Colin Bass

Colin Bass
Background information
Born (1951-05-04) 4 May 1951
London, England
Genres Progressive rock, pop rock, world music
Instruments Vocals, bass, piano, keyboards, guitar
Labels Kartini-Music
Associated acts Camel
3 Mustaphas 3
Website colinbass.com

Colin Bass (born 4 May 1951), is an English musician, award-winning record producer and songwriter. Since 1979 he has been a member of the British progressive-rock band Camel, who, after a ten-year hiatus due to the ill-health of bandleader Andrew Latimer, returned to active touring in 2013. From 1984 to 1992 he was also a core figure in the pioneering World Music group 3 Mustaphas 3. He has also made two solo albums under his own name and three albums recorded in Indonesia under the name Sabah Habas Mustapha. The title track of the first, "Denpasar Moon", became a hugely popular song in Indonesia in the mid-1990s and has been covered by over 50 Indonesian, Malaysian, Japanese and Filipino artists. As a record producer he has worked with a diverse range of international artists including: The Klezmatics (USA), Sambasunda (Indonesia), Daniel Kahn & the Painted Bird (USA) Krar Collective (Ethiopia), Etran Finatawa (Niger) and 9Bach (Wales) amongst others. As a guest artist he has appeared on albums by a number of internationally acclaimed artists including top Malian singing star Oumou Sangare, playing on all tracks of her 1993 "Ko Sira" album.

History

Bass was born in London and first started playing professionally in 1968 as guitarist with a band called The Krisis, playing the UK club and ballroom circuit, after which he switched to bass guitar and joined Velvet Opera in 1970 with whom he made his first recordings for Spark Records.[1]

In 1971 he joined an incarnation of the 60s chart-topping group The Foundations and spent a year playing the cabaret clubs mostly in northern England.

In 1971 he met Ernie Graham, formerly of Eire Apparent and, together with guitarist Jonathan Glemser, they formed the band Clancy. The band became part of London's growing Pub-Rock scene and briefly signed with Island Records but were dropped after differences with producer Muff Winwood.

Shortly afterwards the band signed with Warner Brothers and recorded two albums: “Seriously Speaking” (1974) and Every Day (1975). The line-up on both was: Bass (bass, vocals), Ernie Graham (guitar, vocals), Gasper Lawal (percussion), Dave Vasco (guitar), Dave Skinner (keyboards, vocals) and Barry Ford (drums, vocals).

Clancy split in 1976 and Colin joined Steve Hillage, who was putting together a band to promote the album "L” on a six-month tour of Europe and the USA. The line-up included ex-Jethro Tull drummer Clive Bunker.

In 1977 Bass was invited by American saxophonist and composer Jim Cuomo, who had occasionally played with Clancy, to participate in his musical "Woe Babylon" at the Edinburgh Festival. The band from the show included pianist Ollie Marland and drummer Miguel Olivares and this quartet became a project known as the Casual Band. Olivares was later replaced by ex-Back Door drummer Tony Hicks. Recordings were made with producer Tom Newman but were never released.

In 1979, Steve Hillage tour manager Laurie Small introduced Bass to British progressive-rock band Camel. The line-up at the time was Andrew Latimer (guitar, vocals), Andy Ward (drums) and Kit Watkins and Jan Schelhaas (keyboards).[2] There followed two albums I Can See Your House From Here (1979) and Nude (1980) and respective international tours.

In 1981 at the end of the "Nude" tour, Andy Ward's health problems led to Andrew Latimer's dissolving of the band. Bass relocated to Paris where he recorded an album and performed live with old colleague Jim Cuomo.

Returning to the UK in 1983 he took up a teaching post, played sessions and club and pub gigs with various line-ups until Andrew Latimer invited him to rejoin Camel for the 1984 "Stationary Traveller" tour. In the same year he started to play with the Anglo-Ghanaian band Orchestra Jazira, which led to his induction in the pioneer world-music group 3 Mustaphas 3, who renamed him as Sabah Habas Mustapha.[2]

Between 1985 and 1991 the 3 Mustaphas 3 recorded four full albums and sundry singles and EPs and established a cult following for their live performances, touring in the USA, Europe, Japan and also in the then Eastern Bloc countries of East Germany, Hungary and Bulgaria.

When the 3 Mustaphas 3 stopped activities in 1991 Colin went to Indonesia where, over the next ten years he recorded three solo albums with Indonesian musicians under the name of Sabah Habas Mustapha. The first, "Denpasar Moon" (1994), was recorded in Jakarta and explored the sounds of the popular music style Dangdut.[1]

The title song became a major hit in Indonesia in the form of a cover-version by a singer from the Philippines called Maribeth and was subsequently recorded by over 50 different Indonesian artists and also artists from Malaysia and Japan.

In 1997 Colin founded the Kartini Music record label whose first release was another Sabah Habas Mustapha record, Jalan Kopo, recorded in Bandung, Indonesia, and this time influenced by the sounds of the west Javanese province of Sunda. The title cut from that record is played as pre-show music for the nighttime fireworks/water spectacular IllumiNations: Reflections of Earth at Epcot, located in Walt Disney World in Orlando, Florida.

At the same time, the 90s saw a rejuvenated Camel back on the scene after a long period of inactivity due to a protracted legal dispute with previous management. In 1991 Andrew Latimer, now relocated to California, invited Colin to participate in the recording of "Dust and Dreams", the first release by his own label Camel Productions, which was followed by a world tour in 1992 with the line-up of Latimer, Bass and Mickey Simmonds (keyboards) and Paul Burgess (drums).

Between then and 2003 Camel released another three studio albums and undertook subsequent tours all documented with live albums and DVDs.

In 1998, Kartini Music released Bass' first album under the name Colin Bass: An Outcast of the Islands. Recorded in Poland and California and featuring Andrew Latimer on guitar, the then Camel drummer Dave Stewart and a number of Polish musicians, the album gathered critical praise and helped establish his reputation in Poland. Subsequent tours produced two live albums: Live at Polskie Radio 3 (1999) and Live Vol.2: Acoustic Songs (2000).

2000 also saw the release of another Sabah Habas Mustapha album recorded in Bandung: So La Li. It further explored the sounds of the Sundanese region and featured again the multi-instrumentalist Ismet Ruchimat and several musicians from his group SambaSunda. So La Li won wide critical acclaim and was nominated for a BBC Radio 3 World Music Award.

He lived in Berlin, Germany from 1988–2011. From 1994 until end of 2008 he wrote and presented a weekly radio show for RBB Radio Multikulti and WDR Funkhaus Europa in Germany: "Sabah am Sonntag", presenting musical rarities and curiosities from around the world.

In 2012 he moved to North Wales, UK, and set up Wild End Studio.

In 2013 he travelled to Niger to produce an album for Etran Finatawa, recorded in a tent in the Sahara desert. That same year Camel returned to the stage with a European tour and a live DVD recorded at their concert at the London Barbican.

In 2014 he co-produced the album 'Tincian' by Welsh band 9Bach with post-production and mixing completed at Wild End Studios. Camel embarked on part 2 of the 'Snow Goose' European Tour.

2015 saw another Camel European Tour and 9Bach winning the 'Best Album' category at the BBC Radio 2 Folk Awards for 'Tincian'.

Discography

As Colin Bass

Albums by other artists "Produced by Colin Bass"

As Sabah Habas Mustapha

With Camel

With 3 Mustaphas 3

References

  1. 1 2 21d 3h 96s. "COLIN BASS music, discography, MP3, videos and reviews". Progarchives.com. Retrieved 1 July 2011.
  2. 1 2 Gary Davis; The Artist Shop. "Colin Bass' Kartini Music catalog in The Artist Shop". Artist-shop.com. Retrieved 1 July 2011.

External links

This article is issued from Wikipedia - version of the 11/24/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.