Media of Croatia

Dnevnik is one of HRT's popular news-programs.

The media of Croatia refers to mass media outlets based in Croatia. Television, magazines, and newspapers are all operated by both state-owned and for-profit corporations which depend on advertising, subscription, and other sales-related revenues. The Constitution of Croatia guarantees freedom of speech and Croatia ranked 63th in the 2016 Press Freedom Index report compiled by Reporters Without Borders, falling by 5 places if compared to the 2015 Index.

In broadcasting, the government-funded corporation Croatian Radiotelevision (HRT) had a monopoly on nationally aired broadcasting until the late 1990s, although a number of local radio and TV stations began to sprung up since the 1980s. In the years following the fall of Communism and the subsequent liberalisation of the media market, HRT was reorganised with its infrastructure branch established as a separate company Transmitters and Communications Ltd (OiV), and a system in which privately owned corporations can acquire renewable broadcast licenses at the national and county levels was adopted. The first national for-profit channel Nova TV was thus launched in 2000 and it was joined by RTL four years later in 2004. Both Nova TV and RTL are foreign-owned.

In print media, the market is dominated by the Croatian Europapress Holding and Austrian Styria Media Group companies which publish their flagship dailies Jutarnji list, Večernji list and 24sata. Other widely read national dailies are Novi list and the government-owned Vjesnik. The most popular current affairs weekly is Globus, along with a number of specialised publications, some of which are published by government-sponsored cultural institutions. In book publishing, the market is dominated by several major publishing houses such as Školska knjiga, Profil, VBZ, Algoritam and Mozaik and the industry's centrepiece event is the Interliber trade fair held annually in Zagreb and open to public.

Croatia's film industry is small in size and heavily assisted by the government, mainly through grants approved by the Ministry of Culture with films often being co-produced by HRT. The ministry also sponsors Pula Film Festival, the annual national film awards, as well as a variety of specialised international film festivals such as Animafest and ZagrebDox, which often feature programs showcasing works by local filmmakers.

Internet is in widespread use in the country, with approximately 63% of population having an access from home in 2012.


In the early 1990s, the democratisation process was accompanied by the strong role of the Croatian Journalists' Association (HND/CJA) as well as of Europapress Holding, the main publishing group. The latter recently faced a serious economic crisis also due to oversized ambitions. Similarly, cult-station Radio 101 lately turned into a standard commercial broadcaster after a murky privatisation process.[1]:55

Legislative framework

The Constitution of Croatia protects freedom of expression and freedom of the press, bans censorship, and guarantees the rights of journalists to report and to access information. It guarantees the right to correction, if legal rights are violated by published news.[2]

The media in Croatia are regulated by the Law on Media, the Law on Electronic Media, the Law on Croatian Radio-Television and the Law on the Right to Access Information. The Croatian legislation, including media law, has been harmonized with EU Law in the process of EU accession. The EU's Television Without Frontiers Directive has been transposed in Croatia within the Law on Electronic Media and the Law on Media; the provisions of the 2007 EU Audiovisual Media Services Directive have been included in the 2009 amendments to the Law on Electronic Media, including licenses for specialised media channels and non-for-profit municipal televisions and radio stations.[2]

The Croatian Criminal Code and Civil Code contain the provisions about defamation and libel. The burden of proof about libel has been shiften on the prosecutor since 2005. In 2005, four journalists were convicted to suspended prison sentences for libel; prison sentences for libel were then abolished in 2006.[2]

Hate speech in Croatia leads to a maximum 5 years prison sentence. Insulting "the Republic of Croatia, its coat of arms, national anthem, or flag" is also punished with up to 3 years of prison.[3]

In 2013 the Croatian parliament passed an amendment criminalising "vilification", intended as systematic and deliberate defamation of a person, institution or legal entity. This was seen as worrying by media professionals, and later confirmed when an investigative reporter was fined in 2014. As IREX notes, "a journalist can be prosecuted even if reporting only verified facts if the judge thinks that the published facts are not 'in the public interest'".[1]:46

The OSCE Media Freedom Representative Dunja Mijatovic qualified the Croatian legal definitions of “insult” and “shaming” as "vague, open to individual interpretation and, thus, prone to arbitrary application", calling for decriminalisation by stating that “Free speech should not be subject to criminal charges of any kind”.[4]

Access to information in Croatia is well-defined right, though limited by a proportionality and public interest tests. An independent information commissioner monitors its compliance.[3] There have been concerns about the mindset of the administration tending to reduce the public to a passive recipient of information.[1]:47 Journalists also lack training and resources to access information: only 7% of Croatian journalists ever asked for access to official documents.[1]:48

The right to obtain corrections for all those whose rights or interests have been violated by information is enshrined in the Media Law; liability is upon editors-in-chief. In case of lack of correction, civil proceedings can be started.[2]

Media ownership information disclosure is mandatory in Croatia. Yet, nominal ownership often do not equate with control: in Croatia's dire economic situation, several publishing groups are on a lifeline by few major banks, often foreign ones. Information of basic vital financial data is not yet publicly available.[1]:52

Media concentration is prevented by the Media Law, establishing a 40% ceiling for ownership of general information dailies or weeklies. Cross-ownership of national electronic media is allowed by the Law on Electronic Media, if it does not trespass a 25% threshold at every territorial (region, county, city) level. Holders of national broadcasting licenses are prevented from owning newspapers with a daily circulation of above 3,000 copies, or more than 10% shares of a news agency, and vice versa. Radio and television licenses are mutually exclusive. Holders of national and regional licences are forbidden from owning more than 30% share in similar media or local dailies in the broadcasting area.[2]

License requirements for the media are deemed minimal, since they apply only to broadcast media making use of a limited public good (radio frequencies).[1]:45 Other media only need to register and declare their ownership structure.[1]:46

Minority-language media receive subsidies through the Fund for Media Pluralisation (3% of HRT subscription fee). The Italian-language daily La Voce del Popolo has a 70-years history, while Serbian-minority weekly Novosti has a reach that goes well beyond its community.[1]:52

Status and self-regulation of journalists

Public reputation of press journalists is low: a 2008 survey found 54% of respondents considering journalists to be influenced by political or economic interests.[5]

No license is required to work as a journalist in Croatia, and the government has no way to exclude anyone from practicing journalism. Yet, journalists are in a more and more dire professional condition, due to growing job insecurity linked to the degeneration of the general economic conditions in the country. Pressures have been mounting, while respect for ethical standards is in decline. Journalists "have no time, no money, no incentives, and, very often, not even the inner drive required to produce good journalists", as summed up by IREX.[1]:47 Investigative journalism is more and more rare, while most journalism tend to be "superficial, sensationalist, tabloid-style, and copy/past".[1]:48 Advertorials and infotainment are also on the rise. In lack of specialised journalists, "experts" are often consulted, but they tend to be always the same and to simply confirm the journalist's position, rather than offering a variety of positions.[1]:48

Journalists in Croatia have salaries in line with other professions, though often not regular, and around 20-20% lower than in 2007/2008. The average salary is of $1,200, but in the local media it can go down to half of that. Freelancing is not enough to earn a living, and young journalists often have to pick up second or third jobs too.[1]:49

The Croatian Journalists' Association (CJA) has adopted a Code of Ethics. The Ethical Council of the association checks the compliance with the Code and inquires upon its violations, though it can only adopt public statements.[2] The CJA Code of Ethics is deemed one of the best of its kind, and often used as a point of reference in other countries in transition. Yet, defamation and hate speech, particularly online, remain beyond acceptable standards.[1]:48

The autonomy of journalists is to be guaranteed by individual media's bylaws, but as of 2010 only Jutarnji List has adopted a self-regulation about it.[2]

Media outlets

Advertising revenues in the Croatian media are in line with international standards (around 55% of their income), though their distribution is skewed towards the television market (up 75% of the total, in spite of 40% global averages).[1]:54

The Vjesnik building in Zagreb

Croatia has over 800 registered print publications, of which 9 national dailies and around the same number of weeklies and biweeklies.[1]:50

There are several major daily newspapers in Croatia, including Jutarnji list, Večernji list, Slobodna Dalmacija, and Novi list.

In addition to these there are several regional dailies which are available throughout the country even though they mainly present regionally focused content. Examples of these are Glas Istre, Glas Slavonije, Zadarski list, Dubrovački vjesnik, etc.

There are also several specialized dailies. Sportske novosti and SportPlus provide sports coverage, while and Poslovni dnevnik cover financial and business-related topics.

The most popular weekly news magazine was Globus, but during the last couple of years 7Dnevno gained more popularity and has a wider circulation. The Archdiocese of Zagreb also publishes Glas Koncila, a weekly magazine dedicated to presenting a Catholic perspective on current events and widely distributed in churches. Vijenac and Zarez are the two most influential bi-weekly magazines covering arts and culture. In addition, there is a wide selection of Croatian editions of international monthlies, such as Cosmopolitan, Elle, Grazia, Men's Health, National Geographic,Le Monde diplomatique, Playboy, Reader's Digest and Forbes.

No reliable numbers about print media circulation are available; the law mandates for it but foresees no penalty for inaction.[5] Daily newspapers receive a preferential tax treatment, with an extra-low VAT (5%, compared to usual 25%). This has also given rise to concerns of arbitrary preference when compared with other Croatian media (non-dailies and non-print).[1]:46

Seven years of economic recession took a strong toll from the Croatian print media. Some of Croatian editions of international monthlies, like GEO, were shut down. Advertising income halved, while daily circulation figures, at 300,000, are one third of their late 1990s values. The print media industry lost 40% of jobs since 2007, and employment and revenues figures will likely not be back before 2025. According to IREX, this points to "a contracted advertising market and a media management incapable of coping".[1]:52

Press outlets in Croatia fight for a small advertising market, thus following a trend towards more tabloid-like media. Commercial pressure discourages investigative reporting, in favour of full-colour layout filled with photographs and ads, and submits media outlets to pressure from advertisers and their business interests, with concerns about self-censorship.[5] Trivialisation of contents pushes trust in media even lower down, leading to a further drop in circulation. Stronger dependence on the main advertisers (retail chains, pharmaceutics companies, and mobile phone operations) hinders the editorial independence of the media, creating a "pyramid of fear": "Journalists fear they will lose their jobs. Editors fear they will lose their position with owners. Owners fear losing advertising income."[1]:53

Printing facilities in Croatia are apolitical, privately owned, and only managed for business purposes. The presence of over-capacity and of cheaper press facilities in neighbouring countries favours customers' positions.[1]:56

Distribution is unrestricted. Yet, the national print distribution system is under a nearly-complete monopoly, as a single distributor (Tisak) covers 90% of the market and is owned by the country's wealthiest individual, who also owns Croatia's biggest company, Agrokor, which is also the biggest advertiser and biggest advertising agency. Although this has not give rise to political pressure concerns, business pressures have been felt, since the distributor wanted to keep profits constant during the economic crisis, when the whole sector was at a loss. This led to a situation in which "distribution is suffocating the print industry".[1]:56

Ownership concentration in the print media market is an issue, with Europa Press Holding (43% - 2011 data) and Styria Verlag (46%) controlling the bulk of the market.[3]

Radio broadcasting

Croatia is served by a large number of radio stations (158 active radio stations: 6 nationally-licensed, and 152 local and regional ones[1]:50), with eight channels being broadcast on a national level. Four of these are operated by HRT (HR1, HR2, HR3 and Glas Hrvatske), in addition to two religious channels (the Croatian Catholic Radio (Hrvatski katolički radio, HKR) and Radio Marija) and two for-profit privately owned stations (Otvoreni Radio and Narodni Radio, the second only broadcasting music in Croatian language). Antena Zagreb, relaunched in 2008 from the capital, soon reached a wide audience.[6]

While state-owned radio stations focus on news, politics, classical music and arts, private radios followed the model of maximising music air time, mixed with short news on the hour. 40% of radio stations are deemed under state ownership, particularly local and municipal ones that receive funds from local budgets. Radio reporting has improved after the syndication of news broadcasts by Radio Mreža (Radio Network), a NGO providing free-of-charge news services for smaller radio stations.[6]

Television broadcasting

Main article: Television in Croatia

Television remains the predominant source of information for Croatian citizens. Virtually all households have a colour television set, while instead half of the population do not read newspapers or listen to the radio. Croatia has 31 TV channels: 10 national ones, and 21 local and regional ones.[1]:50 Television also controls the widest share of the advertising market (77%, or 700 million euros, in 2009).[7]

HRT headquarters at Prisavlje in Zagreb

The principal television station in Croatia is HTV, the television branch of the Croatian Radiotelevision (HRT), which is entirely state-owned and a member of the European Broadcasting Union. It is required by law to promote the Croatian language and provide programming which caters to all social groups in the country, and is mainly funded by a compulsory license fee (collected in monthly installments from all citizens owning a TV set, with a very high - 96% - collection rate), covering 50% of its budget, with additional revenue coming from advertising (though dropping from 40% of its budget in 2010 to less than 15% in 2015). HRT budget transparency is still wanting.[1]:46 HTV currently broadcasts four free-to-air channels available throughout the country (HTV1, HTV2, HTV3 and HTV4 ). The appointment of board members of the public service broadcaster HRT by simple parliamentary majority leaves it vulnerable to political influences and pressures.[1]:46 HRT has also been criticised for partisanship (including the arbitrary suspension of programs and politicised staff decisions[3][8] ), lack of flexibility, lack of spots, and excessive subscription fees (1.5% of the average salary); its transition to a public service broadcaster, though, is still seen throughout the region as a successful model, ensuring a respectable audience and financial stability.[1]:51

HTV channels trace their roots to RTV Zagreb which was established in 1956 as a regional division of Yugoslavia's national broadcaster JRT. Their second channel was launched in 1972 and following the breakup of Yugoslavia in 1990 RTV Zagreb was renamed HTV. Conversely, the channels became HTV1 and HTV2, with HTV3 added in 1994. Although a small number of local stations began operating in the 1980s, HTV had a monopoly on national broadcasting until 2000 - until when it was also under strict political control by the government.

That year HTV3 was shut down and its frequency was taken by the privately owned Nova TV which had won the first public tender for a national-level 10-year broadcast license in 1999.[9] In 2003 a tender for the fourth national channel was offered, and was won by RTL Televizija, the Croatian subsidiary of the Bertelsmann-owned RTL Group, which came on air in 2004. After competing in the 2003 tender and losing to RTL, the media company Central European Media Enterprises bought Nova TV in August 2004 for 24 million.[9][10] In April 2010 Nova TV's license was renewed for another 15 years.[10]

In addition, in September 2010 the Electronic Media Council granted two new 15-year broadcast licenses in a tender for specialised nationally aired channels, won by Nova TV and RTL. The two new channels (Doma TV and RTL2) are expected to launch by Christmas 2010, and licenses alone will cost them HRK 450,000 (circa 60,000) per year.[11]

Public and commercial TV channels have converged lately: the lighter approach of commercial channels (with movies, soap operas, games and entertainment) has been increasingly matched by state-owned channels, while commercial channels themselves have improved their news and information programmes, denting the HTV earlier monopoly. Advertisers have also increasingly shifted towards commercial channels.[7]

Apart from the nationally aired channels, there is a number (around 20) of regional and local television stations which lease county-level licenses. Although they are all privately owned, they are also in part state-funded as the Electronic Media Act stipulates that a percentage of HRT license fees collected from citizens must be invested into the development of local media outlets through Electronic Media Agency's Fund for Promoting Pluralism and Diversification of Electronic Media (Fond za poticanje pluralizma i raznovrsnosti elektroničkih medija). In 2009, the fund granted a total of HRK 31.4 million (4.3 million) or 3 percent of license fees collected, to 21 local TV channels and 147 radio stations.[12] In 2010 the largest individual grant among television stations was received by VTV, a local channel based in Varaždin (HRK 1.1 million), while Radio Istra, a local station covering Istria, was the largest radio recipient with HRK 182,000.[12]

Local stations with the biggest viewership and budgets are generally the ones based in large and medium-sized cities, such as OTV and Z1 stations in Zagreb, STV and TV Jadran in Split, ČKTV in Čakovec, RiTV in Rijeka, etc.

Cable television (CATV) is also a popular method of programming delivery in Croatia, and is available in several large cities throughout the country. The biggest cable provider is, established in 2007, which is available in Osijek, Rijeka, Solin, Split, Velika Gorica, Zadar and Zagreb. As of 2010 some 250,000 households are subscribed to's cable packages.[13] Internet protocol television (IPTV) is also gaining ground in recent years, with most ISPs offering a wide selection of channels very similar to cable packages. A basic cable or IPTV package in Croatia traditionally includes:

Analogue terrestrial television was switched off in Croatia on 5 October 2010 for national TV stations, although some local stations still broadcast analogue signal. HRT first started transmitting in digital programming in 1997 (in DVB-S) and has since entirely switched its TV channels (HTV1, HTV2, HTV3 and HTV4), and three radio stations (HR1, HR2 and HR3) to digital format. The DVB-T format was first introduced in early 2002. The nine nationally broadcast free-to-air channels (HTV1, HTV2,HTV3, HTV4, RTL, Nova TV...) were carried via a network of nine main transmitters built by the state-owned company Transmitters and Communications Ltd (Odašiljači i veze or OiV; formerly a branch of HRT), completed in 2007 and covering about 70 percent of the country. The analogue switch-off process took place gradually region by region during 2010, starting with Istria and Rijeka in January and ending with Zagreb on 5 October 2010 when the entire country was converted to the DVB-T digital format.

Subsidies to the local broadcast media come from the Fund for Electronic Media Pluralisation, funded by the 3& of HRT subscription fees. The Fund finances "productions of public interest" of up to $120,000 for a total annual budget of 6 to 7 million $, with some aspects of positive discrimination towards minority-language media. It has lately become a lifeline for a good part of the local broadcast media.[1]:53


Main article: Cinema of Croatia

Croatian cinema had big successes during Socialist Yugoslavia. After enduring hardship in the 1990s, cinema came back in the 2000s. Croatian cinema produced 6 to 9 feature movies each year, presented at festivals such as the Motovun Film Festival, Zagreb Film Festival and Pula Film Festival, as well as the ZagrebDox festival of documentaries.[7]

The Croatian Audiovisual Centre was established in 2008 as the strategic public agency for the audiovisual sector, tasked with professional training and the financing the financing of production, distribution and promotion of audiovisual works.[7]


Main article: Internet in Croatia

The Internet country code top-level domain for Croatia is .hr and is administered by CARNet (Croatian Academic and Research Network). Registrants are classified into a number of different groups with varying rules of domain registrations. Some verifiable form of connection to Croatia - such as being a Croatian citizen or a permanent resident, or a company registered in the country - is common to all of the categories except for the subdomain. Third level domains ( are allowed to be registered by anyone in the world as long as they provide a local contact. As of 2009, half of Croatian households had access to internet, and 40% to broadband.[7] New regulations plan to provide at least 1 Mbit/s broadband also in the rural areas; initial-level internet packages remain affordable, at around $40/month.[1]:57 69% of the population used internet in 2014.[3]

As of September 2011 the most visited .hr websites are the Croatian version of Google followed by news websites and and online editions of printed dailies Jutarnji list and 24sata.[14] As of December 2014, Croatia had 170 registered web portals, although many of them resort to "copy/paste journalism", mirroring contents.[1]:50

Around 60% of the population is active on Facebook and Twitter. Social media have proved a platform for off-line social engagement in Croatia, with the first "facebook protests" organised by high school students in Autumn 2008, and other events leading to the removal of corrupted local politicians, e.g. in Sisak. Two of the main appealing political groups for the young voters, the environmentalists of ORaH and the anti-eviction Živi zid, are strongly based on the internet.[1]:50

In late 2013, the Wikipedia in Croatian language (Wikipedija na hrvatskom jeziku, also hr:wiki) received attention from international media for promoting fascist, right-wing worldview as well as bias against Serbs of Croatia and anti-LGBT propaganda by the means of historical revisionism and by negating or diluting the severity of crimes committed by the Ustaše regime (see Croatian Wikipedia).[15][16][17] As of December 2014, this version has more than 150,000 articles, making it the 40th largest edition of Wikipedia.

Media organisations

News agencies

The Croatian state still owns the main news agency, HINA (Hrvatska Izvještajna Novinska Agencija), founded in 1991 and providing 300 news items daily to all media in the country. HINA has adapted to market conditions, providing competitive and affordable wires for the national media. Several international news agencies operate in Croatia, including Associated Press (AP), Agence France Press (AFP) and Reuters,[7] but they remain prohibitively expensive for the local services.[1]:51

Other agencies are IKA (Informative Catholic Agency, owned by the Croatian Episcopal Conference) and STINA, a regional private agency, specialized in diversity and minority reporting.[7]

The law requires all private commercial broadcastees to produce their own news programming. This has led to crisp and infotainment news, but also reaches bigger audiences. Local radios and TVs, though, that have not found the commercial potential of news, have complained against the obligation.[1]:51 Radijska Mreža, an independent radio news agency, broadcasts news daily and free-of-charge for regional radio stations.[7]

Trade unions

The building in Zagreb where the HND is located is called Novinarski dom, lit. "Journalists' home".

The Hrvatsko novinarsko društvo (HND), or Croatian Journalists' Association (CJA), associates nearly all Croatian journalists (more than 3,000, of whose 60% in Zagreb). Founded in 1910, as one of the oldest professional associations in Croatia, it adhered in 1992 to the International Federation of Journalists. The HND works together with the Trade Union of Croatian Journalists to protect journalists' labour and social rights.[7] The HND has an almost unparalleled continuity in the region. ; in the early 1990s it was pivotal in fostering the democratisation process and the respect of human rights in the country.[1]:54 Yet, its membership has been in decline, as the print media industry has lost 40% of its jobs during the crisis, while old and new journalists have been recruited based on part-time or freelance contracts, thus not meeting HND membership requirements.[1]:55

In 2015, Hrvatski novinari i publicisti (HNiP) or Croatian Journalists and Publicists, was formed. The association has a small membership and has gained attention for its right-wing sentiments, one of its famous acts[18] being the support of the former Croatian culture minister Zlatko Hasanbegović, after Hasanbegović was criticised by the Simon Wiesenthal Center for his comments on Croatia's history during World War II.

The Hrvatska udruga radija i novina (HURIN), or Croatian Association of Radio Stations and Newspapers, gathers 140 radio stations and 30 regional newspapers. The 16 largest publishers are members of the Udruga novinskih izdavača (Association of Newspaper Publishers), itself part of Croatian Employers' Association. Together with HURIN it covers about 80 percent of employees in Croatian media.[7]

NGOs that work for better media professional standards include Gong and B.a.B.e.[1]:55

Publishers and editors are also united in associations, such as the Association of Publishers, the National Association of Television Stations, the Croatian Association of Radio and Newspapers, and the associations of commercial TV stations and of web portals.[1]:55

Regulatory authorities

The Croatian Parliament has a Committee for Information, ICT and Media, in which media issues are debated. The Committee takes part in legislative drafting about print and electronic media.[2]

The National Agency for Telecommunications of Croatia included a Telecommunications Users Council, to mediate out-of-court disputes between users and providers of telecommunications services. The Users Council also works as advsory body on consumers' rights protection. In 2009 the Agency disbanded the Users Council and directly took over its tasks.[2]

The main regulatory body for broadcasting is the government's Electronic Media Agency through its Electronic Media Council (Vijeće za elektroničke medije or VEM), which is in charge of reviewing and granting all television and radio broadcast licenses and ensuring that programming is in line within the legal framework set in the Croatian Parliament's Electronic Media Act. This makes it the local equivalent of similar regulatory agencies such as the Federal Communications Commission in the United States. The Council for Electronic Media releases the broadcasting licenses, according to the Electronic Media Law; any change in ownership structure must be reported by publishers to the Council, as well as to the Agency for the Protection of Market Competition. The Council can issue warnings, file charges, make recommendations, and support self-regulation.[2] Frequency allocation by the Agency has been trasparent for some time; its main challenges still concern the independence of its members from the political arena (particularly in terms of their appointment) and the lack of expertise of its stuff, leading it to underestimate the need for alternative web radios too.[1]:45

Censorship and media freedom

Croatia ranked 63th in the 2016 Press Freedom Index report compiled by Reporters Without Borders, falling by 5 places if compared to the 2015 Index [19] and halting the positive trend since 2009. Freedom House ranks Croatia as "Partly Free", 80th over 199 countries, after Hungary and Montenegro and before Bosnia and Herzegovina and the Republic of Macedonia.[3][20]

Although by now "a truly internalized value",[1]:45 freedom of speech in Croatia suffers from a certain fatigue in times of deep economic crisis, after seven consecutive years of recession. New legislative measures, such as the 2013 norm on "vilification", seem to go in the wrong direction. Paradoxically, international pressures have eased after Croatia's accession to the European Union, and media freedom in the country is today deemed in a worse condition than in 2013.[21]

The European Federation of Journalists, in cooperation with Croatia's HND and SNH associations, have established in July 2015 the Croatian Center for the Protection of Freedom of Expression to provide legal protection to journalists. [22]

Attacks and threats against journalists

Crimes against journalists have declined in the recent years. Although no Croatian journalist has lost her/his life lately, threats against journalists persist. Yet, courts have lately started taking verbal threats more seriously too.[1]:46 2015 marked a deterioration of the situation, with 14 cases reported between May and August alone, compared to the 24 cases in May 2014/May 2015.[21]

In 2011 the Association of Croatian Investigative Journalists (ACIJ) published a White Paper with 70 stories of censorship and intimidation against journalists since the early 1990s. Impunity remains a big issue, due to lack of follow-up to police reports, prosecutors accusating assailants for minor charges (e.g. disturbance to peace rather than assault), and lack of investigations in the crime orchestrators rather than only in the hitmen. Journalists working on war crimes, organised crime and corruption have been particularly at risk.[23]

Political and economic interferences

Cases of political pressures, censorship and self-censorship are still reported in Croatia. While physical integrity of journalists is not at stake, more subtle political and business pressures and the lack of job security still hinder the editorial independence of the Croatian media and foster self-censorship among their journalists. The appointment of board members of the public service broadcaster HRT by simple parliamentary majority leaves it vulnerable to political influences and pressures.[1]:46

Media ownership in Croatia stil carries several issues. Tycoons use editorial policy as a long-arm of their own business interests, while journalists try to anticipate their wishes, thus resorting to self-censorship and partisan journalism.

The Catholic Church, the war veterans and the biggest advertisers are still deemed "sensitive topics" in Croatian journalism. International politics gets limited coverage - and mostly reactive - while social issues (unemployment, depopulation, lack of use of EU funds) do not receive enough coverage either.[1]:49

Those local media that are partly owned by local governments receive benefits in kind, such as free office spaces. In turn, they tend not to be critical of the authorities they live off.[1]:53 Local media also benefit from a norm requiring local governments to invest at least 15% of their advertising budgets in local commercial media.[1]:54

Civil defamation lawsuits

According to the Croatian Journalists' Association (HND), as of April 2014 there were more than 40 pending criminal cases against journalists for defamation and insult.[3]

Smear campaigns

Freedom on the internet

See also


  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 IREX, Croatia Media Sustainability Index 2015
  2. 1 2 3 4 5 6 7 8 9 10 Nada Buric, Croatia #National Media Policies, EJC Media Landscapes (no date, 2009/2010)
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Freedom House, Croatia report on Press Freedom 2015
  4. OSCE RFoM, 2014
  5. 1 2 3 4 5 Nada Buric, Croatia #Print Media, EJC Media Landscapes (no data)
  6. 1 2 Nada Buric, Croatia #Radio, EJC Media Landscapes (no date)
  7. 1 2 3 4 5 6 7 8 9 10 Nada Buric, Croatia, EJC Media Landscapes (no date)
  8. OSCE Warns Croatia Broadcaster on Media Freedom, Balkan Insight, 8 May 2012
  9. 1 2 Vejnović, Saša (1 June 2009). "Komercijalne televizije mogle bi izgubiti postojeće programske koncesije". Poslovni dnevnik (in Croatian). Retrieved 13 November 2010.
  10. 1 2 "Novoj TV koncesija za još 15 godina". (in Croatian). 14 April 2010. Retrieved 13 November 2010.
  11. Matijević, Božena (13 September 2010). "Ramljak: RTL i Nova TV dobili su kanale za reciklažu već viđenog". Večernji list (in Croatian). Retrieved 13 November 2010.
  12. 1 2 "Poticanje pluralizma: 31,4 milijuna kuna radio i TV postajama". (in Croatian). Nova TV. 19 July 2010. Retrieved 13 November 2010.
  13. "" (in Croatian). Retrieved 13 November 2010.
  14. "Top Sites in Croatia". Alexa Internet. Retrieved 11 September 2011.
  15. Sampson, Tim (October 1, 2013). "How pro-fascist ideologues are rewriting Croatia's history". Retrieved July 1, 2015.
  16. "Fascist movement takes over Croatian Wikipedia?". InSerbia News. Retrieved 13 September 2013.
  17. Trolls hijack Wikipedia to turn articles against gays, Gay Star News
  18. Croatian Journalists and Publicists counter Wiesenthal Center's statements, EBL News
  19. , World Press Freedom Index 2016
  20. Croatia ranks 80th among 199 countries with regard to media freedom, Dalje, 29 April 2015
  21. 1 2 3 4 5 Croatia: Unsolved threats and assaults underscore rapid deterioration of media freedom, Index on Censorship, 28 August 2015
  22. The EFJ welcomes the Croatian Center for the Protection of Freedom of Expression, Osservatorio Balcani e Caucaso
  23. Drago Hedl under protection, RSF 2008
  24. OSCE RFoM, 2008
  25. RSF, 2008
  27. OSCE RFoM, August 2014
  28. 1 2 Journalists attacked, threatened in Croatia and Macedonia, 29 May 2015
  29. OSCE Representative condemns attacks and threats against journalists in Croatia, welcomes quick arrests, OSCE FOM Press Release, 29 May 2015
  30. CPJ condemns attack on investigative journalist in Croatia, 2 June 2016
  32. Judicial harassment of war crime reporters, RSF 2010
  35. N1 Info, Vijesti, HND, Croatia: Armed assailants storm Hrvatski Tjednik offices, injuring graphic designer, Mapping Media Freedom, 13 July 2015
  36. Croatia: Head of journalist union threatened, Mapping Media Freedom, 29 May 2015
  37. OSCE RFoM, August 2015
  38. HND, 24 Sata,, Croatia: President of Croatian football federation bans journalists from press conference, takes mobile phone, Mapping Media Freedom, 1 October 2015
  39.,, Mapping Media Freedom
  40. Sven Milekic, Croazia: l'inno non si tocca, Osservatorio Balcani e Caucaso, 22 January 2016
  41. OSCE RFoM, October 2015
  42. RSF, 21 October 2015
  43. OSCE RFoM, July 2014
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