Exile (Hurts album)

Exile
Studio album by Hurts
Released 8 March 2013 (2013-03-08)
Recorded January–June 2012; Pellerin Studios (Gothenburg, Sweden)
Genre
Length 50:49
Label Major Label
Producer
Hurts chronology
Happiness
(2010)
Exile
(2013)
Surrender
(2015)
Singles from Exile
  1. "Miracle"
    Released: 11 January 2013
  2. "Blind"
    Released: 10 May 2013
  3. "Somebody to Die For"
    Released: 21 July 2013

Exile is the second studio album by English synthpop duo Hurts, released on 8 March 2013 by Major Label. The album was produced by Hurts, along with Jonas Quant—with whom the duo worked on their debut album, Happiness (2010)—and Dan Grech-Marguerat. "Miracle" was released on 11 January 2013 as the lead single from the album, followed by "Blind" on 10 May 2013 and "Somebody to Die For" on 21 July 2013. Upon release, the album debuted at number nine on the UK Albums Chart, while charting inside the top ten in eight other countries.

Background

The album's title was revealed in December 2012,[1] followed by the track listing and artwork in January and February 2013, respectively.[2][3] Hurts singer Theo Hutchcraft came up with the title while sitting in a bar in Osaka; he glimpsed it on a scrolling billboard, and it was the only word he could understand. "That sense of being in a weird place. Freedom, fear, isolation, joy, religion, punishment, the decadence that comes with exile—always being on tour, always far away from home. It did feel like we were on the run, always chasing something".[4]

Hutchcraft read Cormac McCarthy's 2006 apocalyptic novel The Road three times while writing the album, which was recorded from January to June 2012.[4] Speaking to NME about Exile, he said: "We had to push ourselves and express the more intense, darker side which lies at the heart of our music. The first record was mainly about love and loss. This is a record about sex and death. The whole process was one of the heaviest and most extreme experiences we've had, but now we're on the outside looking in, it feels like we've made something truly unique and special."[3]

Composition

Compared to Hurts' debut album, Happiness, Exile incorporates more orchestral and rock instrumentation, while retaining the duo's core new wave and krautrock influences.[5] According to Matt Collar of AllMusic, the album "updat[es] their '80s electronic sound with a sparkling, contemporary R&B sheen that weaves in Baroque orchestral sections, choirs of backing vocals, and even some swaggering hard rock guitar attitude."[6] The album's lyrical themes include sadism, sickness, possessiveness and envy.[7]

The album's second track, "Miracle", employs an anthemic chorus and a Depeche Mode-esque backdrop of stadium guitars and synths.[8][9] Adam Anderson described it as the most effortless song the duo have ever done, and compared writing it to the creation of "Stay" from Happiness.[10] Critics compared "Miracle" to Nine Inch Nails,[4] as well as Coldplay's songs "Paradise" and "Princess of China".[9][11]

"Sandman" has an R&B feel to it; according to Hutchcraft, the duo aimed to "make a song that sounded like Hudson Mohawke, but as a pop song."[10] The song was described as "a mechanical krautrocky dirge with a pop heart",[12] while its child choir was branded "creepy" and "cloying" by critics.[12][13]

Inspired by Cormac McCarthy's 2006 apocalyptic novel of the same name and J. G. Ballard's 1973 novel Crash, "The Road" is about a car accident. "We tried to write the darkest song we could", says Hutchcraft. "We thought 'How bleak can we make it?'"[4] He explained, "We wanted people to hear 'The Road' first because it's the most extreme example of the idea on the record."[10]

Closing track "Help" features Elton John on piano. Hutchcraft told The Sun, "It was one of the greatest days of my life—for real. Watching Elton John play the piano on a song we wrote? I was speechless for weeks afterwards. Speechless."[14] To record "Help", the duo enlisted a choir made up of fans from around the world. "They were all brilliant", Hutchcraft said. "It was such a powerful thing, watching them. So emotional. To hear a mass of people singing 'I just need some help'. It was heartbreaking."[4]

Release and promotion

Promotion for Exile started with a two-minute mini-promo for "The Road" directed by Nez Khammal, which was unveiled on 14 December 2012.[15][16] Conceptually, the video takes the viewer on a journey of the life of Hurts members Hutchcraft and Anderson.[15]

Following its premiere on BBC Radio 1 as Zane Lowe's "Hottest Record in the World" on 12 February 2013, the song "Sandman" was made available as a free download from Hurts' official website.[17] The duo performed a cover of Bruno Mars' "Locked Out of Heaven" along with "Miracle" and "Exile" in a live session at BBC Radio 1's Maida Vale Studios for Zane Lowe on 13 February 2013.[18]

In February 2013, Hurts performed a NME Awards show at London's Heaven and a gig at Berlin's Postbahnhof,[2][19] before embarking on a twelve-date European headline tour, which kicked off in Cologne on 14 March and ended in Glasgow on 2 April.[19] The second leg of the tour started on 25 October 2013, visiting countries such as the UK, Denmark, Norway, Sweden, Estonia, Czech Republic, Germany and Luxembourg.[20]

Singles

The album's lead single, "Miracle", received its first worldwide radio play on Huw Stephens' BBC Radio 1 breakfast show on 4 January 2013.[21][22] The song was released digitally in several continental European countries on 11 January 2013 and in the United Kingdom on 10 March 2013.[23][24][25] Hurts performed "Miracle" on Dermot O'Leary's BBC Radio 2 show on 9 March 2013, alongside a cover version of "Wonderwall" by Oasis.[26]

"Blind" was released as the album's second single on 10 May 2013.[27] The duo premiered the track during a live session at Absolute Radio.[28] The accompanying video was shot on location in Spain and debuted on 4 April 2013.[29]

"Somebody to Die For" was released on 19 July 2013 as the third single from the album.[30] The duo premiered the track during a special live session at Spotify in January 2013, and performed it in an acoustic session for The Sun's Biz Sessions on 17 May 2013.[31][32]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic59/100[33]
Review scores
SourceRating
AllMusic[6]
Clash4/10[13]
The Guardian[34]
The Independent[7]
musicOMH[35]
NME7/10[12]
The Observer[36]
PopMatters5/10[37]
This Is Fake DIY7/10[38]
Time Out London[39]

Exile received mixed reviews from music critics. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the album received an average score of 59, based on 16 reviews, which indicates "mixed or average reviews".[33] Simon Price of The Independent wrote that "Exile employs greater variety than Happiness, from acoustic piano to—shock—what sounds like electric guitar, but without sacrificing any of the grandeur. It's often reminiscent of Soft Cell or late 1980s Depeche Mode. It's on close personal terms with magnificence."[7] AllMusic editor Matt Collar viewed the album as a "bigger, brasher, even more passionate version of the cinematic feel heard on Happiness", adding that "[w]hat's clear about Hurts on Exile is how skilled Hutchcraft and Anderson are at seamlessly incorporating their influences, so you can hear the bands' inspirations in every line even as you marvel that this album is like nothing you've heard before."[6] Dan Martin of the NME compared Exile to Muse's album The 2nd Law and stated that, "by hooking their comeback on Exile's lead single 'Miracle', [Hurts] reminded everyone just how bloody fantastic they were at writing anthemic songs."[12] Gareth Ware of This Is Fake DIY expressed that the album "cements [the duo's] place as mainstream pop's most daring and ambitious offering. While the relentless realisation of their film-ready stylings may not be to everyone's tastes, the fact they're here at all in the first place is a cause worth celebrating in itself."[38]

The Guardian's Caroline Sullivan commented that "though the duo now incorporate spasms of grotty, Nine Inch Nailsy guitar [...], Exile is still defined by its synth-pop froideur", noting that Hurts have "a gift for striding, anthemic choruses that turn even the most overwrought songs into unshakeable earworms."[34] Chris Saunders of musicOMH complimented Hurts for "making stadium sized pop music with a darker underbelly, without forcing it, in the same black vein as Depeche Mode", while remarking, "Exile isn't a bad album, and Hurts do what they do well [...] Yet Exile is found wanting when they try too much to be the stadium band rather than allowing the drama to play out."[35] Tom Hocknell of BBC Music opined that, although Exile "occasionally takes itself so seriously that it's hard not to smirk", the album "genuinely builds upon its predecessor" and "reinforces the feeling in modern pop that no other group sounds quite as hurt as Hurts."[11] The Observer's Hermione Hoby faulted the album for lacking a "killer single" and wrote, "It's all laid on thick—the violins, the choir-sung, stadium-friendly choruses—but the songwriting isn't sturdy enough to hold it all up."[36] In a review for PopMatters, Maria Schurr characterised the duo as "style over substance" and found that musically, the album is "rarely memorable enough". Schurr continued, "No matter how many dark subjects are nested throughout, too often the music on Exile falls back into the same old tricks of bells-and-whistles pop choruses and obvious hooks."[37] Time Out London's Oliver Keens felt that the album's "poppy moments have become as lazy and humdrum as 'Sandman'", concluding that "too often the desire to directly rival Muse or U2 makes [Hurts] sound lost and featherweight in comparison."[39] John Freeman of Clash stated the album "starts brightly", but critiqued that tracks like "Blind", "Sandman" and "The Rope" "[reduce] Exile to a chilling example of naked ambition prioritising production style over songwriting substance."[13]

Commercial performance

Exile debuted at number nine on the UK Albums Chart, selling 12,124 copies in its first week.[40]

Track listing

All tracks written by Hurts, except where noted. 

No. TitleWriter(s)Producer(s) Length
1. "Exile"  
  • Hurts
  • Quant
4:17
2. "Miracle"    3:44
3. "Sandman"  
  • Hurts
  • Quant
  • Hurts
  • Quant
3:54
4. "Blind"  
  • Hurts
  • Quant
Quant 4:23
5. "Only You"   
  • Hurts
  • Quant
4:29
6. "The Road"   Hurts 4:35
7. "Cupid"  
  • Hurts
  • Quant
Quant 2:42
8. "Mercy"   
  • Hurts
  • Quant
4:06
9. "The Crow"   Hurts 5:33
10. "Somebody to Die For"   
  • Hurts
  • Grech-Marguerat
4:35
11. "The Rope"  
  • Hurts
  • Quant
Quant 4:14
12. "Help"   
  • Hurts
  • Grech-Marguerat
4:17
Total length:
50:49

Personnel

Credits adapted from the liner notes of the deluxe edition of Exile.[43]

Hurts
Additional personnel
  • Malin Abrahamsson – choir vocals (tracks 8, 11)
  • John Barclay – trumpet (tracks 2, 12)
  • Dick Beetham – mastering (tracks 6, 13, 14)
  • Mark Berrow – violin (tracks 10, 12, 13)
  • Rachel Stephanie Bolt – viola (tracks 10, 12, 13)
  • Emil Chakalov – violin (tracks 10, 12, 13)
  • Dermot Crehan – violin (tracks 10, 12, 13)
  • Caroline Dale – cello (tracks 10, 12, 13)
  • Dave Daniels – cello (tracks 10, 12, 13)
  • Laurence Davies – horn (tracks 2, 4, 12)
  • Liz Edwards – violin (tracks 10, 12, 13)
  • Richard Edwards – trombone (tracks 2, 4, 12)
  • David Emery – assistant engineering (tracks 1-5, 7-12)
  • Martin Forslund – assistant engineering (tracks 5, 8, 11)
  • Duncan Fuller – assistant engineering (tracks 2, 6, 9, 10, 12, 13)
  • Karolin Funke – choir vocals (tracks 8, 11)
  • Jennifer Götvall – choir vocals (tracks 8, 11)
  • Dan Grech-Marguerat – production (tracks 2, 9, 10, 12, 13); engineering (tracks 2, 6, 9, 10, 12, 13), engineering (tracks 4, 6); mixing (track 6)
  • Peter Hanson – violin (tracks 10, 12, 13)
  • Jakob Hermann – engineering (tracks 1-5, 7-8, 10, 11); drums (tracks 5, 8, 11)
  • The Hurts Choir – additional vocals (track 12)
  • Garfield Jackson – viola (tracks 10, 12, 13)
  • Ted Jensen – mastering (tracks 1–5, 7–12)
  • Elton John – piano (track 12)
  • Salome Kent – strings, vocals (track 11)
  • Patrick Kiernan – violin (tracks 10, 12, 13)
  • Boguslaw Kostecki – violin (tracks 10, 12, 13)
  • Julian Leaper – violin (tracks 10, 12, 13)
  • Gaby Lester – violin (tracks 10, 12, 13)
  • Anthony Lewis – cello (tracks 10, 12, 13)
  • Martin Loveday – cello (tracks 10, 12, 13)
  • Steve Mair – bass (tracks 10, 12, 13)
  • Wil Malone – brass arrangement, brass conductor (tracks 2, 4); trumpet (track 4); string arrangement, string conductor (tracks 10, 12, 13)
  • Rita Manning – violin (tracks 10, 12, 13)
  • Charl Marais – photography
  • Perry Montague-Mason – violin (tracks 10, 12, 13)
  • Andy Parker – viola (tracks 10, 12, 13)
  • Jonas Quant – instruments (tracks 1, 3, 4, 7); production, programming (tracks 1, 3–5, 7, 8, 11, 13); keyboards (tracks 5, 8, 11, 13); guitar (track 11); mixing (track 13)
  • Tom Pigott-Smith – violin (tracks 10, 12, 13)
  • Anthony Pleeth – cello (tracks 10, 12, 13)
  • Maciej Rakowski – violin (tracks 10, 12, 13)
  • Simon Rayner – horn (tracks 2, 4, 12)
  • Jonathan Rees – violin (tracks 10, 12, 13)
  • Tom Rees-Roberts – trumpet (tracks 2, 4, 12)
  • Frank Schaefer – cello (tracks 10, 12, 13)
  • Nathalie Schmeikal – backing vocals (track 4)
  • Mary Scully – bass (tracks 10, 12, 13)
  • Shilling & Shilling – design
  • Emlyn Singleton – violin (tracks 10, 12, 13)
  • Oskar Stenmark – bass guitar, trombone, trumpet (track 8)
  • Per Stenbeck – bass guitar (track 11)
  • Spike Stent – mixing (tracks 1–4, 7–12)
  • Tina Sunnero – choir vocals (tracks 8, 11)
  • Cathy Thompson – violin (tracks 10, 12, 13)
  • Chris Tombling – violin (tracks 10, 12, 13)
  • Allen Walley – bass (tracks 10, 12, 13)
  • Paul Walsham – drums (tracks 2, 9, 10, 12, 13)
  • Vicci Wardman – viola (tracks 10, 12, 13)
  • Richard Watkins – horn (tracks 2, 4, 12)
  • Pete Watson – bass guitar (track 2); piano (tracks 2, 10, 12, 13); performer (track 6)
  • Bruce White – viola (tracks 10, 12, 13)
  • Andy Wood – trombone (tracks 2, 4, 12)
  • Steve Wright – viola (tracks 10, 12, 13)
  • Warren Zielinski – violin (tracks 10, 12, 13)

Charts

Certifications

Region Certification Certified units/Sales
Germany (BVMI)[70] Gold 100,000^
Poland (ZPAV)[71] Gold 10,000*
Switzerland (IFPI Switzerland)[72] Gold 10,000^

*sales figures based on certification alone
^shipments figures based on certification alone

Release history

Region Date Format(s) Edition(s) Label Ref.
Australia 8 March 2013
  • Standard
  • deluxe
Sony
[73][74]
Germany
  • CD
  • CD+DVD
  • LP
  • digital download
[41]
Sweden
[75][76][77]
Ireland
  • CD
  • CD+DVD
  • digital download
Major Label
[22][78]
United Kingdom 11 March 2013
  • CD
  • CD+DVD
  • LP
  • digital download
[79][80][81]
Poland 12 March 2013 Sony
[82][83][84]
Italy
  • CD
  • CD+DVD
  • digital download
[85][86]
Japan 13 March 2013
  • CD
  • digital download
Standard
[87]

References

  1. "Hurts name new album". NME. IPC Media. 14 December 2012. Retrieved 4 April 2013.
  2. 1 2 "Hurts reveal tracklisting for new album 'Exile'". NME. IPC Media. 15 January 2013. Retrieved 4 April 2013.
  3. 1 2 "Hurts unveil artwork for new album 'Exile'". NME. IPC Media. 2 February 2013. Retrieved 4 April 2013.
  4. 1 2 3 4 5 Lewis, Luke (9 February 2013). "Trans Europe Excess". NME.
  5. Collar, Matt. "Hurts". AllMusic. Retrieved 29 April 2013.
  6. 1 2 3 Collar, Matt. "Exile – Hurts". AllMusic. Retrieved 15 March 2013.
  7. 1 2 3 Price, Simon (9 March 2013). "Album: Hurts, Exile (Epic)". The Independent. Retrieved 10 March 2013.
  8. Corner, Lewis (1 March 2013). "Hurts: 'Miracle' – Single review". Digital Spy. Retrieved 29 April 2013.
  9. 1 2 Cragg, Michael (4 February 2013). "New music: Hurts – Miracle". The Guardian. Retrieved 29 April 2013.
  10. 1 2 3 "Hurts Biography". Amazon.co.uk. Retrieved 29 April 2013. Note: Click on "Read more" under "Biography" on the right side of the page.
  11. 1 2 Hocknell, Tom (1 March 2013). "Review of Hurts – Exile". BBC Music. Retrieved 8 March 2013.
  12. 1 2 3 4 Martin, Dan (8 March 2013). "Hurts – 'Exile'". NME. IPC Media. Retrieved 12 March 2013.
  13. 1 2 3 Freeman, John (12 March 2013). "Hurts – Exile". Clash. Retrieved 14 March 2013.
  14. Smart, Gordon (19 March 2013). "Elton John's so good it Hurts". The Sun. News Group Newspapers. Retrieved 29 April 2013.
  15. 1 2 Knight, David (18 December 2012). "Hurts 'The Road' by Nez – now signed to Riff Raff Films". Promo News. Retrieved 14 May 2014.
  16. Copsey, Robert (14 December 2012). "Hurts announce new album 'Exile'". Digital Spy. Retrieved 4 April 2013.
  17. Copsey, Robert (12 February 2013). "Hurts debut new song 'Sandman' – listen". Digital Spy. Retrieved 14 March 2013.
  18. "Zane Lowe, The Strokes Are Back". BBC Radio 1. 13 February 2013. Retrieved 4 April 2013.
  19. 1 2 Corner, Lewis (11 December 2012). "Hurts announce 12-date European tour". Digital Spy. Retrieved 4 April 2013.
  20. "Hurts | Tickets". informationhurts.com. Archived from the original on 3 April 2013. Retrieved 4 April 2013.
  21. "Hurts reveal new single 'Miracle' – listen". NME. IPC Media. 3 January 2013. Retrieved 4 April 2013.
  22. 1 2 "Hurts' New Single 'Miracle' Announced for Release on 1st March". Sony Music Ireland. 14 January 2013. Retrieved 5 March 2013.
  23. "Miracle – Single by Hurts". iTunes Store France. Apple. Retrieved 4 April 2013.
  24. "Miracle – Single by Hurts". iTunes Store Sweden. Apple. Retrieved 4 April 2013.
  25. "Miracle: Hurts: MP3 Downloads". Amazon.co.uk. Retrieved 14 May 2014.
  26. "Dermot O'Leary, With Leisure Society and Hurts". BBC Radio 2. 9 March 2013. Retrieved 28 March 2013.
  27. "Blind – EP by Hurts". iTunes Store UK. Apple. Retrieved 24 July 2013.
  28. "Hurts: Live session". Absolute Radio. Retrieved 28 March 2013.
  29. Copsey, Robert (4 April 2013). "Hurts unveil controversial 'Blind' music video". Digital Spy. Retrieved 4 April 2013.
  30. "Somebody to Die For – EP by Hurts". iTunes Store UK. Apple. Retrieved 24 July 2013.
  31. "Spotify Sessions by Hurts". Spotify. Retrieved 10 June 2013.
  32. "Making videos just Hurts". The Sun. News Group Newspapers. 17 May 2013. Retrieved 10 June 2013.
  33. 1 2 "Exile – Hurts". Metacritic. CBS Interactive. Retrieved 13 March 2013.
  34. 1 2 Sullivan, Caroline (7 March 2013). "Hurts: Exile – review". The Guardian. Retrieved 8 March 2013.
  35. 1 2 Saunders, Chris (8 March 2013). "Hurts – Exile". musicOMH. Retrieved 4 April 2013.
  36. 1 2 Hoby, Hermione (10 March 2013). "Hurts: Exile – review". The Observer. theguardian.com. Retrieved 14 March 2013.
  37. 1 2 Schurr, Maria (19 March 2013). "Hurts: Exile". PopMatters. Retrieved 4 April 2013.
  38. 1 2 Ware, Gareth (10 March 2013). "Hurts – Exile". This Is Fake DIY. Retrieved 13 March 2013.
  39. 1 2 Keens, Oliver (7 March 2013). "Hurts – 'Exile' album review". Time Out London. Retrieved 8 March 2013.
  40. Jones, Alan (18 March 2013). "Official Charts Analysis: Davie Bowie scores 9th No.1 album". Music Week. Intent Media. Retrieved 18 March 2013. (subscription required)
  41. 1 2 3 "Hurts – Exile" (in German). Sony Music Entertainment Germany. Retrieved 5 March 2013.
  42. SonyMusic.jp http://www.sonymusic.co.jp/Music/International/Arch/SR/hurts/SICP-3732/index.html. Retrieved 9 May 2016. Missing or empty |title= (help)
  43. Exile (deluxe edition liner notes). Hurts. Major Label. 2013. MAJREC081.
  44. "Chartifacts". ARIA Charts. 19 March 2013. Retrieved 14 May 2014.
  45. "Hurts – Exile". austriancharts.at. Hung Medien. Retrieved 20 March 2013.
  46. "Hurts – Exile" (in Dutch). Ultratop. Hung Medien. Retrieved 15 March 2013.
  47. "Hurts – Exile" (in French). Ultratop. Hung Medien. Retrieved 15 March 2013.
  48. "Top Kombiniranih – Tjedan 12. 2013." (in Croatian). Hrvatska Diskografska Udruga. Retrieved 27 March 2013.
  49. "TOP50 Prodejní: Hurts – Exile" (in Czech). IFPI Czech Republic. Retrieved 19 March 2013.
  50. "Hurts – Exile". danishcharts.com. Hung Medien. Retrieved 27 March 2013.
  51. "Hurts – Exile" (in Dutch). dutchcharts.nl. Hung Medien. Retrieved 15 March 2013.
  52. "R2 Eesti müügitabel, nädal 12/2013" (in Estonian). Raadio 2. Retrieved 2 April 2013.
  53. "Hurts – Exile". finnishcharts.com. Hung Medien. Retrieved 19 March 2013.
  54. "Hurts – Exile" (in French). lescharts.com. Hung Medien. Retrieved 27 March 2013.
  55. "Hurts, Exile" (in German). charts.de. Media Control. Retrieved 19 March 2013.
  56. "Official Cyta-IFPI Charts – Top-75 Albums Sales Chart (Εβδομάδα: 10/2013)" (in Greek). IFPI Greece. Archived from the original on 20 March 2013. Retrieved 20 March 2013.
  57. "Top 40 album-, DVD- és válogatáslemez-lista – 2013. 11. hét" (in Hungarian). MAHASZ. Archived from the original on 20 March 2013. Retrieved 20 March 2013.
  58. "Top 100 Artist Album, Week Ending 14 March 2013". Chart-Track. Irish Recorded Music Association. Retrieved 15 March 2013.
  59. "Album – Classifica settimanale WK 11 (dal 11-03-2013 al 17-03-2013)" (in Italian). Federazione Industria Musicale Italiana. Retrieved 21 March 2013.
  60. ハーツのアルバム売り上げランキング [Hurts album sales ranking] (in Japanese). Oricon. Retrieved 22 March 2013.
  61. "Oficjalna lista sprzedaży". OLiS. 25 March 2013. Retrieved 22 March 2013.
  62. "2013 Top 40 Scottish Albums Archive". Official Charts Company. 23 March 2013. Retrieved 17 March 2013.
  63. "Po Dan D in Bon Jovi na vrhu Slo Top 30 tokrat Bowie" (in Slovenian). Val 202. 28 March 2013. Retrieved 29 March 2013.
  64. "Gaon Album Chart – 2013.03.10~2013.03.16" (in Korean). Gaon Music Chart. Retrieved 21 March 2013.
  65. "Hurts – Exile". spanishcharts.com. Hung Medien. Retrieved 29 March 2013.
  66. "Hurts – Exile". swedishcharts.com. Hung Medien. Retrieved 15 March 2013.
  67. "Hurts – Exile". swisscharts.com. Hung Medien. Retrieved 19 March 2013.
  68. "2013 Top 40 Official UK Albums Archive". Official Charts Company. 23 March 2013. Retrieved 17 March 2013.
  69. "Swiss Year-End Charts 2013". swisscharts.com. Hung Medien. Retrieved 2 January 2014.
  70. "Gold-/Platin-Datenbank (Hurts; 'Exile')" (in German). Bundesverband Musikindustrie. Retrieved 31 July 2014.
  71. "Polish album certifications – Hurts – Exile" (in Polish). Polish Society of the Phonographic Industry. 12 March 2013. Retrieved 28 March 2013.
  72. "The Official Swiss Charts and Music Community: Awards (Hurts; 'Exile')". IFPI Switzerland. Hung Medien. Retrieved 12 September 2014.
  73. "Exile – Hurts". JB Hi-Fi. Retrieved 5 March 2013.
  74. "Exile (Deluxe) by Hurts". iTunes Store Australia. Apple. Retrieved 5 March 2013.
  75. "Exile (Album) – Hurts" (in Swedish). CDON.se. Retrieved 12 March 2013.
  76. "Exile (Vinyl LP) – Hurts" (in Swedish). CDON.se. Retrieved 12 March 2013.
  77. "Exile (Deluxe Edition) (2CD) (Album) – Hurts" (in Swedish). CDON.se. Retrieved 12 March 2013.
  78. "Hurts – Exile[deluxe Ed]". Tower Records Ireland. Retrieved 5 March 2013.
  79. "Exile". Amazon.co.uk. Retrieved 5 March 2013.
  80. "Exile [VINYL]". Amazon.co.uk. Retrieved 5 March 2013.
  81. "Exile [CD+DVD, Deluxe Edition]". Amazon.co.uk. Retrieved 5 March 2013.
  82. "Exile – Hurts" (in Polish). Empik. Retrieved 12 March 2013.
  83. "Exile (Vinyle) – Hurts" (in Polish). Empik. Retrieved 12 March 2013.
  84. "Exile (Deluxe Edition) – Hurts" (in Polish). Empik. Retrieved 12 March 2013.
  85. "Hurts – Exile" (in Italian). Internet Bookshop Italia. Retrieved 5 March 2013.
  86. "Hurts – Exile (Deluxe Edition)" (in Italian). Internet Bookshop Italia. Retrieved 5 March 2013.
  87. ハーツ : エグザイル ~孤高~ [Hurts: Exile] (in Japanese). Sony Music Entertainment Japan. Retrieved 5 March 2013.
This article is issued from Wikipedia - version of the 7/18/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.