Debra Chasnoff

Debra Chasnoff is a documentary filmmaker and activist whose films address progressive social justice issues. Her production company GroundSpark produces and distributes films, educational resources and campaigns on issues ranging from environmental concerns to affordable housing to preventing prejudice.

Personal Life and Education

Debra Chasnoff was born October 12, 1957 in Philadelphia [2]. Chasnoff grew up in a secular Jewish family in a Maryland suburb of Washington, D.C. [16]. She attended Wellesley College in Wellesley, Massachusetts, where she studied economics [1][3]. For a brief time after college Chasnoff worked as a telecommunications rate analyst representing clients with roles in the nuclear weapons industry [3]. Chasnoff quit this profession because her job was not in line with her social activism beliefs and aspirations, and began her career as a social activist and media producer [3].

She has two sons: Noah Klausner Chasnoff, born in 1988, and Oscar Chasnoff Klausner, born in 1994 [3][15]. Chasnoff is married to Nancy Otto who works as a glass blowing artist and a non-profit fundraising consultant [3].

Professional Career

Chasnoff is the senior producer and president of Groundspark. GroundSpark's mission is to "create films and dynamic education campaigns that move individuals and communities to take action for a more just world." [4]. Groundspark's Respect for All Project (RFAP), "seeks to create safe, hate-free schools and communities" through documentaries and accompanying educational campaigns [6][7].

She is a Visiting Scholar in Public Policy at Mills College and a frequent lecturer on college campuses across the country. She is a Woodrow Wilson Visiting Fellow. Chasnoff has been a member and owner of the film distribution company New Day Films since 1996 and has served as Chair of New Day's Steering Committee twice[1]. She was appointed by Mayor Art Agnos to the San Francisco Film and Video Arts Commission where she also served as Vice Chair. She served on the advisory board of Frameline (the San Francisco International Lesbian and Gay Film Festival), Jewish Voices for Peace, and Power Up. [1].

Film career

Chasnoff has directed and/or produced twelve films in the United States since her filmmaking career began in 1984 [1]. Chasnoff directed and co-produced Choosing Children in 1984 with her partner at the time Kim Klausner [1][13]. This film explored same-sex parenting and helped launch a profound cultural shift regarding parenting in the LGBTQ community [1][13]. Choosing Children showcased six families composed of same-sex parents and children brought into the family through adoption, donor insemination, foster parenting, and through previous relationships [13].

In 1991 Chasnoff directed and produced Deadly Deception: General Electric, Nuclear Weapons and Our Environment [1]. This film targeted General Electric (GE), the multinational military corporation, proprietor of the National Broadcasting Company (NBC) and the Radio Corporation of America (RCA), and a producer of components for nuclear weapons [10]. In 1992 Chasnoff won an Academy Award for Deadly Deception and thanked her then partner, Kim Klausner in her acceptance speech, and by doing so she “came out” to the public as a lesbian [3][9].

Chasnoff Co-directed Homes and Hands—Community Land Trusts in Action in 1998 with Helen S. Cohen [1][11]. This film explores housing and community development in the United States and asks local communities to explore models of creating affordable housing [1][11].

In 1999 Chasnoff directed and produced Wired for What? a film about technology in education [1]. An edited version of this film aired on PBS in 2000 in the PBS series Digital Divide—Teachers, Technology, and the Classroom [12]. This film examines computerization of education to see if technology is making education more efficient and effective or dulling student’s creativity [12].

Chasnoff directed and co-produced One Wedding and a Revolution in 2004 with Kate Stilley [1]. This nineteen-minute-long film details the political decision made by San Francisco Major Gavin Newsom to issue same-sex marriage licenses for a short time in early 2004 [14].

Chasnoff’s organization Groundspark has produced several films as a part of its Respect for All Project[4][6][7]. The series includes the following films, all directed and produced by Chasnoff, Straightlaced—How Gender’s Got Us All Tied Up, It’s Elementary—Talking About Gay Issues in School, It’s STILL Elementary, Let's Get Real, and That’s a Family! [7]. It’s Elementary—Talking About Gay Issues in School (1996) illuminates how all young people are affected by anti-gay stigma, and has helped schools all over the world address anti-gay prejudice in the classroom [7][1]. That’s a Family! (2000) highlights a wide range of family structures such as multiracial families, families with same-sex parents, and single parent families [7]. This film examines diversity from a child’s perspective and was screened at the White House to an audience of more than 100 leaders of national children's, family, education and civil rights organizations in December 2000 [1][8]. That’s a Family! has been widely praised by those supporting its role in diversity education but also widely attacked by conservative organizations that consider it to be gay propaganda and inappropriate for a young audience [5]. Let’s Get Real (2003) is an exploration of bullying in middle schools released in 2003 [7]. It’s STILL Elementary (2007) considers the effects and political history of It’s Elementary [7]. Straightlaced—How Gender’s Got us All Tied Up (2009) explores the ways that teenagers are affected by pressures to conform to gender norms[7].

Chasnoff also produced and directed Celebrating the Life of Del Martin (2012) which captures the moving memorial celebration for lesbian pioneer Del Martin who died in 2008. A Foot in the Door, directed by Chasnoff and produced with Kate Stilley Steiner, is a short (16 minute) documentary showcasing Kindergarten to College, the first universal children's college savings account program in the United States.

Filmography

"Celebrating the Life of Del Martin" (2011) Director/Producer "A Foot in the Door" (2012) Director/Producer

Awards, honors, and nominations

For Let’s Get Real:

For That’s a family:

For It’s Elementary:

For One Wedding & A Revolution:

For Home and Hands:

For Deadly Deception:

For Choosing Children:

External links

References

[1] http://www.newday.com/filmmakers/Debra_Chasnoff.html

[2] http://id.loc.gov/authorities/names/no97012439.html

[3] Burns, N. (2009). Debra Chasnoff. Lesbian News, 34(9), 18.

[4] Q&A with Debra Chasnoff, documentary filmmaker. (2008). American School Board Journal, 195(5), 8.

[5] Kiritsky, L. (2003, March 20). Chasnoff's films continue to change schools. Bay Windows. pp. 1–17.

[6] Rudolph, D. (2008, March 26). Talking with Debra Chasnoff. Windy City Times. p. 9.

[7] "The Respect for All Project." Groundspark: Igniting Change Through Film . N.p.. Web. <http://groundspark.org/respect-for-all>.

[8] Chasnoff, Debra. "Subject:White House screening of That’s A Family! Huge Success." Message to Sue Rochman. 21 Dec. 2000. E-mail. Retrieved Electronically From: http://www.personproject.org/Alerts/States/California/film.html

[9] Out/Look, Summer1992, Vol. 5 Issue 1, p 31-34.

[10] Knoll, E. (1993, March). Conflict of interest. Progressive. p. 4.

[11] http://www.newday.com/films/HomesandHands.html

[12] "Our Films and Campaigns: Wired For What?."Groundspark: Igniting Change Through Film . N.p.. Web. <http://groundspark.org/our-films-and-campaigns/wiredforwhat>.

[13] Chasnoff, D. (2006, December 15). Welcome to the revolution, Grandpa. Washington Blade. p. 28.

[14] Swietek, F. F. (2005). One Wedding and a Revolution. Video Librarian, 20(6), 61.

[15] Ford, Dave. "Battling the bullies / S.F. Filmmaker turns her lens on schoolyard tyrants in an effort to change a painful culture." SFGate. 02 Apr 2004: n. page. Web. 6 May. 2013. <http://www.sfgate.com/bayarea/article/Battling-the-bullies-S-F-filmmaker-turns-her-2772142.php>.

[16] http://www.sf360.org/page/11716

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