John Neumeier

John Neumeier (born 24 February 1942) is an American ballet dancer, choreographer, and director. He has been the director and chief choreographer of Hamburg Ballet since 1973. Five years later he founded the Hamburg Ballet School, which also includes a boarding school for students. In 1996, Neumeier was made ballet director of Hamburg State Opera.

Neumeier was born in Milwaukee, Wisconsin, where he received his first ballet training. After completing a B.A. in English literature and theater studies at Marquette University in 1961, he continued his training in Copenhagen with Vera Volkova and at the Royal Ballet School in London. In 1963 he joined the Stuttgart Ballet under John Cranko, rising to the rank of soloist.[1] In 1969 Neumeier became director of the Frankfurt Ballet, before becoming director and chief choreographer at the Hamburg Ballet in 1973.[2] From 1971 through 1974 Neumeier was also guest choreographer for the Royal Winnipeg Ballet, where he provided repertoire and staged his version of The Nutcracker.

In 1988 he received the award Deutscher Tanzpreis, and in 1992 the Prix Benois de la Danse as choreographer.[3]

Neumeier's choreographic output consists of more than 100 works, including a large number of evening-length narrative ballets.[4] Many are drawn from literary sources, such as Don Juan (created for the Frankfurt Ballet, 1972), The Lady of the Camellias (Stuttgart Ballet, 1978), A Streetcar Named Desire (Stuttgart Ballet, 1983), Peer Gynt (1989), The Seagull (2002), Death in Venice (2003), The Little Mermaid (Royal Danish Ballet, 2005), Liliom (2011) and Tatiana (2014). Of particular importance are his adaptations of plays by William Shakespeare, including Romeo and Juliet (Frankfurt Ballet, 1971), A Midsummer Night's Dream (1977), Othello (1985), As You Like It (1985), Hamlet (Royal Danish Ballet, 1985) and VIVALDI, or What You Will (1996). He has reinterpreted and rechoreographed the seminal classics of the 19th century: The Nutcracker (Frankfurt Ballet, 1971), set in the world of 19th-century ballet, Illusions, like Swan Lake (1976), based loosely on the life of Ludwig II of Bavaria, The Sleeping Beauty (1978) and Giselle (2000). He has choreographed works on Biblical subjects, including The Legend of Joseph (Vienna State Ballet, 1977), Saint Matthew Passion (1981), Magnificat (Paris Opera Ballet, 1987), Requiem (1991), Messiah (1999) and Christmas Oratorio (2007, 2013), as well as ballets inspired by mythological subjects: Daphnis and Chloe (Frankfurt Ballet, 1972), Sylvia (Paris Opera Ballet, 1997), Orpheus (2009), Tristan (1982), The Saga of King Arthur (1982) and Parzival - Episodes and Echo (2006). Neumeier is particularly inspired by the life and work of Vaslav Nijinsky[5] and has produced several ballets about him: Vaslav (1979), the full-length Nijinsky (2000) and Le Pavillon d'Armide (2009). Neumeier has also choreographed a number of ballets to the music of Gustav Mahler, including the biographical Purgatorio (2011), set to Deryck Cooke's reconstruction of Mahler's Tenth Symphony. In addition, Neumeier has choreographed Mahler's First (Lieb' und Leid und Welt und Traum, Ballet of the 20th Century, 1980), Third (1975), Fourth (Royal Ballet, 1977), Fifth (1989), Sixth (1984) and Ninth (In the Between, 1994) symphonies, as well as the Rückert-Lieder (1976), Des Knaben Wunderhorn (Soldier Songs, 1989) and Song of the Earth (Paris Opera Ballet, 2015).



  1. Foyer, Maggie (22 August 2014). "Alive and Relevant". Financial Mail. Retrieved 28 April 2015.
  2. Kuiper, Kathleen. "John Neumeier". Encyclopedia Britannica. Retrieved 28 April 2015.
  3. "John Neumeier". Prix Benois de la Danse. Retrieved 28 April 2015.
  4. "Repertory since 1973". Hamburg Ballet. Retrieved 28 April 2015.
  5. de la Peña, Matthew (28 January 2013). "Interview: John Neumeier". Time Out Chicago. Retrieved 28 April 2015.


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