National Association of Theatre Owners
The National Association of Theatre Owners (NATO) is a trade organization based in the United States whose members are the owners of movie theaters. Most major theater chains are members, as are many independent theater operators; collectively, they account for the operation of over 32,000 motion picture screens in all 50 U.S. states and 81 other countries.
The long-running official magazine of NATO is Boxoffice; between 2001 and 2007, they also published In Focus.
As the motion picture industry became larger, movie production companies began consolidating and controlling distribution. The largest producer, Famous Players-Lasky, joined and later merged with the largest distributor, Paramount (eventually becoming Paramount Pictures), and together they began block-booking in 1917, forcing theaters to buy mediocre films to get the good ones. Theaters banded together to bargain for better pricing, with 26 of the largest combining into First National Exhibitors Circuit—which went on to become a producer and distributor in its own right, before being bought by Warner Bros. By 1921, Paramount already owned 300 theaters, and other producers were catching up. Studios soon contracted with each other to keep first-runs inside the affiliated network, using this access to coerce independents into selling out.
In 1921, the first predecessor of NATO was founded, the largely affiliated Motion Picture Theater Owners of America (MPTOA), soon followed by the independent Allied States Association of Motion Picture Exhibitors (Allied), Unaffiliated Independent Motion Picture Exhibitors of America, National Independent Theatre Exhibitors, and more, to demand better pricing and access to first-runs. Unlike the others, the MPTOA embraced affiliated theaters, and soon became the largest organization.
During World War II, many theaters joined the new War Activities Committee, after the war becoming the Theatre Activities Committee and soon American Theatre Association (ATA), which strongly supported the antitrust case against the Big Five. A plan to merge with MPTOA, which strongly supported the studios, ran into friction, with many affiliated theaters leaving the ATA over its stance; conversely Allied, the largest purely-independent group, refused to join over the presence of affiliates. The merger went ahead in 1947, minus affiliates of Loews, RKO, and Warner Bros., and they became the Theater Owners of America (TOA) with about 10,000 theaters.
After divestiture in the fallout of the 1948 Paramount decision, many formerly-affiliated theaters ended up joining either TOA or Allied. During the post-war period, theater revenue collapsed as television became widespread, even as film rental became more expensive, and thousands of theaters closed, particularly in city centers hard hit by suburban flight. Finally, in 1966 TOA and Allied merged into the National Association of Theatre Owners, largely based on TOA's structure but headed by Marshall Fine, former Allied chairman.
The 1970s were difficult for NATO; although the blockbuster The Godfather revitalized theater-going and revenue, in 1975 a new National Independent Theatre Exhibitors (NITE) came together to challenge NATO, eventually numbering almost a thousand theaters, and governance reforms were pushed by members as well. When the reforms stalled, the entire California and Illinois chapters pulled out in 1977, along with many small chains around the nation. After 1980, many of the requested reforms were finally implemented, including a full-time president and a full-time lobbyist in Washington, as well as moving its headquarters from New York to Los Angeles; by the end of the decade, NITE had folded back into NATO, leaving only one dominant organization.
The 1980s saw a relaxation of antitrust regulation and subsequent purchasing of many chains by distributors and large conglomerates, including 120 theaters by Paramount and Warner; by the end of the decade, consolidation left the top 10 owners in control of 55 percent of the industry. In the 1990s, theater growth exploded, and by 1999, movie screens peaked at 36,448, the vast majority of which were affiliated with NATO.
CinemaCon (formerly ShoWest)
As ShoWest, the convention was formerly one of four major worldwide annual events owned by the Film Group unit of Nielsen Business Media before being sold in 2011 to e5 Global Media and operated exclusively by NATO.
In now-renamed CinemaCon in 2011, the convention is NATO's only official convention of theater owners controlled by the organization itself. The first gathering took place March 2011 at Caesars Palace in Las Vegas, Nevada, with the second held April 23–26, 2012, at the same venue.
The remaining Nielsen Media event properties include CineEurope held in Barcelona, Spain in June, CineAsia held in early December in varying locations throughout Southeast Asia, and ShowEast, held in late October or early November in the Southeastern United States, usually somewhere in the Miami-Dade area.
Apart from CinemaCon, as presented on the website for the Nielsen Media Film Group, hosted by Nielsen Business Media,
The Nielsen Film Group events — CineEurope, ShowEast and CineAsia — are the only conventions and tradeshows dedicated to the needs of the movie theatre industry worldwide. Our events bring together the key decision makers from every major, regional and independent theatre circuit with the major International Film Distributors, as well as the manufacturers of products, services and technologies for the movie theatre industry. All of our events include screenings of upcoming films, product reel presentations, educational seminars, special events and awards galas.
According to Rick Lyman, of The New York Times, all four events are "the largest and most important gathering of theatre operators" in the world, at which "the theatrical distribution business takes stock of its problems, which have been legion, and assesses its future, always through the rosiest glasses available."
American Movie Awards
In 1980, NATO initiated the American Movie Awards, held at the Wilshire Theater, Beverly Hills, California, and broadcast on NBC, with the winners selected based on voting by theater patrons. Various legal difficulties prevented the awards from being presented in 1981, and the event was discontinued after the 1982 awards due to competition from other awards shows.
- Cameron Diaz - Female Star of the Year Award
- Vin Diesel - Action Star of the Year Award
- Rosie Huntington-Whiteley - Female Star of Tomorrow Award
- Chris Hemsworth - Male Star of Tomorrow Award
- Blake Lively - Breakthrough Performer of the Year Award
- Ryan Reynolds - Male Star of the Year Award
- Harry Potter Film Franchise - Hall of Fame Award
- Helen Mirren - Career Achievement Award
- Russell Brand - Comedy Star of the Year Award
- Morgan Spurlock - Documentary Filmmaker of the Year Award
- Tyler Perry - Visionary Award
- Jason Momoa - Rising Star of 2011 Award (male)
- Julianne Hough - Rising Star of 2011 Award (female)
- Sid Ganis - Inter-Society's 2011 Ken Mason Award
- Miky Lee - Global Achievement in Exhibition Award
- Richard Fox - CinemaCon Passepartout Award
- Dick Cook - Pioneer of the Year
- Jennifer Garner - Female Star of the Year Award
- Jeremy Renner - Male Star of the Year Award
- Dwayne Johnson - Action Star of the Year Award
- Anna Faris - Comedy Star of the Year Award
- Chloë Grace Moretz - Female Star of Tomorrow Award
- Taylor Kitsch - Male Star of Tomorrow Award
- Josh Hutcherson - Breakthrough Performer of the Year Award
- Charlize Theron - Distinguished Decade of Achievement in Film Award
- Michelle Pfeiffer - Cinema Icon Award
- Sylvester Stallone - Career Achievement Award
- Judd Apatow - Award of Excellence in Filmmaking
- Timur Bekmambetov - International Filmmaker of the Year Award
- Universal Pictures International's Jack Ledwith - Passepartout Award
- Ted Pedas - NATO Marquee Award
- Delfin Fernandez - International Achievement in Exhibition Award
- Jeffrey Katzenberg - Pioneer of the Year
- Nielsen Business Media (Nielsen Media Film Group)
- "Merger Approved by Theater Owners". The New York Times (print). The New York Times Company. September 9, 1965. p. 15.
- "In Focus Magazine Archive". National Association of Theater Owners. Archived from the original on 2013-03-02.
- "Register of the National Association of Theatre Owners, 1946-1978". Brigham Young University.
- "SIC 7832 MOTION PICTURE THEATERS, EXCEPT DRIVE-IN". Reference for Business: Encyclopedia of American Industries.
- Overpeck, Deron (2007). Out of the Dark: American Film Exhibition, Political Action and Industrial Change, 1966-1986. ProQuest.
- "NITE slates Sept 23-24 Confab in Kansas City". Boxoffice. Vol. 107 no. 18. August 11, 1975.
- United States of America v. Loew's Incorporated, et al., 882 F.2d 29 (2d Cir. 1989).
- CinemaCon (official site). Retrieved May 3, 2012. Archived from the original on May 3, 2012
- "Nielsen Film Group". Retrieved 2008-08-17.
- Rick Lyman (2001-03-12). "Media: A Partly Cloudy Forecast for Theater Owners". The New York Times, Business. The New York Times Company. Retrieved 2008-08-17.
- "American MovieAwards: Awards Summary: Marquee". IMDb.com. Internet Movie Database. Retrieved 2008-08-17.
- "2011 Press Releases", CinemaCon.com. Archived from the original on May 23, 2012
- NATO Online - Official site
- Nielsen Business Media – Official site
- Finding aid author: Garrett Schroath (2015). "National Association of Theatre Owners records". Prepared for the L. Tom Perry Special Collections, Provo, UT. Retrieved May 16, 2016.