Jennifer Baichwal

Jennifer Baichwal
Born	1965 Montréal, Québec, Canada
Occupation	Filmmaker
Notable work	Manufactured Landscapes
Website	http://www.mercuryfilms.ca

Jennifer Baichwal is an award-winning Canadian documentary filmmaker, writer and producer.

Biography

Jennifer was born in Montréal, Québec and raised in Victoria, British Columbia.^[1] She is the daughter of Krishna Baichwal Sr. a cardiothoracic surgeon and Elvina Baichwal. Together they had four children Jennifer, Krishna Jr., Elizabeth and Kristine. She is of Indian and British heritage.^[2] In 1985, she traveled to Morocco and lived on a farm, inspired by the writing of Paul Bowles, who would become the subject of her first feature-length documentary.^[3][4] Baichwal studied philosophy and theology at McGill University, writing her Master's thesis on Reinhold Niebuhr and receiving her master's in arts in 1994.^[3] In 1995, Baichwal traveled with her family to India to scatter the ashes of their late father who had succumbed to heart-related issues.^[2]

Baichwal is married to cinematographer and director Nick de Pencier.^[5] They were brought together by Baichwal's classmate Canadian journalist Evan Solomon, after he had suggested de Pencier as she needed a cinematographer for her film.^[6] Together, they have two children, a son Magnus born in 2000 and a daughter Anna born in 2003.^[2][6] The couple started a production company in 2000, originally under the name Requisite Productions, now called Mercury Films.^[7]

Career

After completing her Master's at McGill, Baichwal decided to pursue documentary film work as she found that it provided her the right avenue to explore the questions and issues that she had studied in her program.^[8][9] Baichwal on her career choice: "I wanted to explore these questions of the human condition, but in a medium that was more lateral and more emotionally accessible than an academic paper."^[9] She has stated that the documentary "allows you to reflect on ... things that are happening in the real world in a way that is creative".^[9] Her films often attempt to investigate problems within documentary film form. She says: "There has to be some kind of mystery as well - a meta-level problem that the film becomes a response to. Our Paul Bowles film is about the impossibility of biography. The Holier It Gets is about the perils of confessional work, and The True Meaning of Pictures is about issues of representation. Manufactured Landscapes, proceeding from Edward Burtynsky's photographs, is about changing consciousness through witnessing the places we are all responsible for, but normally never get to see."^[8][10]

Baichwal's production company has produced most of her films along with other short films and documentaries including The Hockey Nomad and Black Code, the latter of which premiered at the Toronto International Film Festival in 2016.^[7][11]

Many of her films' subjects are artists of other mediums than film.^[8][12][13] In an interview with the Seventh Art, Baichwal mentions how she is drawn to artists, stating: "There is something about art that can't be paraphrased and just living in the complexity of that world is very rich for me..."^[8]

Since their initial collaboration in 1995 and with the exception of Manufactured Landscapes, all of Jennifer's films have been shot by her husband Nick de Pencier.

Looking You in the Back of the Head (1997)

A short television documentary produced in 1995 featuring 13 Canadian women exploring what they think of their own identity.^[3][14]

Let it Come Down: The Life of Paul Bowles (1998)

A documentary biography on the American writer Paul Bowles. Made near the end of Bowles' life, Baichwal was able to screen the film for the author before his subsequent death in 1999.^[4][12] She says of the experience viewing the film with her subject: "It was very important for me that he see [the film] before he died; he had just turned 88. I was petrified as to what he would think of it, he's a real misanthrope and recluse. I got to his place, and I wanted him to watch it after I left and then write to me. But he was insistent. So he put it on, and he has quite bad glaucoma, so he was sitting six inches from the screen. I shut the door, and I kind of panicked for 75 minutes while he was watching it."^[4]

The Holier It Gets (2000)

A documentary about Baichwal and her siblings pilgrimage to India to put their father's ashes in the Ganges river. It was filmed on 16mm by Nick de Pencier. The film explores themes grief, closure, the afterlife and spirituality.

The True Meaning of Pictures: Shelby Lee Adams' Appalachia (2002)

A documentary on the work of renowned and controversial American photographer Shelby Lee Adams. The film takes a layered approach to Adams' work, it features interviews with the photographer, his subjects and his critics. The film's title comes from one of Adam's subjects and defenders in the face of accusations of exploitation and stereotypes from the photographer.^[12]

Manufactured Landscapes (2006)

Notable amongst Baichwal's features, this documentary focuses on the work of Canadian photographer Edward Burtynsky in one of his expeditions to China. The photographs, taken for his China series, provide the frame for the film that explores the effects that rapid and recent industrialization has had on the environment in this manufacturing and economic superpower.^[15]

Act of God (2009)

A documentary about the metaphysical questions surrounding the event of being struck by lightning.^[8] It features various accounts from people who have either been struck lightning or witnessed the act. It looks into scientific, cultural and religious interpretations of lightning showers from around the world. The film features narration from writer Paul Aster and centers his experience witnessing his childhood friend succumb to a fatal lightning strike.^[12]

Payback (2012)

A documentary film adaptation of Canadian writer Margaret Atwood's novel Payback: Debt and the Shadow Side of Wealth.

Watermark (2013)

The second collaboration between Baichwal and Burtynsky sees the photographer co-directing the film alongside her. The documentary looks into the abuse of water, its effect and the dependence as water as a source of life. The film is accompagnied by Burtynsky's series titled Water which he produced while filming the documentary.^[8]

Upcoming work

In 2016, Jennifer was named a member of the Toronto International Film Festival Board of Directors.^[16][17]

Baichwal and Burtynsky are currently in production for their third collaborative feature, a documentary entitled Anthropocene slated for release in 2018.^[3]

Baichwal and de Pencier have been announced to direct the upcoming The Tragically Hip documentary Man Machine Poem. It will document the 2016 farewell tour of the Canadian band following lead singer Gord Downie's diagnosis of terminal brain cancer. It is expected to be released in 2017.^[18][19]

Filmography

• Looking You in the Back of the Head (1997)^[9]
• Let it Come Down: The Life of Paul Bowles (1998)
• The Holier It Gets (2000)
• The True Meaning of Pictures: Shelby Lee Adams' Appalachia (2002)
• Manufactured Landscapes (2006)
• Act of God (2009)
• Payback (2012)
• Watermark (co-directed with Edward Burtynsky) (2013)^[20][21]

Awards and nominations

References

External links

• Jennifer Baichwal at Mercury Films
• Jennifer Baichwal at the Internet Movie Database