Queen Elisabeth Competition

Official logo, English version.

The Queen Elisabeth Competition (Dutch: Koningin Elisabethwedstrijd, French: Concours Musical International Reine Elisabeth) is a competition for career-starting musicians held in Brussels. The competition is named after Queen Elisabeth of Belgium. It is a competition for classical violinists (from 1937), pianists (from 1938), singers (from 1988) and cellists (from 2017).^[1] It also held international competitions for composers from 1953 to 2012.^[2]

Since its foundation it is considered one of the most challenging and prestigious competitions for instrumentalists. In 1957 the Queen Elisabeth Competition was one of the founding members of the World Federation of International Music Competitions.^[3]

History

Eugène Ysaÿe, Belgian concert-violinist, wanted to set up an international music competition for young virtuosi showcasing their all-round skill, but died before he could do so. Queen Elisabeth, patroness of the arts and good friend of Ysaÿe, set up the competition in his memory in 1937. The prestige of Ysaÿe and Belgium's Royal Court (King Albert and Queen Elisabeth were admired heroes of the First World War) assured that the first competition would draw great entrants.^[4]

1937–1950

The first two editions of the competition, in 1937 for violin and in 1938 for piano, were named after Ysaÿe. World War II and other impediments prevented the competition from taking place from 1940 to 1950.^[4]

1951–1986

In 1951, the competition was renamed for its patroness, Queen Elisabeth, and has taken place under that name since then. Entrants are expected to learn a compulsory work written especially for the competition. (The work is picked during the composition competition.) Usually there is also a section where contestants are expected to perform a work by a Belgian composer. From 1963 to 1980, Marcel Poot of the Brussels Conservatory chaired the jury of the competition and wrote several commissioned works to mark the occasion, that were used as competition-required pieces.^[5]

The competition restarted with four-year cycles, starting with two consecutive years for violin and piano respectively, followed by a year for international composition competitions. The fourth year of each cycle had no competition. The years 1973 to 1974 were a transition to cycles with instrument competitions in even years, and the internationional composition competition in the year between the violin and the piano competitions, until the early 1980s when the cycles were re-arranged again.^[2]

1987–2006

With the competition for voice (singing) introduced in 1988 the four-year cycles were piano → voice → violin → year without performer competition. Before 2002 there were no composition competitions in even years.^[2]

2007–2014

From 2007 there were no longer years without competition for performers: with three disciplines (piano, voice, violin), each of these returned in a three-year cycle.^[2]

There were competitions for composition in 2008, 2009, 2011 and 2012, each of these for the performance piece of the instrumentalist finale of the next year.^[2]

2015 and beyond

From 2015 there are again four-year cycles, with, for the first time in 2017, a cello competition added after the year with the piano competition.^[6] The public composition competitions stopped.^[2]

Patronage and prizes

The Queen Elisabeth Competition generates income from its own activities, from private patronage and from sponsoring. Resources are varied: part of the funding for the prizes laureates receive is provided by public authorities and patrons, corporate sponsors, donors contributions, ticket and programme sales, advertising in the programmes and the sale of recordings. The Competition also benefits from the volunteer assistance of families who open their homes to candidates for the duration of the competition.

Prizes for the finalist performing musicians (amounts as awarded in the 2015 violin competition):^[7]

• First prize, International Queen Elisabeth Grand Prize - Prize of the patron Queen (as of 2015: Queen Mathilde Prize): 25,000 euro, numerous concerts, recording on CD; for the violin competition also: loan of the 'Huggins' Stradivarius violin from the Nippon Music Foundation until the next violin competition.
• Second Prize, Belgian Federal Government Prize: 20,000 euro, concerts, recording on CD
• Third Prize, Count de Launoit Prize: 17,000 euro, concerts
• Fourth Prize, Prize awarded alternately by each of the communities of Belgium (2015: awarded by the Government of the Federation Wallonia-Brussels): 12,500 euro, concerts
• Fifth Prize, Brussels Capital Region Prize: 10,000 euro, concerts
• Sixth Prize, City of Brussels Prize: 8,000 euro, concerts
• For the other six finalists, sums donated by the Belgian National Lottery: 4,000 euro each

Finalists, laureates and winners

Competitions for performing musicians have 12 finalists performing as a soloist before a full symphonic orchestra. Originally all finalists became ranked laureates, later only the first six laureates were ranked. The first editions of the competition were dominated by candidates from the USSR: the 1937 violin competition was won by David Oistrakh and the next year Emil Gilels won the piano competition. The piano competition of 1952 and the violin competition of 1955 were the first to see winners from the United States. By the time of the 50th competition in 2012 an increasing number of Asian contestants reached the finals. In the 21st century the top 5 prize winners have received prizes between 10,000 and 25,000 euro, other laureates receiving amounts below 10,000 euro.^[2]

Violin

Year	1st	2nd	3rd	4th	5th
1937	David Oistrakh	Ricardo Odnoposoff	Elizabeth Gilels	Boris Goldstein	Marina Kozolupova
1951	Leonid Kogan	Mikhail Vayman	Elise Cserfalvi	Theo Olof	Alexei Gorokhov[8]
1955	Berl Senofsky	Julian Sitkovetsky	Pierre Doukan	Francine Dorfeuille-Boussinot	Victor Picaizen
1959	Jaime Laredo	Albert Markov	Joseph Silverstein	Vladimir Malinin	Boris Kouniev
1963	Alexei Mikhlin	Semyon Snitkovsky	Arnold Steinhardt	Zarius Shikhmurzayeva	Charles Castleman
1967	Philippe Hirschhorn	Stoïka Milanova	Gidon Kremer	Roman Nodel	Hidetaro Suzuki
1971	Miriam Fried	Andreï Korsakov	Hamao Fujiwara	/ Ana Chumachenco	Edith Volckaert
1976	Mikhaïl Bezverkhny	Irina Medvedeva	Dong-Suk Kang	Grigori Zhislin	Shizuka Ishikawa
1980	Yuzuko Horigome	Peter Zazofsky	Takashi Shimizu	Ruriko Tsukahara	Mihaela Martin
1985	Hu Nai-yuan	Ik-Hwan Bae	Henry Raudales	Hu Kun	Mi Kyung Lee
1989	Vadim Repin	Akiko Suwanai	Evgeny Bushkov	Erez Ofer	Ulrike-Anima Mathé
1993	Yayoi Toda	Liviu Prunaru	Keng-Yuen Tseng	Martin Beaver	Natalia Prischepenko
1997	Nikolaj Znaider	Albrecht Breuninger	Kristóf Baráti	Andrew Haveron	Natsumi Tamai
2001	Baiba Skride	Kam Ning	Barnabás Kelemen	Alina Pogostkin	Feng Ning
2005	Sergey Khachatryan	Yossif Ivanov	Sophia Jaffé	Saeka Matsuyama	Mikhail Ovrutsky
2009	Ray Chen	Lorenzo Gatto	Ilian Garnet	Suyoen Kim	Nikita Borisoglebsky
2012	Andrey Baranov	Tatsuki Narita	Hyun Su Shin	Esther Yoo	Tseng Yu-Chien
2015[7]	Ji Young Lim	Oleksii Semenenko	William Hagen	Tobias Feldmann	/ Stephen Waarts

Piano

Year	1st	2nd	3rd	4th	5th
1938	Emil Gilels	Mary Johnstone (Moura Lympany)	Jakov Flier	Lance Dossor	Nibya Mariño Bellini
1952	Leon Fleisher	Karl Engel	Maria Tipo	Frans Brouw	Lawrence Davis
1956	Vladimir Ashkenazy	John Browning	Andrzej Czajkowski	Cécile Ousset	Lazar Berman
1960	Malcolm Frager	Ronald Turini	Lee Luvisi	Alice Mitchenko	Gábor Gabos
1964	Evgeny Mogilevsky	Nikolai Petrov	Jean-Claude Vanden Eynden	Anton Kuerti	Richard Syracuse
1968	Ekaterina Novitskaya	Valère Kamychov	Jeffrey Siegel	Semion Kroutchine	André De Groote
1972	Valery Afanassiev	Jeffrey Swann	Joseph Alfidi	David Lively	Svetlana Navasardyan
1975	Mikhaïl Faerman	Stanislav Igolinsky	Youri Egorov	Larry Michael Graham	Sergueï Iuchkevitch
1978	Abdel Rahman El Bacha	Gregory Allen	Brigitte Engerer	Alan Weiss	Douglas Finch
1983	Pierre-Alain Volondat	Wolfgang Manz	Boyan Vodenitcharov	Daniel Blumenthal	Eliane Rodrigues
1987	Andrei Nikolsky	Akira Wakabayashi	Rolf Plagge	Johan Schmidt	Ikuyo Nakamichi
1991	Frank Braley	Stephen Prutsman	Brian Ganz	Hae-sun Paik	Alexander Melnikov
1995	Markus Groh	Laura Mikkola	Giovanni Bellucci	Yuliya Gorenman	Jong Hwa Park
1999	Vitaly Samoshko	Alexander Ghindin	Ning An	Shai Wosner	Roberto Cominati
2003	Severin von Eckardstein	Wen-Yu Shen	Unawarded after Dong-Hyek Lim refused it[9]	Roberto Giordano	Kazumasa Matsumoto
2007	Anna Vinnitskaya	Plamena Mangova	Francesco Piemontesi	Ilya Rashkovsky	Lim Hyo-Sun
2010	Denis Kozhukhin	Evgeni Bozhanov	Hannes Minnaar	Yury Favorin	Kim Tae-Hyung
2013	Boris Giltburg	Rémi Geniet	Mateusz Borowiak	Stanislav Khristenko	Zhang Zuo
2016	Lukáš Vondráček	Henry Kramer	Alexander Beyer	Chi Ho Han	Aljosa Jurinic

Voice / Singing

Year	1st	2nd	3rd	4th	5th
1988	Aga Winska	Jeanette Thompson	Huub Claessens	Jacob Will	Yvonne Schiffelers
1992	Thierry Félix	Reginaldo Pinheiro	Wendy Hoffman	Regina Nathan	Cristina Gallardo-Domâs
1996	Stephen Salters	Ana Camelia Stefanescu	Eleni Matos	Mariana Zvetkova	Ray Wade
2000	Marie-Nicole Lemieux	Marius Brenciu	Olga Pasichnyk	Pierre-Yves Pruvot	Lubana Al Quntar
2004	Iwona Sobotka	Hélène Guilmette	Shadi Torbey	Teodora Gheorghiu	Diana Axentii
2008	Szabolcs Brickner	Isabelle Druet	Bernadetta Grabias	Anna Kasyan	Yury Haradzetski
2011	Haeran Hong	Thomas Blondelle	Elena Galitskaya	Anaïk Morel	Konstantin Shushakov
2014	Sumi Hwang	Jodie Devos	Sarah Laulan	Yu Shao	Hyesang Park

The first international Queen Elisabeth Competition for composition was held in 1953. Composition competitions had less laureates or finalists, with usually only the winners who see their winning piece performed in the final of the competitions for instrumentalists receiving broad media attention.^[10]

Composition

Year	1st	Work
1953	Michal Spisak	Serenade
1957	Orazio Fiume	Concerto per orchestra
1960	Marcel Poot	Sinfonia burlesca
1963	Léon Jongen	Concerto in D major
1977	Hiroyuki Fujikake	Rope Crest
1982	John Weeks	Five Litanies for Orchestra
1989	André Laporte	Fantasia Rondino Con Tema Reale
1991	Tristan-Patrice Challulau	Ne la città dolente
1993	Piet Swerts	Zodiac
1995	John Weeks	Requiescat
1997	Hendrik Hofmeyr	Raptus
1999	Uljas Voitto Pulkkis	Tears of Ludovico
2001	/ Søren Nils Eichberg	Qilaatersorneq
2003	Ian Munro	Piano Concerto Dreams
2005	Javier Torres Maldonado	Obscuro Etiamtum Lumine
2006	Miguel Gálvez-Taroncher	La luna y la muerte
2008	Cho Eun-Hwa	Agens
2009	Jeon Minje	Target
2011	Sakai Kenji	Concerto pour violon et orchestre
2012	Michel Petrossian	In the wake of Ea pour piano et orchestre

Media coverage and prizes awarded by audiences

The competition was covered on the Belgian radio from its first edition, the press writing about contestants and their performances. Broadcasting via television expanded in the 1960s. French-language and Dutch-language Belgian broadcasting organizations started to award prizes based on the preferences of their audiences from 1975 and 1991 respectively. Abdel Rahman El Bacha, Pierre-Alain Volondat, Severin von Eckardstein and Denis Kozhukhin were among the few contestants that were as convincing to the competition jury as to the general audience. Recorded performances were commercialised from 1967. In the 21st century recordings of the competitors' performances were streamed live on the internet and/or made available as video or audio downloads, followed by social media discussions.^[11]

See also

• List of classical music competitions
• Queen Elisabeth Music Chapel

References

External links

• www.cmireb.be – website of the Queen Elisabeth Competition
• Data regarding competition finals collected by M-P & J-M Lambert
• Biography at Andrey Baranov website