Manhattan Homicide visits Wolfe's office. The car Archie had called the police about the previous evening has just been seen to run down and kill a boy — a boy named Peter Drossos. Stebbins' visit is interrupted by the arrival of Pete's mother (Nancy Beatty), who is there to do what her dying boy asked her to do: "Go to Mr. Wolfe. Tell him what happened. Give Mr. Wolfe the money. Tell him to find the guy who ran me down."

After Mrs. Drossos leaves, Wolfe tells Archie to return Pete's money — $4.30 — or give it to the Red Cross. Archie refuses and instead drafts a newspaper ad directed at the woman Pete saw at the wheel of the Cadillac. Archie is sure the ad will never be answered, but it will give Wolfe the feeling that he has earned his fee.

But the ad does draw Inspector Cramer (Bill Smitrovich) of Manhattan Homicide, who wants to know what Wolfe is up to. The Cadillac has been found, along with evidence that it was used for another murder: that of an Immigration and Naturalization Service agent named Matthew Birch.

The ad then attracts a woman reluctant to give her name — and she is wearing golden spider earrings. She offers $500 for information about the boy who saw her driving the car. After Wolfe explains that the boy is dead and the police are searching for the driver, the woman is shaken. She identifies herself as Laura Fromm (Mimi Kuzyk), a wealthy widow and philanthropist. She admits she was not driving the car, presents Wolfe with a $10,000 retainer for his expert advice, and promises to return the next day. First she must see someone, find out something. Wolfe accepts the retainer and warns Mrs. Fromm sternly about the danger of asking any questions herself, since two people have already been killed.

Mrs. Fromm is not on time for her appointment the next day. Instead, Wolfe is visited by two attorneys who report that Mrs. Fromm has been run down and killed by a car. One is executor of her estate; the other is Dennis Horan (Gary Reineke), an attorney for the Association of European Refugees, a humanitarian organization with which Mrs. Fromm was closely involved. When asked to return the hefty retainer, Wolfe tells the lawyers that he intends to earn the money by finding the murderer.

Freelance operatives Saul Panzer (Saul Rubinek), Orrie Cather (Trent McMullen) and Fred Durkin (Fulvio Cecere) are called in to assist — to investigate the refugee organization, trace the distinctive golden spider earrings, and see if anything comes of Wolfe's conjecture that Matthew Birch was the passenger in the Cadillac. The inquiry reveals a blackmail ring that is victimizing hundreds of vulnerable people.

In the final scene, Archie meets with Pete's mother in the office and gives her half of Laura Fromm's $10,000 retainer, saying that Pete and Wolfe had agreed to take equal shares of any proceeds from the case. Even though she begins to cry — something Wolfe cannot bear — Archie reports to Wolfe that she kept her composure until she made it out the door.


In a 2002 interview in Scarlet Street magazine, executive producer Michael Jaffe explained why the novel The Golden Spiders was selected to introduce contemporary audiences to Nero Wolfe:

There are three or four really extraordinary novels — The Silent Speaker, In the Best Families, and The Doorbell Rang, for example. These are some of the most famous and most complex and most amazing stories in the series, but we didn't want to start with those particular ones for a whole complex of reasons. We wanted to pick a story that had activity in it so that we could slowly bring people into the static milieu of Nero Wolfe's house. The Golden Spiders took you outside. There's a gunfight and a tough interrogation scene. It was a very strong story with a lot of pathos, because a young boy is murdered and Wolfe has to deal with his mother. So that was why we chose that one.[2]

Saul Rubinek, who would take the role of Lon Cohen in the subsequent series, was cast as Saul Panzer in the pilot. Prior to the original film's broadcast, Rubinek was asked what made him want to do the project:

Maury Chaykin and I have known each other for almost 30 years and so we know what each other's doing, and I've also been an aficionado of Rex Stout's. ... By total coincidence, I started doing book tapes. I must have done seven or eight book tapes reading Rex Stout novels. I've always known Maury would be great casting as Nero Wolfe... And as it turned out, there's a character called Saul Panzer, who is one of Wolfe's operatives. ... At one point, Saul has to go undercover and play an immigrant. ...
Rex Stout was a great humanitarian, and he did a tremendous amount of charity work, and he was very compassionate towards immigrants to the United States. It's not out of keeping with Stout's personality that he would have written about victimization of immigrants who are being blackmailed. The center of the story is about that. And don't forget that he's writing in the fifties, when there was a lot of reaction against immigrants after the Second World War coming into America, and it wasn't pleasant. I would imagine it's not so different from the eighties when the Vietnamese were coming into America, and there was a lot of reaction against that. There's always a period during American history where the American public might react against who we're letting into the country, and I think he had a great deal of compassion for that, for people who are stateless. I was born in a refugee camp myself, and my family are Holocaust survivors, and I was naturalized as a Canadian citizen before I became an American citizen, so it's a part of the story that I kind of connected to.[3]

The Golden Spiders is an A&E Network Production in association with Jaffe/Braunstein Films, Ltd. Shot in Toronto, the film features production design by Lindsey Hermer-Bell and cinematography by Michael Fash. The adaptation of Rex Stout's novel is the final credit of Paul Monash, a veteran screenwriter and film producer. "I have no need to work on things I don't care to," Monash told an interviewer about his work on The Golden Spiders. "This, I wanted to do."[4]


His is a definitive performance, in much the same way that Jeremy Brett became Sherlock Holmes and David Suchet found the human being inside the caricature Agatha Christie created in Hercule Poirot.
James D. Watts, "An Appetite for Crime," Tulsa World (March 5, 2000), on Maury Chaykin


A&E initially planned that The Golden Spiders would be the first in a series of two-hour mystery movies featuring Nero Wolfe.[5] The high ratings (3.2 million households) garnered by the film, along with the critical praise accorded Chaykin as Wolfe and Hutton as Archie, prompted A&E to order a weekly one-hour drama series — A Nero Wolfe Mystery — into production.[6]

Reviews and commentary

Home video releases

A&E Home Video

The Golden Spiders, the feature-length pilot for the series A Nero Wolfe Mystery, is included on two of A&E's DVD box sets —"Nero Wolfe: The Complete Classic Whodunit Series" and "Nero Wolfe: The Complete Second Season." The film was also released independently on VHS and DVD.

Title Media Type Release Date Approximate Length ISBN
Nero Wolfe:
The Complete Classic
Whodunit Series
Region 1 DVD
Eight-disc box set
April 25, 2006 24 hours,
56 minutes
+ extras
ISBN 0-7670-8893-X
The Golden Spiders:
A Nero Wolfe Mystery
Region 1 DVD+R
(A&E Store exclusive)
October 2004 94 minutes ISBN 0-7670-6719-3
Nero Wolfe:
The Complete Second Season
Region 1 DVD
Five-disc box set
June 28, 2005[8] 13 hours,
20 minutes
ISBN 0-7670-5508-X
The Golden Spiders:
A Nero Wolfe Mystery
VHS videotape
May 30, 2000 100 minutes ISBN 0-7670-2551-2

FremantleMedia Enterprises

The Golden Spiders was distributed by Pearson Television International. The film saw its first international DVD release in August 2008, when it was included in "Nero Wolfe – Collection One", offered for sale in Australia by FremantleMedia Enterprises.

Title Media Type Release Date Approximate Length Numeric Identifier
Nero Wolfe — Collection One Region 4 DVD
Three-disc set[9]
August 13, 2008 276 minutes UPC 9316797427038
A Nero Wolfe Mystery — Serie 1 Region 2 DVD
Three-disc set[10]
December 11, 2009 270 minutes EAN 9315842036140


  1. Greppi, Michele, "Sleuths super for A&E record"; The Hollywood Reporter, March 10, 2000
  2. Vitaris, Paula, "Miracle on 35th Street: Nero Wolfe on Television"; Scarlet Street, issue #45, 2002, p. 34
  3. A&E Network interview with Saul Rubinek, retrieved June 23, 2007
  4. Cuthbert, David, "Famous detective Nero Wolfe takes on murder in The Golden Spiders,"; Times-Picayune (New Orleans, Louisiana), March 1, 2000
  5. Dempsey, John, "A&E embarks on ambitious mystery plan"; Daily Variety, January 15, 1999
  6. Dempsey, John, "Wolfe series at the door for A&E"; Variety, June 26, 2000; "A&E packs 'Wolfe'"; Variety, June 22, 2000
  7. Zoller Seitz, Matt, "Hutton finds his inner hero"; The Star-Ledger, April 21, 2001
  8. Actually released in June 2004 for exclusive sale by A&E Store and select outlets
  9. Features include "The Golden Spiders," "The Doorbell Rang" and "Champagne for One." Each 90-minute film is presented with a single set of titles and credits. Screen format is 4 x 3 full frame. Rated M (mild crime themes and mild violence) by the Commonwealth of Australia.
  10. Features include "The Golden Spiders," "The Doorbell Rang" and "Champagne for One." Screen format is 4:3 full frame. Dutch subtitles. Recommended for age 12 and over.
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