Television (band)


(L-R) Ficca, Verlaine, Smith, Lloyd
Background information
Origin New York City, New York, United States
Years active 1973–1978, 1991–1993, 2001–present
Associated acts
Past members

Television is an American rock band, and considered influential in the development of punk and alternative music.[4][5][6] Television was formed in New York City in 1973 by Tom Verlaine and Richard Hell.

Television was an early fixture of CBGB and the 1970s New York rock scene. Although they recorded in a stripped-down, guitar-based manner similar to their punk contemporaries, the band's music was by comparison clean, improvisational, and technically proficient, drawing influence from avant-garde jazz and 1960s rock.[4][7] The group's debut album, Marquee Moon, is often considered one of the defining releases of the punk era.


Early history and formation

Television's roots can be traced to the teenage friendship between Tom Verlaine and Richard Hell. The duo met at Sanford School in Hockessin, Delaware, from which they ran away.[8] Both moved to New York, separately, in the early 1970s, aspiring to be poets.[9]

Their first group together was the Neon Boys, consisting of Verlaine on guitar and vocals, Hell on bass and vocals and Billy Ficca on drums.[10] The group lasted from late 1972 to late 1973. A 7-inch record featuring "That's All I Know (Right Now)" and "Love Comes in Spurts" was released in 1980.[11]

In late 1973 the group reformed, calling themselves Television and recruiting Richard Lloyd as a second guitarist. Their first gig was at the Townhouse Theatre, on March 2, 1974.[12] Their manager, Terry Ork, persuaded CBGB owner Hilly Kristal to give the band a regular gig at his club,[13] where they reportedly constructed their first stage. After playing several gigs at CBGB in early 1974,[14] they played at Max's Kansas City and other clubs, returning to CBGB in January 1975,[12] where they established a significant cult following.

Departure of Richard Hell and debut release

Initially, songwriting was split almost evenly between Hell and Verlaine; Lloyd being an infrequent contributor as well.[15] However, friction began to develop as Verlaine, Lloyd and Ficca became increasingly confident and adept with both instruments and composition, while Hell remained defiantly untrained in his approach. Verlaine, feeling that Hell's frenzied onstage demeanor was upstaging his songs, reportedly told him to "stop jumping around" during the songs and occasionally refused to play Hell's songs, such as "Blank Generation", in concert. This conflict, as well as one of their songs being picked up by Island Records, led Hell to leave the group and take some of his songs with him.[16] He co-founded the Heartbreakers in 1975 with former members of the New York Dolls Johnny Thunders and Jerry Nolan, later forming Richard Hell and the Voidoids.[17] Fred Smith, briefly of Blondie, replaced Hell as Television's bassist.[18]

Television made their vinyl debut in 1975 with "Little Johnny Jewel" (Parts One and Two), a 7-inch single on the independent label Ork Records, owned by their manager, Terry Ork. Richard Lloyd apparently disagreed with the selection of this song, preferring "O Mi Amore" for their debut, to the extent that he seriously considered leaving the band.[19] Reportedly Pere Ubu guitarist Peter Laughner auditioned for his spot during this time.[20]

Marquee Moon, Adventure and break-up (1977–78)

Television's first album, Marquee Moon, was received positively by music critics and audiences and entered the Billboard 200 albums chart – it also sold well in Europe and reached the Top 30 in many countries there. Upon its initial release in 1977, Roy Trakin wrote in the SoHo Weekly "forget everything you've heard about Television, forget punk, forget New York, forget CBGB's ... hell, forget rock and roll—this is the real item."[21] Critics have since ranked the album number 83 on cable music channel VH1's 2000 list of the 100 Greatest Albums of Rock and Roll and number 128 on Rolling Stone's 2003 list of the 500 greatest albums of all time. It was ranked number two in Uncut magazine's "100 Greatest Debut Records" and number 3 on Pitchfork Media's list of the best albums of the 1970s. Stephen Thomas Erlewine of AllMusic writes that the album was "revolutionary" and composed "entirely of tense garage rockers that spiral into heady intellectual territory, which is achieved through the group's long, interweaving instrumental sections."[22]

Television's second album, Adventure, was issued in 1978.[23][24] Softer and more reflective than their debut album, Adventure was well received by critics despite modest sales.

The members' independent and strongly held artistic visions, along with Richard Lloyd's drug abuse, led to the band's break-up in July 1978. Both Lloyd and Verlaine pursued solo careers, while Ficca became the drummer for the new wave band The Waitresses.[25]

Reformation (1992–present)

Television reformed in 1992, released an eponymous third album and have performed live sporadically thereafter.[26] Since being wooed back on stage together for the 2001 All Tomorrow's Parties festival at Camber Sands, England, they've played a number of dates around the world and continue to perform on an irregular basis.

In 2007, Richard Lloyd announced he would be amicably leaving the band after a midsummer show in New York City's Central Park.[27] Due to an extended hospital stay recovering from pneumonia, he was unable to make the Central Park concert. Jimmy Rip substituted for him that day, and was subsequently asked to join the band full-time in Lloyd's place. On July 7, 2011, the new lineup performed at the Beco 203 music festival in São Paulo, Brazil.[28] In an MTV Brazil Television interview, the band confirmed that an album with about ten new tracks was close to being finished.

Musical style and influences

As with many emerging punk bands, the Velvet Underground was a strong influence.[29] Television also drew inspiration from minimalist composers such as Steve Reich. Tom Verlaine has often cited the influence of surf bands the Ventures and Dick Dale to Television's approach to the guitar, and he has also expressed a fondness for the bands Love and Buffalo Springfield, two groups noted for their dual-guitar interplay. Television's ties to punk were underscored by their late '60s garage rock leanings, as the band often covered the Count Five's "Psychotic Reaction" and the 13th Floor Elevators' "Fire Engine" in concert.[30]

Lester Bangs heard in Television's music the influence of Quicksilver Messenger Service, noting a similarity between Verlaine's guitar playing and that of John Cipollina.[31] Tom Verlaine has downplayed the comparison, citing the Ventures as a more apt reference point.[32]

Though Verlaine and Lloyd were nominally "rhythm" and "lead" guitarists, they often rendered such labels obsolete by crafting interlocking parts, where the ostensible rhythm role could be as intriguing as the lead. Al Handa writes, "In Television's case, Lloyd was the guitarist who affected the tonality of the music more often than not, and Verlaine and the rhythm section the ones who gave the ear its anchor and familiar musical elements. Listen only to Lloyd, and you can hear some truly off the wall ideas being played."[33] The opening of the song "Marquee Moon" from the album of the same name displays the band's characteristic interlocking melodic and rhythmic guitar lines.


Former members


Studio albums
Live albums
Compilation albums




  • Bangs, Lester (1979). "Free Jazz / Punk Rock". Musician. Retrieved December 25, 2014. 
  • Emerson, Ken (June 1, 1978). "Television Adventure Album Review". Rolling Stone. Retrieved April 4, 2016. 
  • Handa, Al (May 1996). "Television: Marquee Moon". Perfect Sound Forever. Retrieved December 25, 2014. 
  • Hughes, Josiah (April 27, 2015). "Television Announce Vancouver Show". Exclaim!. Retrieved October 30, 2015. 
  • Meagher, John (May 31, 2015). "Music - Television: NYC's art-punk pioneers". Irish Independent. Retrieved October 30, 2015. 
  • Murray, Noel (May 28, 2015). "60 minutes of music that sum up art-punk pioneers Wire". The A.V. Club. Retrieved October 28, 2015. 
  • Schinder, Scott; Schwartz, Andy (2008). Icons of Rock: An Encyclopedia of the Legends who Changed Music Forever. 2. Greenwood Publishing Group. ISBN 0-313-33847-7. 
  • Ramone, Marky; Herschlag, Richard (2015). Punk Rock Blitzkrieg: My Life as a Ramone. Simon & Schuster. ISBN 978-1-4516-8775-0. 
  • Robb, John (2012). Craske, Oliver, ed. Punk Rock: An Oral History. United Kingdom: PM Press. ISBN 978-1-60486-005-4. 
  • Simpson, Dave (17 November 2013). "Television". The Guardian. 
  • Taylor, Steven (2003). False Prophet: Field Notes from the Punk Underground. Middletown, Conn.: Wesleyan University Press. ISBN 0-8195-6668-3. 
  • Thompson, Dave (2000). Alternative Rock. San Francisco: Miller Freeman. ISBN 0-87930-607-6. 
  • Trakin, Roy (1977). "Marquee Moon review". SoHo Weekly. 
  • Wallace, Amy; Manitoba, Dick (2007). The Official Punk Rock Book of Lists. Backbeat Books. ISBN 978-0-87930-919-0. 
  • Waterman, Bryan (2011). Television's Marquee Moon. 33⅓. 83. Continuum International Publishing Group. ISBN 978-1-4411-8605-8. 
  • Walker, John (1991). Ira Robbins, ed. The Trouser Press Record Guide (4th ed.). New York: Collier. ISBN 0-02-036361-3. 
  • Wizon, Tod (1992). "Television". BOMB Magazine. Retrieved 2016-02-02. 
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