Mikis Theodorakis

Mikis Theodorakis

Mikis Theodorakis in 2004
Background information
Born (1925-07-29) 29 July 1925
Chios, Greece
Genres 20th century classical Greek music
Years active 1943–present
Website www.mikis-theodorakis.net

Michael "Mikis" Theodorakis (Greek: Μιχαήλ (Μίκης) Θεοδωράκης [ˈmicis θeoðoˈɾacis]; born 29 July 1925) is a Greek songwriter and composer who has written over 1000 songs.[1][2][3][4][5] He scored for the films Zorba the Greek (1964), Z (1969), and Serpico (1973). He composed the "Mauthausen Trilogy" also known as "The Ballad of Mauthausen", which has been described as the "most beautiful musical work ever written about the Holocaust" and possibly his best work. He is viewed as Greece's best-known living composer.[2][4][6][7] He was awarded the Lenin Peace Prize.[8]

Politically, he is associated with the left because of his long-standing ties to the Communist Party of Greece. He was an MP for the KKE from 1981 to 1990. Nevertheless, in 1989 he ran as an independent candidate within the centre-right New Democracy party, in order for the country to emerge from the political crisis that had been created due to the numerous scandals of the government of Andreas Papandreou,[9] and helped establish a large coalition between conservatives, socialists and leftists. In 1990 he was elected to the parliament (as in 1964 and 1981), became a government minister under Constantine Mitsotakis, and fought against drugs and terrorism and for culture, education and better relations between Greece and Turkey. He continues to speak out in favor of left-liberal causes, Greek–Turkish–Cypriot relations, and against the War in Iraq.[10][11] He has consistently opposed oppressive regimes and was a key voice against the 1967–1974 Greek junta, which imprisoned him.[12]


Early years

Mikis Theodorakis was born on the Greek island of Chios and spent his childhood years in different provincial Greek cities such as Mytilene,[13] Cephallonia,[13] Patras,[14][15] Pyrgos,[16][17] and Tripoli.[17][18] His father, a lawyer and a civil servant, was from the small village of Kato Galatas[19][20] on Crete and his mother, Aspasia Poulakis, was from an ethnically Greek family in Çeşme, in what is today Turkey.[6][21][22][23][24] He was raised with Greek folk music and was influenced by Byzantine liturgy; as a child he had already talked about becoming a composer.[25][26] Theodorakis's fascination with music began in early childhood; he taught himself to write his first songs without access to musical instruments. In Patras[14] and Pyrgos[16] he took his first music lessons, and in Tripoli, Peloponnese,[18] he gave his first concert at the age of seventeen.

He went to Athens in 1943, and became a member of a Reserve Unit of ELAS, and led a troop in the fight against the British and the Greek right in the Dekemvriana.[27] During the Greek Civil War he was arrested, sent into exile on the island of Icaria[28] and then deported to the island of Makronisos, where he was tortured and twice buried alive.[29]

During the periods when he was not obliged to hide, not exiled or jailed, he studied from 1943 to 1950 at the Athens Conservatoire under Filoktitis Economidis.[30] In 1950, he finished his studies and took his last two exams "with flying colours".[31] He went to Crete, where he became the "head of the Chania Music School" and founded his first orchestra.[32] At this time he ended what he has called the first period of his musical writing.

Studies in Paris

Mikis Theodorakis in Paris

In 1954 he travelled with his young wife Myrto Altinoglou to Paris where he entered the Conservatory and studied musical analysis under Olivier Messiaen[33] and conducting under Eugene Bigot.[34] His time in Paris, 19541959, was his second period of musical writing.

His symphonic works: a Piano concerto, his first suite, his first symphony, and his scores for the ballet: Greek Carnival, Le Feu aux Poudres, Les Amants de Teruel, received international acclaim. In 1957, he won the Gold Medal in the Moscow Music Festival; President of the Jury was Dmitri Shostakovitch. In 1959, after the successful performances of Theodorakis's ballet Antigone at Covent Garden in London, the French composer Darius Milhaud proposed him for the American Copley Music Prize - an award of the "William and Noma Copley Foundation",[35] which later changed its name to "Cassandra Foundation" - as the "Best European Composer of the Year". His first international scores for the film Ill Met by Moonlight and Luna de Miel, directors: Michael Powell and Emeric Pressburger, were also very successful: The Honeymoon title song became part of the repertoire of The Beatles.

Notable works up to 1960

  1. Chamber Music: Four String Quartets; Trio four piano, violin, cello; Little Suite for piano; Sonatina for piano; Sonatinas No.1 and No.2 for violin and piano;
  2. Symphonic music: Assi-Gonia (symphonic movement; Piano Concerto "Helicon"; Symphony No.1 (Proti Simfonia); Suites n° 1, 2 et 3 for orchestre; La Vie et la Mort / Live and Death (for voice and strings); Œdipus Tyrannos (for strings; later for quartet and symphony orchestra); Piano Concerto;
  3. Ballets: Greek Carnival; Le Feu aux Poudres; Les Amants de Teruel; Antigone;
  4. Filmscores: The Barefoot Battalion (Greg Tallas); Ill Met by Moonlight and Honeymoon (Powell and Pressburger); Faces in the Dark (David Eady).

Back to Greek roots

Mikis Theodorakis shortly after his return to Greece, 1961,with Nicholas G. Constantin, Athanasios G. Konstantinopoulos, and Bill Vanech on his right, in his club called MYRTIA

In 1960, Theodorakis returned to Greece and his roots in genuine Greek music: With his song cycle Epitaphios he started the third period of his composing and contributed to a cultural revolution in his country.[36] His most significant and influential works are based on Greek and world poetry Epiphania (Giorgos Seferis), Little Kyklades (Odysseas Elytis), Axion Esti (Odysseas Elytis), Mauthausen (Iakovos Kambanellis), Romiossini (Yannis Ritsos), and Romancero Gitano (Federico García Lorca) he attempted to give back to Greek music a dignity which in his perception it had lost. He developed his concept of "metasymphonic music" (symphonic compositions that go beyond the "classical" status and mix symphonic elements with popular songs, Western symphonic orchestra and Greek popular instruments).

He founded the Little Orchestra of Athens and the Musical Society of Piraeus, gave many, many concerts all around Greece and abroad... and he naturally became involved in the politics of his home country. After the assassination of Gregoris Lambrakis in May 1963 he founded the Lambrakis Democratic Youth ("Lambrakidès") and was elected its president.[37] Under Theodorakis's impetus, it started a vast cultural renaissance movement and became the greatest political organisation in Greece with more than 50.000 members.[38] Following the 1964 elections, Theodorakis became a member of the Greek Parliament, associated with the left-wing party EDA. Because of his political ideas, the composer was black-listed by the cultural establishment; at the time of his biggest artistic glory, a large number of his songs were censored-before-studio or were not allowed on the radio stations.[39]

During 1964, he wrote the music for the Michael Cacoyiannis film Zorba the Greek, whose main theme, since then, exists as a trademark for Greece. It is also known as 'Syrtaki dance'; inspired from old Cretan traditional dances.

Main works of this period

  1. Song cycles: Epitaphios (Yannis Ritsos); Archipelagos (Songs of the Islands), Politia A & B (Songs of the City), Epiphania (Giorgos Seferis, Nobel Prize 1963), Mikres Kyklades (Odysseas Elytis), Chrysoprasino Fyllo (Golden-green leaf), Mauthausen (Iakovos Kambanellis), Romiossini (Yannis Ritsos), Thalassina Feggaria (Moons of the Sea)
  2. Oratorio: To Axion Esti[40] (Odysseas Elytis, Nobel Prize 1979), cf. Theodorakis on Axion Esti[41]
  3. Music for the Stage: The Hostage (Brendan Behan); Ballad of the Dead Brother (Theodorakis); Omorphi Poli (Beautiful City); Maghiki Poli (Magical City); I Gitonia ton Angelon(The Angels' Quarter, Iakovos Kambanellis)
  4. Film scores: Phaedra (Jules Dassin), The Lovers of Teruel (Raymond Rouleau), Five Miles to Midnight (Anatole Litvak), Electra and Zorba the Greek (Michalis Cacoyannis), To Nisi tis Afroditis (Harilaos Papadopoulos)
  5. The "Mauthausen Trilogy" also known as "The Ballad of Mauthausen", a series of songs with lyrics based on poems written by Greek poet Iakovos Kambanellis. It has been described as the "most beautiful musical work ever written about the Holocaust" and as "an exquisite, haunting and passionate melody that moves Kambanellis' affecting words to an even higher level". It has also been described as possibly Theodorakis's best work.[42][43]

During the dictatorship

Photo of Mikis Theodorakis
M. Theodorakis (1971)

On 21 April 1967 a right wing junta (the Regime of the Colonels) took power in a putsch. Theodorakis went underground and founded the "Patriotic Front" (PAM). On 1 June, the Colonels published "Army decree No 13", which banned playing, and even listening to his music. Theodorakis himself was arrested on 21 August,[44] and jailed for five months. Following his release end of January 1968, he was banished in August to Zatouna with his wife Myrto and their two children, Margarita and Yorgos.[45] Later he was interned in the concentration camp of Oropos.[46] An international solidarity movement, headed by such personalities as Dmitri Shostakovich, Leonard Bernstein, Arthur Miller, and Harry Belafonte demanded to get Theodorakis freed. On request of the French politician Jean-Jacques Servan-Schreiber, Theodorakis was allowed to go into exile to Paris on 13 April 1970. Theodorakis's flight left very secretly from an Onassis owned private airport outside Athens. Theodorakis arrived at Le Bourget Airport where he met Costa Gavras, Melina Mercouri and Jules Dassin. Theodorakis was immediately hospitalized because he suffered from lung tuberculosis.[47] Myrto Theodorakis, Mikis's wife and two children joined him a week later in France. They arrived from Greece to France via Italy on a boat.[48]

Main works under the dictatorship

  1. Song cycles: Ta Laïka (The Popular Songs, Manos Elefteriou);[49] O Ilios ke o Chronos (Sun and Time, Theodorakis); Songs for Andreas (Theodorakis); Arcadies I-X; Nichta Thanatou (Nights of Death, Manos Elefteriou);
  2. Oratorios: Ephiphania Averoff Giorgos Seferis, State of Siege (Marina = Rena Hadjidakis), March of the Spirit (Angelos Sikelianos), Raven (Giorgos Seferis, after Edgar Allan Poe);
  3. Film score: Z (Costa-Gavras).

Resistance in exile

While in exile, Theodorakis fought during four years for the overthrow of the colonels. He started his world tours and gave thousands of concerts on all continents as part of his struggle for the restoration of democracy in Greece.

Mikis Theodorakis at a concert in Caesarea, Israel, in the 1970s.

He met Pablo Neruda and Salvador Allende and promised them to compose his version of Neruda's Canto General. He was received by Gamal Abdel Nasser and Tito, Yigal Allon and Yasser Arafat, while François Mitterrand,[50] Olof Palme and Willy Brandt became his friends. For millions of people, Theodorakis was the symbol of resistance against the Greek dictatorship.[51]

Main works written in exile

1. Song cycles: 18 lianotragouda tis pikris patridas (18 Short Songs of the Bitter Land, Yiannis Ritsos), Ballades (Manolis Anagnostakis), Tis exorias (Songs of the Exile)
2. Oratorio: Canto General, Sections 3 to 6 only (Pablo Neruda)
3. Film scores: The Trojan Women (M. Cacoyannis); State of Siege (Costa-Gavras); Serpico (Sidney Lumet)

Return to Greece

Theodorakis on a visit in East Germany, May 1989.

After the fall of the Colonels, Mikis Theodorakis returned to Greece on 24 July 1974 to continue his work and his concert tours, both in Greece and abroad.[52] At the same time he participated in public affairs. In 1978, through his article For a United Left Wing, he had "stirred up the Greek political life. His proposal for the unification of the three parties of the former United Left – which had grown out of the National Liberation Front (N.L.F.) – had been accepted by the Greek Communist Party which later proposed him as the candidate for mayor of Athens during the 1978 elections." (Andreas Brandes)[53] He was later elected several times to the Greek Parliament (1981–1986 and 1989–1993) and for two years, from 1990 to 1992, he was a minister in the government of Constantine Mitsotakis. After his resignation as a member of Greek parliament, he was appointed General Musical Director of the Choir and the two Orchestras of the Hellenic State Radio (ERT), which he reorganised and with which he undertook successful concert tours abroad.[54]

He was committed to raise international awareness of human rights, of environmental issues and of the need for peace and, for this reason, he initiated, along with the Turkish author, musician, singer, and filmmaker Zülfü Livaneli the Greek–Turkish Friendship Society.[55]

From 1981, Theodorakis had started the fourth period of his musical writing, during which he returned to the symphonic music, while still going on to compose song-cycles. His most significant works written in these years are his Second, Third, Fourth and Seventh Symphony, most of them being first performed in the former German Democratic Republic between 1982 and 1989. It was during this period that he received the Lenin Peace Prize. He composed his first opera Kostas Kariotakis (The Metamorphoses of Dionysus) and the ballet Zorba the Greek, premièred in the Arena of Verona during the Festival Verona 1988. During this period, he also wrote the five volumes of his autobiography: The Ways of the Archangel (Οι δρόμοι του αρχάγγελου).

In 1989, he started the fifth period, the last, of his musical writing: He composed three operas (lyric tragedies) Medea, first performed in Bilbao (1 October 1991), Elektra, first performed in Luxembourg (2 May 1995) and Antigone, first performed in Athens' Megaron Moussikis (7 October 1999). This trilogy was complemented by his last opera Lysistrata, first performed in Athens (14 April 2002): a call for peace... With his operas, and with his song cycles from 1974 to 2006, Theodorakis ushered in the period of his Lyrical Life.

For a period of 10 years, Alexia Vassiliou teamed up with Mikis Theodorakis and his Popular Orchestra. During that time, and as a tribute to Theodorakis’s body of work, Vassiliou recorded a double album showcasing some of the composer’s most consummate musical creations, and in 1998, Sony BMG released the album entitled Alexia–Mikis Theodorakis.

Theodorakis is Doctor honoris causa of several universities, including Montreal, Thessaloniki, and Crete.

Now he lives in retirement, reading, writing, publishing arrangements of his scores, texts about culture and politics. On occasions he still takes position: in 1999, opposing NATO's Kosovo war and in 2003 against the Iraq War. In 2005, he was awarded the Sorano Friendship and Peace Award, the Russian International St.-Andrew-the-First-Called Prize, the insignia of Grand Officer of the Order of Merit of Luxembourg, and the IMC UNESCO International Music Prize, while already in 2002 he was honoured in Bonn with the Erich Wolfgang Korngold Prize for film music at the International Film Music Biennial in Bonn[56] (cf also: Homepage of the Art and Exhibition Hall Bonn).[57] In 2007, he received a Lifetime Achievement Award at the distribution of the World Soundtrack Awards in Ghent.[58]

A final set of songs entitled: Odysseia was composed by utilizing poetry written by Costas Kartelias for lyrics. In 2009 he composed a Rhapsody for Strings (Mezzo-Soprano or Baryton ad lib.). Created on 30 January 2013, Theodorakis achieved the distinction of producing one of the largest works by any composer of any time.[59]

Main works after 1974

  1. Song cycles: Ta Lyrika; Dionysos; Phaedra; Beatrice in Zero Street; Radar; Chairetismoi (Greetings); Mia Thalassa (A Sea Full of Music); Os archaios Anemos (Like an Ancient Wind); Lyrikotera (The More-Than-Lyric Songs); Lyrikotata (The Most Lyric Songs); Erimia (Solitude); Odysseia;
  2. Music for the Stage: Orestia (dir.: Spyros Evangelatos); Antigone (dir.: Minos Volanakis); Medea (dir.: Spyros Evangelatos)
  3. Film scores: Iphigenia (M. Cacoyannis), The Man with the Carnation (Nikos Tzimas)
  4. Oratorio: Canto General in 13 Sections, completed in 1981 (Pablo Neruda)
  5. Oratorios: Liturgia 2; Missa Greca (Thia Liturgia); Requiem;
  6. Symphonic music and cantatas: Symphonies no 2, 3, 4, 7; According to the Sadducees; Canto Olympico; Guitar Rhapsody; Cello Rhapsody; Trumpet Rhapsody (dedicated to Otto Sauter, 2008); Rhysody for Strings (Mezzo-Sopran or Baryton ad lib.)
  7. Operas: "The Metamorphosis of the Dionysus" (Kostas Karyotakis); Medea; Elektra; Antigone; Lysistrata.

Political views

Theodorakis has spoken out against the Iraq war and Israel's occupation of Gaza and the West Bank has condemned Greek Prime Minister George Papandreou for establishing closer relations with Israeli Prime Minister Benjamin Netanyahu, who was guilty, he said, of "war crimes in Lebanon and Gaza."[60] Theodorakis is also a vocal critic of Zionism, and refers to himself as an “anti-Zionist.”[61][62][63][64] Theodorakis, like many Greeks, greatly supported Serbia during the Yugoslav wars, in support of the Serbs he participated in a charity concert protesting the NATO bombings of Serbia in 1999.[65]

Views of the United States

During the invasion of Iraq, Theodorakis called Americans "detestable, ruthless cowards and murderers of the people of the world." He said he would consider anyone who interacted with "these barbarians" for whatever reason as his enemy.[66] Theodorakis has stated "American Jews are responsible for the world economic crisis that has hit Greece also."[61]

2010–2011: Non-political movement

On 1 December 2010 Mikis Theodorakis founded "Spitha: People's Independent Movement", a non-political movement which calls people to gather and express their political ideas. The main goal of "Spitha" is to help Greece stay clear of its economic crisis.[67] On 31 May Mikis Theodorakis gave a speech attended by approximately 10,000 in the center of Athens, criticising the Greek government for the loan debt it has taken from the International Monetary Fund.[68]


Songs and song cycles

Theodorakis has written more than 1,000 songs and song cycles, whose melodies have become part of the heritage of Greek music: Sto Perigiali, Kaimos, Aprilis, Doxa to Theo, Sotiris Petroulas, Lipotaktes, Stis Nichtas to Balkoni, Agapi mou, Pou petaxe t'agori mou, Anixe ligo to parathiro, O Ipnos se tilixe, To gelasto pedi, Dendro to dendro, Imaste dio, Asma Asmaton, O Andonis...

His song cycles are based on poems by Greek authors, as well as by Lorca and Neruda: Epitaphios, Archipelagos, Politia A-D, Epiphania, The Hostage, Mykres Kyklades, Mauthausen, Romiossini, Sun and Time, Songs for Andreas, Mythology, Night of Death, Ta Lyrika, The Quarters of the World, Dionysos, Phaedra, Mia Thalassa, Os Archaios Anemos, Ta Lyrikotera, Ta Lyrikotata, Erimia, Odysseia. Theodorakis released two albums of his songs and song cycles on Paredon Records and Folkways Records in the early seventies, including his Peoples' Music: The Struggles of the Greek People (1974).[69]

Symphonic works

Chamber music

Cantatas and oratorios




Music for the stage

Classical tragedies

Modern plays

International theatre

Principal film scores

Reference: Guy Wagner. Chairman of the International Theodorakis Foundation FILIKI. List of works based on the research of Asteris Koutoulas, published in O Mousikos Theodorakis.


Internationally-available CD releases

Published written works

Books in Greek by Theodorakis


  1. John Chrysochoos, Ph.d. (17 November 2010). Ikaria - Paradise in Peril. Dorrance Publishing. p. 24. ISBN 978-1-4349-8240-7. Retrieved 1 November 2012. Theodorakis the internationally renowned Greek composer
  2. 1 2 Maura Ellyn; Maura McGinnis (1 August 2004). Greece: A Primary Source Cultural Guide. The Rosen Publishing Group. p. 86. ISBN 978-0-8239-3999-2. Retrieved 1 November 2012. Considered Greece's greatest living composer, Theodorakis has written many scores.
  3. Athensnews Interview: Theodorakis’ call to arms Famous composer Theodorakis addresses protesters during a rally against a new austerity package, outside the University of Athens, in 2011
  4. 1 2 Mike Gerrard (3 March 2009). National Geographic Traveler: Greece, 3rd Edition. National Geographic Society. pp. 47–. ISBN 978-1-4262-0396-1. Retrieved 1 November 2012. The most famous Greek musician of contemporary times is undoubtedly Mikis The- odorakis (born 1925), best known for
  5. Embassy of Greece International conference honors renowned composer Mikis Theodorakis' 80th birthday An international conference dedicated to the work of famous music composer Mikis Theodorakis in honor of his 80th birthday, kicked off on Friday in Hania, Crete.
  6. 1 2 Dimitris Keridis (28 July 2009). Historical Dictionary of Modern Greece. Scarecrow Press. pp. 150–. ISBN 978-0-8108-5998-2. Retrieved 3 November 2012.
  7. abc news
  8. Yearbook of the Great Soviet Encyclopedia (in Russian). Moscow: Sovetskaya Enciklopediya. 1983
  9. Theodorakis: Οι δρόμοι του αρχάγγελου V / The Ways of the Archangel, Autobiography, Volume V, p. 331 sq
  10. "Official Web Site". En.mikis-theodorakis.net. 2004-07-27. Retrieved 2012-02-13.
  11. "Official Web Site". En.mikis-theodorakis.net. 2005-09-15. Retrieved 2012-02-13.
  12. Theodorakis: Journal of Resistance
  13. 1 2 Γιωργος ΑρΧιμανδριτης (2007). Σε πρωτο προσωπο: Μικης Θεοδωρακης. Ελληνικα Γραμματα. ISBN 978-960-442-911-0. Retrieved 8 November 2012.
  14. 1 2 Theodorakis: Οι δρόμοι του αρχάγγελου Ι / The Ways of the Archangel, Autobiography, Volume I, p. 72 sq.
  15. Mikis Theodorakis (1997). Μελοποιημενη ποιηση. Υψιλον/Βιβλια. Retrieved 8 November 2012.
  16. 1 2 Theodorakis, op. cit., p. 82 sq.
  17. 1 2 Μικης Θεοδωρακης; Γιαννης Κουγιουμουτζακης; Ιδρυμα ΤεΧνολογιας και Ερευνας (Greece) (2007). Συμπαντικε αρμονια, μουσικη και επιστημη: στον Μικη Θεοδωρακη. Πανεπιστημιακες Εκδοσεις Κρητης. ISBN 978-960-524-253-4. Retrieved 8 November 2012. ... Σύρος και Αθήνα (1929), Γιάννενα (1930- 1932), Αργοστόλι (1933-1936), Πάτρα (1937-1938), Πύργος (1938-1939), Τρίπολη
  18. 1 2 Theodorakis, op. cit., Chapter II, p. 95 sq.
  19. Gail Holst; Gail Holst-Warhaft (1980). Theodorakis: myth & politics in modern Greek music. Hakkert. Retrieved 3 November 2012.
  20. George Giannaris (1972). Mikis Theodorakis: music and social change. Praeger. Retrieved 3 November 2012. For nearly six months, Mikis remained on the island of Crete trying to put the past behind, and become a human being ... For too long, he had been a drain on hisfather who was finding it difficult to practice his profession in the tiny village of KatoGalata, or even the larger town of Cha- nia. There was no dearth of lawyersestablished in the area for years, and even though Yiorgos had been born there, his
  21. The New York Times Biographical Service. New York Times & Arno Press. April 1970. Retrieved 3 November 2012.
  22. Bernard A. Cook (2001). Europe Since 1945: An Encyclopedia. Routledge. pp. 939–. ISBN 978-0-203-80174-1. Retrieved 3 November 2012.
  23. Sir Compton Mackenzie; Christopher Stone (2005). The Gramophone. C. Mackenzie. Retrieved 3 November 2012. MIKIS THEODORAKIS AT 80 Mikis Theodoralris celebrated his 80th birthday on July 29 this year. ... His mother had moved to the Greek islands from Asia Minor just before the Lausanne Peace Conference in 1923 obliged 1.5 million other
  24. Journal of Modern Hellenism. Hellenic College Press. 2001. Retrieved 3 November 2012. While there is no record of a young Mikis Theodorakis being subjected to any serious direct personal physical or psychological trauma, he did grew up in ... Hismother, Aspasia Poulakis, was a refugee form Tsemes, a coastal city in Asia Minor
  25. "Schott Music - Mikis Theodorakis - Profile".
  26. Mikis Theodorakis (1973). Journals of resistance. Hart-Davis McGibbon. ISBN 978-0-246-10597-4. Retrieved 3 November 2012. 29 July 1925 Mikis Theodorakis is born on the island of Chios. ... Theodorakis learns to sing Byzantine hymns and, since his father is from Crete and his motherfrom the Greek colony in Asia Minor, he also gets to know the very varied tradition=
  27. Theodorakis: Οι δρόμοι του αρχάγγελου ΙI / The Ways of the Archangel, Autobiography, Volume II, Ch. 3, p. 11 sq; cf. also p. 174sq; Mikis Theodorakis, Τα δικά μου Δεκεμβριανά / My December '44, 1944: Ο Μοιραίος Δεκέμβριος / The Fateful December, special supplement of newspaper 'Vima', Sunday, 5 December 2010, p. 54.
  28. Theodorakis, op. cit., Ch. 4, p. 95 sq, .
  29. Theodorakis: Οι δρόμοι του αρχάγγελου IIΙ / The Ways of the Archangel, Autobiography: Read the complete, deeply moving Volume III ("The Nightmare")
  30. "Mikis Theodorakis - The Home Page - About the Trio". En.mikis-theodorakis.net. 2004-07-30. Retrieved 2012-02-13.
  31. George Giannaris: Mikis Theodorakis. Music and Social Change, p. 81
  32. Theodorakis: Οι δρόμοι του αρχάγγελου IV / The Ways of the Archangel, Autobiography, Volume IV, p. 259 sq
  33. Jean Boivin, 'Messiaen's Teaching at the Paris Conservatoire: A Humanist Legacy', in Siglind Bruhn, Messiaen's Language of Mystical Love (New York, Garland, 1998), p.10
  34. George Giannaris, op. cit., p. 90 sq
  36. George Giannaris, op. cit., p. 118 sq
  37. Gail Holst: Mikis Theodorakis. Myth & Politics in Modern Greek Music, p. 74 sq
  38. Mikis Theodorakis: Journal of Resistance, (Dictionary), p. 328
  39. Gail Holst, op. cit., p. 78
  40. cf. http://www.upress.pitt.edu/BookDetails.aspx?bookId=34445
  41. "Mikis Theodorakis - The Home Page - On "Axion Esti"". En.mikis-theodorakis.net. Retrieved 2012-02-13.
  42. Αντωνης Μποσκοιτης (2 February 2015). "Αφιέρωμα στη Μπαλάντα του Μάουτχάουζεν του Μίκη Θεοδωράκη και του Ιάκωβου Καμπανέλλη Το ωραιότερο μουσικό έργο για το Ολοκαύτωμα που γράφτηκε ποτέ". Lifo.gr. Retrieved 27 December 2015. Google translation: "A Tribute to Ballad of Mauthausen Mikis Theodorakis and Iakovos Kambanellis The finest musical work about the Holocaust ever written."
  43. Stephen Wigler, Sun Music Critic (8 May 1994). "Theodorakis writes the music of history".
  44. Mikis Theodorakis: Journal of Resistance, p. 71 sq
  45. Mikis Theodorakis, op. cit., p. 169 sq
  46. Mikis Theodorakis, op. cit., p. 263 sq
  47. Mikis Theodorakis, op. cit, p. 280sq
  48. The story of this rescue in French, cf. Guy Wagner: Mikis Theodorakis. Une vie pour la Grèce, p. 387 sq.; in German, cf. Guy Wagner: Mikis Theodorakis. Ein Leben für Griechenland, p. 420 sq
  49. "Mikis Theodorakis - The Home Page - Manos Eleftheriou". En.mikis-theodorakis.net. 2004-08-21. Retrieved 2012-02-13.
  50. François Mitterrand: Je peux me dire son ami (Preface to: Mikis Theodorakis: Les Fiancés de Pénélope
  51. Gail Holst, op. cit, p. 206 sq
  52. Gail Holst, op. cit, p. 271 sq
  53. "Mikis Theodorakis - The Home Page - "I Gitonies tou Kosmou"". En.mikis-theodorakis.net. 2004-08-24. Retrieved 2012-02-13.
  54. "Mikis Theodorakis - The Home Page - 1988-1996". En.mikis-theodorakis.net. Retrieved 2012-02-13.
  55. "Mikis Theodorakis". Loizidis.com. Retrieved 2012-02-13.
  56. Composer Mikis Theodorakis Awarded Korngold PrizeComposer Mikis Theodorakis Awarded Korngold Prize 1 July 2002 archived from http://www.andante.com/article/article.cfm?id=17497
  57. "Art and Exhibition Hall - International Biennal For Film". .kah-bonn.de. 2002-06-28. Retrieved 2012-02-13.
  58. "Mikis Theodorakis - The Home Page - 20.10.07: Lifetime Achievement Award". En.mikis-theodorakis.net. 2007-09-23. Retrieved 2012-02-13.
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  69. Theodorakis Discography at Smithsonian Folkways

Further reading

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