Jean-Désiré Ringel d'Illzach

Ringel d'Illzach (1903). Anthropometric photograph by Alphonse Bertillon

Jean-Désiré Ringel, known as Ringel d'Illzach (29 September 1849, Illzach - 28 July 1916, Strasbourg) was a French-Alsatian sculptor and engraver.

Biography

He was a pupil of François Jouffroy and Alexandre Falguière at the École des Beaux-arts in Paris[1] and was best known for his medallions, made of diverse materials (bronze, terracotta, stoneware and glass paste), portraying a vast array of the notable artistic, literary, political and scientific figures of his time.

He never ceased to experiment with new processes for casting metals, incorporating new materials and developing ways to apply color. His vitreous enamel agglomerates had the appearance of precious stones with strange tonalities.[2] Some of his masks, such as the one of Maurice Rollinat, are made of multicolored wax. He reproduced all of his works as engravings.

Much of his work was inspired by music, including a series of nine allegorical statues representing the symphonies of Beethoven. A polychrome statue, depicting the Rákóczy March from La damnation de Faust by Hector Berlioz, was the centerpiece of his exhibit at the 1897 Venice Biennial.[3]

Some of its decorative cast iron work, including masks and highly stylized seahorses, adorn balconies and walls of Hector Guimard's Castel Béranger (1895-1898).

Selected works

References

  1. Grove Dictionary of Art. According to this source, he was also a student of Ernst Julius Hähnel at the Dresden Academy of Fine Arts.
  2. L'Interimédiaire des chercheurs et curieux, 7 May 1901
  3. Catalog of the Venice Biennale : esposizione internazionale d'arte delle Città di Venezia, second exhibition, 1897, New York : Arno Press, 1971, pg.36.

Further reading

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