Gustav III of Sweden

Gustav III

Gustav III painted in 1777 by Alexander Roslin
King of Sweden
Reign 12 February 1771 – 29 March 1792
Coronation 29 May 1772
Predecessor Adolf Frederick
Successor Gustav IV Adolf
Born 24 January 1746
Stockholm, Sweden
Died 29 March 1792(1792-03-29) (aged 46)
Stockholm Palace, Stockholm
Burial 13 April 1792
Riddarholmen Church, Stockholm
Spouse Sophia Magdalena of Denmark
Gustav IV Adolf of Sweden
Prince Carl Gustav, Duke of Småland
House Holstein-Gottorp
Father Adolf Frederick of Sweden
Mother Louisa Ulrika of Prussia
Religion Lutheran
Styles of
Gustav III of Sweden
Reference style His Majesty
Spoken style Your Majesty
Alternative style Ers Majestät

Gustav III (24 January [O.S. 13 January] 1746 – 29 March 1792 Note on dates) was King of Sweden from 1771 until his assassination in 1792. He was the eldest son of King Adolf Frederick of Sweden and Queen Louise Ulrika (a sister of King Frederick the Great of Prussia), and a first cousin of Empress Catherine the Great of Russia by reason of their common descent from Christian August of Holstein-Gottorp, Prince of Eutin, and his wife Albertina Frederica of Baden-Durlach.

Gustav was a vocal opponent of what he saw as the abuse of political privileges that had been negotiated from the crown on behalf of the nobility since the death of King Charles XII. He seized power from the government in a coup d'état in 1772 that ended the Age of Liberty in Sweden and initiated a campaign to restore autocracy. This process was completed by the Union and Security Act of 1789, which swept away most of the political powers once exercised by the Swedish parliament (the Riksdag). As a bulwark of enlightened despotism, he spent considerable public funds on cultural ventures, a controversial policy among his critics. His later reign was marred by attempts to seize Norway with Russian assistance, and then by unsuccessful attempts to re-capture Baltic provinces lost during the Great Northern War of the early eighteenth century by means of a war against Russia, the Russo-Swedish War (1788–1790). Nonetheless, much of Sweden's former military might was restored.

An admirer of Voltaire, Gustav legalized Catholic and Jewish presence in the realm and enacted wide-ranging reforms aimed at economic liberalism, social reform and the restriction of torture and capital punishment. The much-praised Freedom of the Press Act of 1766 was severely curtailed, however, by amendments in 1774 and 1792 that effectively extinguished all independent media.[1]

Following the French Revolution of 1789, Gustav pursued an alliance of monarchs aimed at crushing the insurrection and re-instating his French counterpart, King Louis XVI, by offering Swedish assistance to the royal cause in France under his leadership. He was mortally wounded by a gunshot in the lower back during a masquerade ball as part of an aristocratic-parliamentary coup attempt, but managed to assume command and quell the uprising before succumbing to septicemia 13 days later, a period during which he received apologies from many of his political enemies. Gustav's immense powers were placed in the hands of a regency under his brother Prince Carl until his son and successor Gustav IV Adolf reached adulthood in 1796. The Gustavian autocracy hence survived until 1809, when his son abdicated the Swedish throne.

A patron of the arts and benefactor of arts and literature, Gustav founded the Swedish Academy, created a national costume and had the Royal Swedish Opera built. In 1772 he founded the Royal Order of Vasa to acknowledge and reward those Swedes who had contributed to advances in the fields of agriculture, mining and commerce.

In 1782, Gustav III was the first neutral head of state in the world to recognize the United States during its war for independence from Great Britain.[2][3]

Royal title

Gustav III was known in Sweden and abroad by his Royal Titles, or styles:

Gustav, by the Grace of God, of the Swedes, the Goths and the Vends King, Grand Prince of Finland, Duke of Pomerania, Prince of Rügen and Lord of Wismar, Heir to Norway and Duke of Schleswig-Holstein, Stormarn and Dithmarschen, Count of Oldenburg and Delmenhorst, etc. etc.


Gustav was born in Stockholm. He was placed under the tutelage of Hedvig Elisabet Strömfelt until the age of five, then educated under the care of two governors who were among the most eminent Swedish statesmen of the day: Carl Gustaf Tessin and Carl Fredrik Scheffer. Nonetheless, he perhaps owed most of what shaped him during his early education to the poet and historian Olof von Dalin.

State interference with his education as a young child caused significant political disruptions within the royal family. Gustav's parents taught him to despise the governors imposed upon him by the Riksdag, and the atmosphere of intrigue and duplicity in which he grew up made him precociously experienced in the art of dissimulation.

Even his most hostile teachers were amazed by his combination of natural gifts. Moreover, he possessed already as a boy the charm of manner that was to make him so fascinating and so dangerous in later life, coupled with a strong dramatic instinct that won him an honourable place in Swedish literature.

On the whole, Gustav cannot be said to have been well educated, but he read widely; there was scarcely a French author of his day with whose works he was not intimately acquainted. His enthusiasm for the ideas of the French enlightenment was as sincere as that of his mother, if more critical.

Marriage and sons

Portrait of Sophia Magdalena of Denmark, painted by Alexander Roslin in 1775

Gustav married Princess Sophia Magdalena, daughter of King Frederick V of Denmark, by proxy in Christiansborg Palace, Copenhagen, on 1 October 1766 and in person in Stockholm on 4 November 1766. The match was not a happy one, owing partly to an incompatibility of temperament, but still more to the interference of Gustav's jealous mother, Queen Louisa Ulrika. The marriage produced two children: Crown Prince Gustav Adolf (1778–1837), and Prince Carl Gustav, Duke of Småland (1782–1783). For the consummation of the marriage, the king and queen requested actual physical instruction by Count Adolf Munck, reportedly because of anatomical problems of both spouses. Gustav's mother supported rumors that he was not the father of his first son and heir. It was rumored at the time that Gustav was homosexual.[4] The close personal relationships which he formed with two of his courtiers, Count Axel von Fersen and Baron Gustav Armfelt, were alluded to in that regard. His sister-in-law Charlotte implied as much in her famous diary.[5]

Professor Erik Lönnroth of the Swedish Academy, who has described the assistance provided by Munck, has concluded that there is no factual basis for the assumption that Gustav III was homosexual.[6] When his second son was born, there was no doubt in anyone as to his legitimacy, and the boy was strong and healthy. King Gustav was especially fond of him and suffered obvious and severe mental and physical reactions to the baby's illness and death.[7] The spring of 1783 has been considered a turning point in the king's personality. After his controversial mother's death in 1782, he found consolation in the birth of the Duke of Småland, but this was followed by severe grief when the child died the following year.[8]

Politics of an heir apparent

Gustav first intervened actively in politics during the December Crisis (1768), when he compelled the dominant Cap faction, which mainly represented the interests of the peasantry and clergy, to summon an extraordinary diet from which he hoped for the reform of the constitution in way that would increase the power of the crown. But the victorious Hat party, which mainly represented the interests of the aristocracy and military establishment, refused to redeem the pledges that they had given before the previous elections. "That we should have lost the constitutional battle does not distress us so much", wrote Gustav, in the bitterness of his heart; "but what does dismay me is to see my poor nation so sunk in corruption as to place its own felicity in absolute anarchy."

Gustav found greater success abroad. From 4 February to 25 March 1771, Gustav was in Paris, where he carried both the court and the city by storm. The poets and the philosophers paid him enthusiastic homage, and distinguished women testified to his superlative merits. With many of them he maintained a lifelong correspondence. His visit to the French capital was, however, no mere pleasure trip; it was also a political mission. Confidential agents from the Swedish court had already prepared the way for him, and the Duke of Choiseul, the retired Chief Minister, resolved to discuss with him the best method of bringing about a revolution in France's ally, Sweden. Before he departed, the French government undertook to pay the outstanding subsidies to Sweden unconditionally, at the rate of one and a half million livres annually. Count de Vergennes, one of the most prominent French diplomats, was transferred from Constantinople to Stockholm.

On his way home, Gustav paid a short visit to his uncle, Frederick the Great, at Potsdam. Frederick bluntly informed his nephew that, in concert with Russia and Denmark, he had guaranteed the integrity of the existing Swedish constitution; he advised the young monarch to play the part of mediator and abstain from violence.

Coup d'état

King Gustav III of Sweden and his Brothers; Gustav III (left) and his two brothers, Prince Frederick Adolf and Prince Charles, later Charles XIII of Sweden. Painting by Alexander Roslin.
One of Gustav III's revolution rings in memory of political revolution 1772-08-21.

On his return to Sweden, Gustav III tried to mediate between the bitterly divided Hat and Cap parties. On 21 June 1771, he opened his first Riksdag with a speech that aroused powerful emotions. It was the first time in more than a century that a Swedish king had addressed a Swedish Riksdag in its native tongue. He stressed the need for all parties to sacrifice their animosities for the common good, and volunteered, as "the first citizen of a free people," to be the mediator between the contending factions. A composition committee was actually formed, but it proved illusory from the first: the patriotism of neither faction was sufficient for the smallest act of self-denial. The subsequent attempts of the dominant Caps to reduce him to a roi fainéant (a powerless king), encouraged him to consider a coup d'état.

Under the sway of the Cap faction, Sweden seemed in danger of falling prey to the political ambitions of Russia. It appeared on the point of being absorbed into the Northern Accord sought by the Russian vice-chancellor, Count Nikita Panin. It seemed to many that only a swift and sudden coup d'état could preserve Sweden's independence.

Gustav III in 1772

At this juncture Gustav III was approached by Jacob Magnus Sprengtporten, a Finnish nobleman, who had incurred the enmity of the Caps, with the prospect of a revolution. He undertook to seize the fortress of Sveaborg in Finland by a coup de main. Once Finland was secured, he intended to embark for Sweden, join up with the king and his friends near Stockholm, and force the estates to accept a new constitution dictated by the king.

At this juncture, the plotters were reinforced by Johan Christopher Toll, another victim of Cap oppression. Toll proposed to raise a second revolt in the province of Scania, and to secure the southern fortress of Kristianstad. After some debate, it was agreed that Kristianstad should openly declare against the government a few days after the Finnish revolt had begun. Duke Charles (Karl), the eldest of the king's brothers, would thereupon be forced to mobilize the garrisons of all the southern fortresses hastily, ostensibly to crush the revolt at Kristianstad, but on arriving in front of the fortress, he was to make common cause with the rebels and march upon the capital from the south while Sprengtporten attacked it simultaneously from the east.

The entire revolutionary enterprise was underwritten with loans procured from the French financier Nicolas Beaujon, arranged by the Swedish ambassador to France, Count Creutz.

Photo of Gustav III's uniform worn during the coup d'état, 19th of August 1772. Livrustkammaren.

On 6 August 1772, Toll succeeded in winning the fortress of Kristianstad by sheer bluff, and on 16 August, Sprengtporten succeeded in surprising Sveaborg, but contrary winds prevented him from crossing to Stockholm. Events soon occurred there that made his presence unnecessary in any case.

On 16 August, the Cap leader, Ture Rudbeck, arrived at Stockholm with news of the insurrection in the south, and Gustav found himself isolated in the midst of enemies. Sprengtporten lay weather-bound in Finland, Toll was 500 miles away, the Hat leaders were in hiding. Gustav thereupon resolved to strike the decisive blow without waiting for Sprengtporten's arrival.

He acted promptly. On the evening of 18 August, all the officers whom he thought he could trust received secret instructions to assemble in the great square facing the arsenal on the following morning. At ten o'clock on 19 August, Gustav mounted his horse and rode to the arsenal. On the way, his adherents joined him in little groups, as if by accident, so that by the time he reached his destination he had about 200 officers in his suite.

After parade he reconducted them to the guard-room in the north western wing of the palace where the Guard of Honour had its headquarters and unfolded his plans to them. He told the assembled officers,

"If you follow me, just like your ancestors followed Gustav Vasa and Gustavus Adolphus, then I will risk my life and blood for you and the salvation of the fatherland!"

A young ensign then spoke up:

"We are willing to sacrifice both blood and life in Your Majesty's service!"[9]

Gustav then dictated a new oath of allegiance, and everyone signed it without hesitation. It absolved them from their allegiance to the estates, and bound them solely to obey "their lawful king, Gustav III".

Meanwhile, the Privy Council and its president, Rudbeck, had been arrested and the fleet secured. Then Gustav made a tour of the city and was everywhere received by enthusiastic crowds, who hailed him as a deliverer. A song was composed by Carl Michael Bellman called the "Toast to King Gustav!

Pope Pius VI and Gustav III

On the evening of 20 August, heralds roamed the streets proclaiming that the estates were to meet at the palace on the following day; every deputy absenting himself would be regarded as the enemy of his country and his king. On 21 August, the king appeared in full regalia. Taking his seat on the throne, he delivered his famous philippic, viewed as one of the masterpieces of Swedish oratory, in which he reproached the estates for their unpatriotic venality and license in the past.

Part of the speech by Gustav III to the Estates:

...has given birth to hatred, hatred to revenge, revenge to persecution, persecution to new revolutions which finally have passed into a period of disease, which has wounded and degraded the whole nation. Ambition and lust for glory on the part of a few people have damaged the realm, and blood has been shed by both parties, and the result of this has been the suffering of the people. The establishment of their own power base has been the sole goal of those ruling, often at the cost of other citizens, and always at the cost of the nation. In times when the law was clear, the law was distorted, and when that was not possible, it was broken. Nothing has been sacred to a populace bent on hatred and revenge, and lunacy has finally reached so far, that it has been assumed that members of parliament are above the law, their not having any other guidance than their own consciences. By this Freedom, the most noble of human rights have been transformed by an unbearable aristocratic despotism in the hands of the ruling party, which in itself has been subdued by few...[10]

A new constitution, the Instrument of Government, was read to the estates and unanimously accepted by them. The diet was then dissolved.

Between constitutionalism and absolutism

Medal from 1777.

Gustav worked towards reform in the same direction as other contemporary sovereigns of the Age of Enlightenment. Criminal justice became more lenient, the death penalty was restricted to a relatively short list of crimes (including murder), and torture was abolished in order to gain confessions, although "strict death penalty", with torture-like corporal punishment preceding the execution, was maintained.

He took an active part in every department of business, but relied heavily on extra-official counsellors of his own choosing rather than upon the Privy Council of Sweden. The effort to remedy the widespread corruption that had flourished under the Hats and Caps engaged a considerable share of his time and he even found it necessary to put on trial the entire Göta Hovrätt, the superior court of justice, in Jönköping.

Measures were also taken to reform the administration and judicial procedures. In 1774, an ordinance was proclaimed providing for the liberty of the press, though "within certain limits". The national defences were raised to a "Great Power" scale, and the navy was so enlarged as to become one of the most formidable in Europe. The dilapidated finances were set in good order by the "currency realization ordinance" of 1776.

Gustav also introduced new national economic policies. In 1775, free trade in grain was promoted and several oppressive export tolls were abolished. The poor law was amended and limited religious liberty was proclaimed for both Roman Catholics and Jews. Gustav even designed and popularized a Swedish national costume, which was in general use among the upper classes from 1778 until his death (and it is still worn by the ladies of the court on state occasions.) The king's one great economic blunder was the attempt to make the sale of alcohol a government monopoly, which clearly infringed upon the privileges of the estates.

Gustav's foreign policy, on the other hand, was at first both restrained and cautious. Thus, when the king summoned the estates to assemble at Stockholm on 3 September 1778, he could give a highly positive account of his six years' stewardship. The Riksdag was quite obsequious towards the king. "There was no room for a single question during the whole session."

Short as the session was, it was long enough for the deputies to realize that their political supremacy was over. They had changed places with the king. He was now indeed their sovereign lord. For all his gentleness, he guarded the royal prerogative fiercely and plainly showed that he would continue to do so.

Even those who were prepared to acquiesce in the change by no means liked it. If the Riksdag of 1778 had been docile, the Riksdag of 1786 was mutinous. The consequence was that nearly all the royal propositions were either rejected outright or so modified that Gustav himself withdrew them.

Earlier in foreign affairs, however, and privately, Gustav had shown considerable interest in the American Revolution and had this to say about it in October 1776:

It is such an interesting drama to see a nation create itself, that I – if I now had not been who I am – would go to America to follow up close every phase in the emergence of this new republic. – This perhaps is America's century. The new republic, which hardly has a population put together better than Rome had to begin with, may perhaps take advantage of Europe some day, in the same manner as Europe has taken advantage of America for two centuries. No matter what, I cannot help but admire their courage and enthusiastically appreciate their daring.[11]

Absolute monarchy

The Riksdag of 1786 marks a turning-point in Gustav's history. Henceforth he showed a growing determination to rule without a parliament, a cautious and gradual passage from semi-constitutionalism to semi-absolutism.

At the same time, his foreign policy became more adventurous. At first he sought to gain Russian support to acquire Norway from Denmark. When Catherine the Great refused to abandon her ally Denmark, Gustav declared war on Russia in June 1788, while it was deeply engaged in a war with the Ottoman Empire to the south. In embarking on a war of aggression without the consent of the estates, Gustav violated his own constitution of 1772 – which led to a serious mutiny, the Anjala Conspiracy, among his aristocratic officers in Finland. Denmark declared war in support of its Russian ally, but was soon neutralized through British and Prussian diplomacy.

Returning to Sweden, Gustav aroused popular indignation against the mutinous aristocratic officers. Ultimately, he quelled their rebellion and arrested its leaders. Capitalizing on the powerful anti-aristocratic passions thus aroused, Gustav summoned a Riksdag early in 1789, at which he put through an Act of Union and Security on 17 February 1789 with the backing of the three lower estates. This reinforced monarchical authority significantly, although the estates retained the power of the purse. In return, Gustav abolished most of the old privileges of the nobility.

Russo–Swedish War (1788–1790)

Trophies from the Battle of Svensksund brought into the Stockholm Cathedral.
Painting by Pehr Hilleström.

Throughout 1789 and 1790, Gustav conducted a war with Russian known as the Russo-Swedish War of 1788-1790. At first, the venture seemed headed for disaster before the Swedes successfully broke a blockade by the Russian fleet at the Battle of Svensksund on 9 July 1790. This is regarded as the greatest naval victory ever achieved by the Swedish Navy. The Russians lost one-third of their fleet and 7,000 men. A month later, on 14 August 1790, a peace treaty was signed between Russia and Sweden: the Treaty of Värälä. Only eight months before, Catherine had declared that "the odious and revolting aggression" of the king of Sweden would be "forgiven" only if he "testified his repentance" by agreeing to a peace granting a general and unlimited amnesty to all his rebels and consenting to a guarantee by the Swedish Riksdag for the observance of peace in the future ("as it would be imprudent to confide in his good faith alone"). The Treaty of Värälä spared Sweden from any such humiliating concession, and in October 1791, Gustav concluded an eight years' defensive alliance with the empress, who thereby bound herself to pay her new ally an annual subsidy of 300,000 rubles.

Gustav next aimed at forming a league of princes against the revolutionary government in France, and subordinated every other consideration to this goal. His profound knowledge of popular assemblies enabled him, alone among contemporary sovereigns, to gauge the scope of the French Revolution accurately from the first. He was hampered, however, by financial restrictions and lack of support from the other European Powers. Then, after the brief Diet of Gävle on 22 January – 24 February 1792, he fell victim to a widespread political conspiracy among his aristocratic enemies.


Gustav III's war against Russia and the implementation of the Union and Security Act in 1789 helped to increase a hatred against the king among the nobility that had been growing ever since the coup d'état in 1772. A conspiracy to have the king killed and reform the constitution took place within the nobility in the winter of 1791-92. Among those involved were Jacob Johan Anckarström, Adolph Ribbing, Claes Fredrik Horn, Carl Pontus Lilliehorn and Carl Fredrik Pechlin. The assassination of the king took place at a masked ball at the Royal Opera House in Stockholm at midnight on 16 March 1792. Gustav had arrived earlier that evening to enjoy a dinner in the company of friends. During dinner, he received an anonymous letter that contained a threat to his life (written by the colonel of the Life guards Carl Pontus Lilliehorn), but, as the king had received numerous threatening letters in the past, he chose to ignore it. After dining, he left his rooms to take part in the masquerade.[12] The letter was written in French, and in translation it started:

To the King – with the greatest humility.

Pray, allow an unknown whose pen is guided by tactfullness and the voice of conscience, dare take the liberty to inform You, with all possible sincerity, that certain individuals exist, both in the Provinces and here in the City, that only breathes hatred and revenge against You; likewise to the extreme of wanting to shorten Your days, through murder.

They are mighty upset to see this not happening at the last masquerade but they rejoice at the tidings of seeing that there will be a new one today. Bandits do not like lanterns; there is nothing more serviceable for an assassination than darkness and disguise. I dare than to appeal to You, by everything that is holy in this world, to postpone this damnable ball, to such times, that are more positive for Your present as well as coming benefit...[13]

Gustav's masquerade dress. Displayed at Livrustkammaren

Soon upon entering, he was surrounded by Anckarström and his co-conspirators, Count Claes Fredrik Horn and Count Adolf Ludvig Ribbing. The king was easily spotted, mainly due to the breast star of the Royal Order of the Seraphim that glowed in silver upon his cape. The conspirators were all wearing black masks and accosted him in French with the words:

Bonjour, beau masque ("Good-day, fine masked man")

Anckarström moved behind the king and fired a pistol-shot into the left side of his back. The king jumped aside, crying in French:

Ah! Je suis blessé, tirez-moi d'ici et arrêtez-le ("Ah! I am wounded, take me away from here and arrest him!")

The king was carried back to his quarters, and the exits of the Opera were sealed. Anckarström was arrested the following morning and immediately confessed to the murder, although he denied a conspiracy until informed that Horn and Ribbing had also been arrested and had confessed in full.

The king had not been shot dead; he was alive and continued to function as head of state. The coup was a failure in the short run. However, the wound became infected, and on 29 March, the king finally died with these last words:

Jag känner mig sömnig, några ögonblicks vila skulle göra mig gott ("I feel sleepy, a few moments' rest would do me good")

Ulrica Arfvidsson, the famous medium of the Gustavian era, had told him something that could be interpreted as a prediction of his assassination in 1786, when he visited her anonymously – a coincidence - but she was known to have a large network of informers all over town to help her with her predictions, and she was in fact interrogated about the murder.

Contributions to culture

Gustav as Apollo Belvedere dressed in the uniform of the Swedish Coastal Navy (Skärgårdsflottan), landing on the quays of Stockholm, returning from the war to offer a twig of peace to the burghers of Stockholm.
Statue at Skeppsbron by Johan Tobias Sergel.
See also: Bollhuset

Although he may be charged with many foibles and extravagances, Gustav III is regarded one of the leading sovereigns of the 18th century for patronage of the arts. He was very fond of the performing and visual arts, as well as literature.

His historical essays, notably the famous anonymous eulogy on Lennart Torstensson crowned by the Swedish Academy, which he established in 1786, are full of feeling and exquisite in style, and his letters to his friends are delightful to read. Every branch of literature and the arts interested him, every poet and artist of his day found in him a liberal and sympathetic protector.

Gustav was also active as a playwright. He is largely credited with creating the Royal Theatre (Kungliga Teatern), where his own historical dramas were performed, and he promoted the careers of many native singers and actors, among them the dramatic stars Fredrique Löwen and Lars Hjortsberg and the operatic stars Elisabeth Olin and Christoffer Christian Karsten, by letting them perform in his plays or in his commissioned operas, respectively. In 1773 he founded the Royal Swedish Opera and the Royal Swedish Ballet under the umbrella of his Royal Theatre. A new opera house was built in 1775 and inaugurated in 1782, connected to the Stockholm Palace by the Norrbro bridge. Until 1788, spoken drama was also performed in the opera house. Gustav then founded a separate entity for spoken drama, the Royal Dramatic Theatre, with a new building behind the Royal Swedish Opera house.

He became a Freemason in 1780, and introduced the Rite of Strict Observance into Sweden. That year, he named his brother, the Duke of Södermanland (later Charles XIII), to the office of Grand Master for the Grand Lodge of Sweden. The Grand Lodge conferred upon him the title "Vicarius Salomonis" (Vicar of Solomon).[14]


Notable opera composers under Gustav's reign were three artists originally from Germany: Johann Gottlieb Naumann, Georg Joseph Vogler and Joseph Martin Kraus.[15] All of them succeeded in adapting their musical origins to Swedish national dramatic style, a process sometimes overseen by the king (notably in the layout of the libretto for the opera Gustav Wasa from 1786).

It was in the foyer of the opera house that King Gustav III was assassinated. This incident became the basis of an opera libretto by Scribe set by Daniel Auber in 1833 under the title Gustave III and by Giuseppe Verdi in 1859 as Un ballo in maschera (A Masked Ball), with the specifics changed under the pressure of censorship.

It is widely agreed that the contribution and dedication of Gustav III to the performing arts in Sweden, notably the building of the theatre houses and the founding of a national theatre company, has been crucial to the Swedish culture.[16] The era of opera during his time is referred to today as the Gustavian Opera.[17]

Saint-Barthélemy and Gustavia

It was under King Gustav III that Sweden gained the small Caribbean island of Saint-Barthélemy from France in 1785 (in exchange for French trading rights in Gothenburg).

The island's capital still bears the name Gustavia in honour of Gustav III. Though it was sold back to France in 1878, many streets and locations there still carry Swedish names. Also, the Swedish national arms, the three crowns along with the grey heron, appear in the island's coat of arms.

Plan to colonise Australia 1786–1787

When the British were preparing to colonise Botany Bay, the Government of Gustav III agreed to sponsor William Bolts' proposal for an equivalent colonisation venture in Nuyts Land (the south-western coast of Australia). The war with Russia caused this venture to be abandoned.[18]


See also


  • ^A note on dates : Sweden changed from the Julian calendar to the Gregorian calendar in 1753, when 17 February was followed by 1 March.
  1. Vår svenska stam på utländsk mark; Svenska öden och insatser i främmande land; I västerled, Amerikas förenta stater och Kanada, Ed. Axel Boëthius, Stockholm 1952, Volume I, p. 78; for the sentence about the USA.
  2. Anna Klerkäng in Sweden - America's First Friend Örebro 1958
  3. Who's Who in Gay and Lesbian History: From Antiquity to World War II. Robert Aldrich Garry Wotherspoon, p. 194
  4. Cecilia af Klercker, ed., Hedvig Elisabeth Charlottas dagbok / The Diaries of Hedvig Elizabeth Charlotte, in Swedish, P.A. Norstedt & Söners förlag Stockholm, 1920
  5. Lönnroth, Erik (1986). Den stora rollen. p. 61. ISBN 91-1-863652-7.
  6. Oswald Kuylenstierna in Gustav III; Hans Liv, Person och Gärning, Stockholm 1921 p 138 (reference and page number is for the two preceding sentences)
  7. Leif Landén in Gustaf III en biografi ISBN 91-46-21000-8 p. 61
  8. Source
  9. "54 (Berättelser ur svenska historien / Nionde bandet. Gustaf III. Gustaf IV Adolf)".
  10. Letter to Countess de Boufflers 18 October 1776 published in 1992 by Swedish Academy Prof. Gunnar von Proschwitz ISBN 91-7119-079-1 p. 149
  11. Sveriges Historia - Den Gustavianska tiden 1772-1809, Stavenow, Ludvig, Stockholm, Norstedt 1903, p. 178
  12. Gustaf III Mannen bakom myten, 1992 Swedish Academy Prof. Gunnar von Proschwitz ISBN 91-7119-079-1 p. 465
  13. Denslow, Wm. R. (1958). 10,000 Famous Freemasons. St. Louis, Mo: Missouri Lodge of Research
  14. Kraus was present at the ball where Gustav was shot. Kraus wrote a funeral cantata and the Symphonie funèbre, which were played at the burial ceremony on 13 April.
  15. Sällström, Åke : Opera på Stockholmsoperan. Stockholm 1977
  16. Engländer, Richard : Joseph Martin Kraus und die Gustavianische Oper. Uppsala 1943
  17. "W. Bolts' forslag till kolonisation af en ö….1786–1790", Rigsarkivet, Handel och Sjöfart, 193; cited in Åke W. Essén, "Wilhelm Bolts und die schwedischen Kolonisierungspläne in Asien", Bijdragen voor vaderlandsche Geschiedenis en Oudheidkunde, Bd.7 (6), 1935, pp. 83–101. See also Clas Theodor Odhner, Sveriges Politiska Historia under Konung Gustaf III:s Regering, Stockholm, Norstedt, 1885–1905, Del. 2, pp. 492–8; ; cited in Carl Sprinchorn, "Sjuttonhundratalets och förslag till Svensk Kolonisation i främmande världsdelar", Historisk Tidskrift, årg.43, 1923, pp. 153–4; and Robert J. King, “Gustaf III’s Australian Colony”, The Great Circle, vol. 27, no. 2, 2005, pp. 3–20


  •  This article incorporates text from a publication now in the public domain: Robert Nisbet Bain (1911). "Gustavus III.". In Chisholm, Hugh. Encyclopædia Britannica (11th ed.). Cambridge University Press. 
  • Bain, R. Nisbet (1894). Gustavus III and His Contemporaries, 2 vols. 
  • Barton, H. Arnold (Autumn 1972). "Gustav III of Sweden and the Enlightenment". Eighteenth-Century Studies. American Society for Eighteenth Century Studies (ASECS). 6 (1): 1. doi:10.2307/3031560. JSTOR 3031560. 
  • Barton, H. Arnold (1986). Scandinavia in the Revolutionary Era, 1760–1815. Minneapolis: University of Minnesota Press. ISBN 0-8166-1392-3. 
  • Cronholm, Neander N. (1902). A History of Sweden from the Earliest Times to the Present Day.  ch 37 pp 203–19
  • Hennings, Beth (1957). Gustav III. 
  • Lönnroth, Erik (1986). Den stora rollen. Stockholm: Norstedt. ISBN 91-1-863652-7. 
  • Stavenow, Ludvig (1925). Den gustavianska tiden 1772–1809. 
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Gustav III
Cadet branch of the House of Oldenburg
Born: 24 January 1746 Died: 29 March 1792
Regnal titles
Preceded by
Adolf Fredrik
King of Sweden
Succeeded by
Gustav IV Adolf
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