Feminist views on BDSM
Feminist views on BDSM (Bondage, Domination, Sadism, and Masochism) vary widely from rejection to acceptance and all points in between. As an example, the two polarizing frameworks are being compared here. Some feminists, such as Andrea Dworkin and Susan Griffin, regard BDSM as a form of woman-hating violence, while other feminists, such as Gayle Rubin and Patrick Califia, see BDSM as a valid form of expression of female sexuality. Some lesbian feminists practice BDSM and regard it as part of their sexual identity.
The history between feminists and BDSM practitioners has been controversial. The two most extreme positions are those who believe that feminism and BDSM are mutually exclusive beliefs, and those who believe that BDSM practices are an expression of sexual freedom. A lot of the controversy is left over from the feminist sex wars (acrimonious debates over sex issues) and the battle between the anti-pornography feminists and the pro-pornography feminists.
In the 1970s, many different divisions of the feminist movement emerged. As Andrew McBride writes, "During the 1970s, much of the discourse in the feminist movement was dominated by discussions of lesbian feminism. Toward the end of the decade, however, the conversations within feminism began to focus on a new topic: sexuality. This included sexuality of all types, not just lesbian sexuality. Included in the discussions and debates were heterosexuality, pornography, sadomasochism, butch/femme roles, and sex work." The Lavender Menace and their concept of the woman identified woman and the Women Against Violence in Pornography and Media both came out strongly believing that engaging in BDSM play was contradictory to being a feminist. Samois, a San Francisco-based lesbian BDSM group, maintained that feminists could engage in BDSM without being hypocritical.
During the 80s, this sex war continued and reached the attention of several academics who attempted to dissect why such a division had occurred. Ardill and O'Sullivan explained the history using the conflict in the London Lesbian and Gay Center as an example. Similar conflicts were continuations of the issues in the 1970s. The Lesbian Sex Mafia founded by Dorothy Allison appeared in New York advocating sex positive feminism and promoting the idea that all women had the right to explore their sexuality in whatever ways they saw fit. The controversial 1982 Barnard Conference on Sexuality, which brought these issues to the attention of academic feminists, is often regarded as officially launching the feminist sex wars.
In the 1990s feminist scholars continued to research and apply different feminist academic frameworks to the questions of sexuality and BDSM in an effort to find a way to bridge the gap between the two groups. Hopkins, in 1994 applied critical analysis to the feminist viewpoints against Sadomasochistic acts. She takes each argument put forth against BDSM practice by women and answers it from within a feminist framework. In the end, she points out that the issue is not as concrete as feminists may try and paint it and that they may need to examine the concepts in more detail. In 1995, Teresa Hornsby also applied feminist frameworks to the subject of BDSM and came down on the side that the two were not contradictory. Hornsby went further to examine whether or not violence itself was only a masculine activity.
After 2000, advances in technology were opening up the world to more people and BDSM started coming out more and more in popular culture. Maneesha Deckha applied a postcolonial feminist approach where she suggests treating BDSM as a cultural practice as a means to put to rest the divide between feminists and BDSM practitioners. She came to the conclusion as did those in the 90's that perhaps a more in depth look is needed to determine if feminist viewpoints on BDSM hold up under closer scrutiny. In addition, Deckha did some work on the concepts of consent and the legality of BDSM. Specifically addressing the question on whether or not women can give consent and whether BDSM activities should be regulated in the context of violence or the context of sexuality. One point she makes is if legislation is made in the context of regulating it around sex then aren't we simply giving the patriarchy further control over women's expression of sexual identity.
Current feminist viewpoints
Current feminist viewpoints on BDSM practices continue to be controversial and at odds with one another. Some feminists view SM as an ideal feminist expression of sexual freedom while other feminists say that BDSM, and more particularly SM, reinforce patriarchy and that these practices are contradictory to feminism. Feminists who view BDSM as contradictory to feminism also often believe that women who engage in BDSM practices, and specifically those who play a submissive role in them, have been led by sexist power structures to believe that they enjoy these acts. This feminist viewpoint argues that the individuals who enjoy playing a submissive role in the bedroom only enjoy it because they have been led to believe that it is what is expected of them and that they should enjoy it. This viewpoint argues that if these individuals, particularly women, were able to explore their sexual desires without the influence of a sexist power structure that they would come to very different conclusions about what they enjoy.
Perspectives on lesbian BDSM
Lesbian SM (Sadism, Submission, Masochism) has been problematic in the analysis of feminist viewpoints on BDSM, especially with regards to whether or not lesbians are recreating patriarchal structures. Many academic critics do not even tackle the idea of lesbian BDSM. Maneesha Deckha in her article, "Pain, pleasure, and consenting women: Exploring feminist responses to S/M and its legal regulation in Canada through Jelinek's The Piano Teacher" admitted that covering lesbian BDSM made her theories too convoluted to see. Such lesbian erasure has been fairly common in second and third wave feminism as lesbian identity has frequently been subsumed in feminist identity. This concept is explained by Calhoun in "The Gender Closet: Lesbian disappearance under the sign 'woman'" Some, such as Deckha, believe that although lesbians do practice BDSM, they are doing so in an effort to merely recreate the patriarchal power structure in the rest of society. Be it through domination and submission exchange of power, or the butch/femme dynamic, lesbians who interact in this way are convincing themselves that they are outside of patriarchy, when in reality they are reinforcing it because their sexuality is trapped within the patriarchal structure, true consent cannot occur.
Feminist writer Clarisse Thorn released a book in 2012 called The S&M Feminist, in which she often discusses her own experiences. The high-profile feminist anthology Yes Means Yes, published in 2008, also featured an essay about BDSM and feminism by Stacey May Fowles.
- Griffen, Susan (1982). "Sadomasochism and the Erosion of Self:A Critical Reading of Story of O" in Against Sadomasochism: A Radical Feminist Analysis. East Palo Alto.
- Dworkin, Andrew (1974). Woman Hating. New York.
- Friedman, Jaclyn (2008). Yes Means Yes: Visions of Female Sexual Power and a World without Rape. Seattle: Seal Press. ISBN 1-58005-257-6.
- Sana Loue; Martha Sajatovic; Keith B. Armitage (2004). Encyclopedia of Women's Health. p. 363.
- McBride, Andrew. "Lesbian History: The Sex Wars". Retrieved 06/04/2012. Check date values in:
- Ardill, S; O'Sullivan, S (2005). "Upsetting an applecart: Difference, desire and lesbian sadomasochism". Feminist Review. 80: 98–126. doi:10.1057/palgrave.fr.9400223.
- Hopkins, P.D. (1994). "Rethinking sadomasochism: Feminism, interpretation and simulation". Hypatia. 9 (1): 116. doi:10.1111/j.1527-2001.1994.tb00112.x.
- Hornsby, Teresa (1999). "Gender role reversal and the violated lesbian body: Toward a feminist hermeneutic of lesbian sadomasochism". Journal of Lesbian Studies. 3 (3): 61–72. doi:10.1300/j155v03n03_06.
- Deckha, Maneesha (2011). "Pain as culture: A postcolonial feminist approach to S/M and women's agency.". Sexualities. 14 (2). doi:10.1177/1363460711399032.
- Deckha, Maneesha (2007). "Pain, pleasure, and consenting women: Exploring feminist responses to S/m and its legal regulation in Canada through Jelinek's The Piano Teacher.". Harvard Journal of Law & Gender. 30 (2): 425–459.
- Deckha, Maneesha (2011). "Pain as a Culture: A Postcolonial Feminist Approach to S/M and Women's Agency". Sexualities. 14 (129). doi:10.1177/1363460711399032.
- Deckha, M. (2007). "Pain, pleasure, and consenting women: Exploring feminist responses to S/m and its legal regulation in Canada through Jelinek's the piano teacher". Harvard Journal of Law & Gender. 2. 30: 425–459. Check date values in:
- Calhoun, C (1995). "gender closet: Lesbian disappearance under the sign `women'". Feminist Studies. 1. 21 (7).
- Deckha, Maneesha (2011). "Pain as culture: A postcolonial feminist approach to S/M and women's agency". Sexualities. 2. 14: 129–150. doi:10.1177/1363460711399032.
- Hornsby, Teresa (1999). "Gender role reversal and the violated lesbian body: Toward a feminist hermeneutic of lesbian sadomasochism". Journal of Lesbian Studies. 3. 3: 61–72. doi:10.1300/j155v03n03_06.
- Clarisse Thorn. The S&M Feminist. CreateSpace Independent Publishing Platform, 2012. ISBN 978-1477472040. (Essays on BDSM, gender and culture)