Charles Boyer in 1942
28 August 1899|
Figeac, Lot, France
26 August 1978 78) (aged|
Phoenix, Arizona, U.S.
|Cause of death||Suicide|
|Resting place||Holy Cross Cemetery, Culver City, California|
|Spouse(s)||Pat Paterson (1934–1978) (her death)|
|Children||Michael Charles Boyer (1943–1965)|
|Awards||Academy Honorary Award (1943)|
Charles Boyer (French: [bwaje]; 28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American movies during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Academy Award nominations for Best Actor.
Boyer was born in Figeac, Lot, France, the son of Augustine Louise Durand and Maurice Boyer, a merchant. Boyer (which means "cowherd" in the Occitan language) was a shy, small-town boy who discovered the movies and theatre at the age of eleven. Boyer performed comic sketches for soldiers while working as a hospital orderly during World War I. He began studies briefly at the Sorbonne, and was waiting for a chance to study acting at the Paris Conservatory. He went to the capital city to finish his education, but spent most of his time pursuing a theatrical career. In 1920, his quick memory won him a chance to replace the leading man in a stage production, and he scored an immediate hit. In the 1920s, he not only played a suave and sophisticated ladies' man on the stage but also appeared in several silent films.
MGM signed Boyer to a contract, and he loved life in the United States, but nothing much came of his first American stay from 1929 to 1931. At first, he performed film roles only for the money and found that supporting roles were unsatisfying. However, with the coming of sound, his deep voice made him a romantic star.
His first Hollywood break came with a very small role in Jean Harlow's Red-Headed Woman (1932). After starring in a French adaptation of Liliom (1934) directed by Fritz Lang, he began to receive public favor; Boyer landed his first leading Hollywood role in the romantic musical Caravan (1934) with Loretta Young. Subsequently, he co-starred with Claudette Colbert in the psychiatric drama Private Worlds (1935).
Until the early 1930s, Boyer mainly continued making French films, and Mayerling co-starring Danielle Darrieux in 1936 made him an international star. This was followed by Orage (1938), opposite Michèle Morgan. The offscreen Boyer was bookish and private, far removed from the Hollywood high life. But onscreen he made audiences swoon as he romanced Katharine Hepburn in Break of Hearts (1935), Marlene Dietrich in his first Technicolor film, The Garden of Allah (1936), Jean Arthur in History Is Made at Night (1937), Greta Garbo in Conquest (1937), and Irene Dunne in Love Affair (1939).
In 1938, he landed his famous role as Pepe le Moko, the thief on the run in Algiers, an English-language remake of the classic French film Pepe le Moko with Jean Gabin. Although in the movie Boyer never said to costar Hedy Lamarr "Come with me to the Casbah," this line was in the movie trailer. The line would stick with him, thanks to generations of impressionists and Looney Tunes parodies. Boyer's role as Pepe Le Moko was already world-famous when animator Chuck Jones based the character of Pepé Le Pew, the romantic skunk introduced in 1945's Odor-able Kitty, on Boyer and his most well-known performance. Boyer's vocal style was also parodied on the Tom and Jerry cartoons, most notably when Tom was trying to woo a female cat. (See The Zoot Cat).
Boyer played in three classic film love stories: All This, and Heaven Too (1940) with Bette Davis; as the ruthless cad in Back Street (1941) with Margaret Sullavan; and Hold Back the Dawn (1941) with Olivia de Havilland and Paulette Goddard.
In contrast to his glamorous image, Boyer began losing his hair early, had a pronounced paunch, and was noticeably shorter than leading ladies like Ingrid Bergman. When Bette Davis first saw him on the set of All This, and Heaven Too, she did not recognize him and tried to have him removed.
In 1943, he was awarded an Honorary Oscar Certificate for "progressive cultural achievement" in establishing the French Research Foundation in Los Angeles as a source of reference (certificate). Boyer never won an Oscar, though he was nominated for Best Actor four times in Conquest (1937), Algiers (1938), Gaslight (1944) and Fanny (1961), the latter also winning him a nomination for the Laurel Awards for Top Male Dramatic Performance. He is particularly well known for Gaslight in which he played a thief/murderer who tries to convince his newlywed wife that she is going insane.
After World War II
In 1947, he was the voice of Capt. Daniel Gregg in the Lux Radio Theater's presentation of The Ghost and Mrs. Muir, played in the film by Rex Harrison. In 1948, he was made a chevalier of the French Légion d'honneur.
When another film with Bergman, Arch of Triumph (1948), failed at the box office, he started looking for character parts. Apart from leads in several French films such as Max Ophüls' The Earrings of Madame de... (1953, again with Danielle Darrieux) and Nana (1955, opposite Martine Carol), he also moved into television as one of the pioneering producers and stars of Four Star Theatre; Four Star Productions would make him and partners David Niven and Dick Powell rich. In 1956, Boyer was a guest star on I Love Lucy.
He appeared as the mystery guest on the March 10, 1957 episode of What's My Line? On 17 March 1957, he starred in an adaptation for TV of the Pulitzer Prize-winning play, There Shall Be No Night, by Robert E. Sherwood. The performance starred Katharine Cornell, and was broadcast on NBC as part of the Hallmark Hall of Fame. He was nominated for the Golden Globe as Best Actor for the 1952 film The Happy Time; and also nominated for the Emmy for Best Continuing Performance by an Actor in a Dramatic Series for his work in Four Star Playhouse (1952–1956).
In 1951, he appeared on the Broadway stage in one of his most notable roles, that of Don Juan, in a dramatic reading of the third act of George Bernard Shaw's Man and Superman. This is the act popularly known as Don Juan in Hell. In 1952, he won Broadway's 1951 Special Tony Award for Don Juan in Hell. It was directed by actor Charles Laughton. Laughton co-starred as the Devil, with Cedric Hardwicke as the statue of the military commander slain by Don Juan, and Agnes Moorehead as Dona Anna, the commander's daughter, one of Juan's former conquests. The production was a critical success, and was subsequently recorded complete by Columbia Masterworks, one of the first complete recordings of a non-musical stage production ever made. As of 2006, however, it has never been released on CD, but in 2009 it became available as an MP3 download. Boyer co-starred again with Claudette Colbert in the Broadway comedy The Marriage-Go-Round (1958–1960), but said to the producer, "Keep that woman away from me". He was also nominated for the Tony Award as Best Actor (Dramatic) in the 1963 Broadway production of Lord Pengo. Later that same year Boyer performed in Man and Boy on the London and New York stage.
Onscreen, he continued in older roles: in Fanny (1961) starring Leslie Caron; Barefoot in the Park (1967) with Robert Redford and Jane Fonda; and the French film Stavisky (1974, starring Jean-Paul Belmondo), the latter winning him the New York Film Critics Circle Award for Best Supporting Actor, and also received the Special Tribute at Cannes Film Festival.
His career lasted longer than that of other romantic actors, winning him the nickname "the last of the cinema's great lovers." He recorded a laid-back album called Where Does Love Go in 1966. The album consisted of famous love songs sung (or rather spoken) with Boyer's distinctive deep voice and French accent. The record was reportedly Elvis Presley's favorite album for the last 11 years of his life, the one he most listened to.
Later in life, he turned to character roles in such films as: Around the World in 80 Days (1956), How to Steal a Million (1966, featuring Audrey Hepburn), Is Paris Burning? (1966), and Casino Royale (1967). He had a notable part as a corrupt city official in the 1969 film version of The Madwoman of Chaillot, featuring Katharine Hepburn. His last major film role in Hollywood was that of the High Lama in a poorly received musical version of Lost Horizon (1973). A year later, he gave a final outstanding performance in his native language as Baron Raoul in Alain Resnais's Stavisky (1974)
For his contribution to the motion picture and television industries, Boyer has two stars on the Hollywood Walk of Fame at 6300 Hollywood Blvd.
Boyer was the star of Hollywood Playhouse on NBC in the 1930s, but he left in 1939 "for war service in France," returning on the January 3, 1940, broadcast. When he went on vacation in the summer of 1940, an item in a trade publication reported: "It is an open secret that he doesn't like the present policy of a different story and characters each week. Boyer would prefer a program in which he could develop a permanent characterization."
Boyer was the husband of British actress Pat Paterson, whom he met at a dinner party in 1934. The two became engaged after two weeks of courtship and were married three months later. Later, they would move from Hollywood to Paradise Valley, Arizona. The marriage lasted 44 years until her death. Boyer became a naturalized citizen of the United States in 1942.
Boyer's only child, Michael Charles Boyer (9 December 1943 – 21 September 1965), committed suicide at age 21. He was playing Russian roulette after separating from his girlfriend.
On 26 August 1978, two days after his wife's death from cancer, and two days before his own 79th birthday, Boyer committed suicide with an overdose of Seconal while at a friend's home in Scottsdale. He was taken to the hospital in Phoenix, where he died. He was interred in Holy Cross Cemetery, Culver City, California, alongside his wife and son.
- L'Homme du large (1920) as Guenn la Taupe - le mauvais génie de Michel
- Chantelouve (1921) as Roger de Thièvres
- Le Grillon du foyer (1922) as Edouard Caleb
- Esclave (1922) as Claude Laporte
- Infernal Circle (1928)
- Captain Fracasse (1929) as Duc de Vallombreuse
- La Barcarolle d'amour (1930) as Andre le Kerdec
- Revolt in the Prison (1930) as Fred Morgan
- The Magnificent Lie (1931) as Jacques
- Le Procès de Mary Dugan (1931) as Le procureur
- Tumultes (1932) as Ralph Schwarz
- The Man from Yesterday (1932) as Rene Gaudin
- Red-Headed Woman (1932) as Albert
- La Bataille (1933) as Le marquis Yorisaka
- I.F.1 ne répond plus (1933) as Ellisen
- The Empress and I (1933)
- L'Épervier (1933) as Comte Georges de Dasetta
- F.P.1 Doesn't Answer (1933)
- The Battle (1934) as Marquis Yorisaka
- Liliom (1934) as Liliom Zadowski
- The Only Girl (1934) as The Duke
- Caravan (1934) as Latzi
- Le Bonheur (1935) as Philippe Lutcher
- Private Worlds (1935) as Dr. Charles Monet
- Break of Hearts (1935) as Franz Roberti
- Shanghai (1935) as Dimitri Koslov
- Mayerling (1936) as L'archiduc Rodolphe
- The Garden of Allah (1936) as Boris Androvsky
- I Loved a Soldier (1936, unfinished film) as Leutnant Baron Almasy
- History Is Made at Night (1937) as Paul Dumond
- Conquest (1937) as Emperor Napoleon Bonaparte
- Tovarich (1937) as Prince Mikail Alexandrovitch Ouratieff
- Orage (1938) as André Pascaud
- Algiers (1938) as Pepe le Moko
- Love Affair (1939) as Michel
- When Tomorrow Comes (1939) as Philip Chagal
- Le Corsaire (1939)
- All This, and Heaven Too (1940) as Duc de Praslin
- Back Street (1941) as Walter Saxel
- Hold Back the Dawn (1941) as Georges Iscovescu
- Appointment for Love (1941) as Andre 'Pappy' Cassil
- Tales of Manhattan (1942) as Paul Orman
- Flesh and Fantasy (1943) as Paul Gaspar (Episode 3)
- The Heart of a Nation (1943, US version only) as Introductory Narrator [US version only]
- The Constant Nymph (1943) as Lewis Dodd
- Gaslight (1944) as Gregory Anton
- Together Again (1944) as George Corday
- The Fighting Lady (1944, French version only) as Narrator
- Confidential Agent (1945) as Luis Denard
- The Battle of the Rails (1946) as Narrator (voice, uncredited)
- Cluny Brown (1946) as Adam Belinski
- A Woman's Vengeance (1948) as Henry Maurier
- Arch of Triumph (1948) as Dr. Ravic
- The 13th Letter (1951) as Dr. Paul Laurent
- The First Legion (1951) as Father Marc Arnoux
- The Happy Time (1952) as Jacques Bonnard
- Thunder in the East (1952) as Prime Minister Singh
- The Earrings of Madame de... (1953) as Général André de…
- Boum sur Paris (1953) as Himself
- The Cobweb (1955) as Dr. Douglas N. Devanal
- Nana (1955) as Comte Muffat
- Lucky to Be a Woman (1956) as Count Gregorio Sennetti
- Around the World in 80 Days (1956) as Monsieur Gasse, balloonist
- Paris, Palace Hotel (1956) as Henri Delormel
- It Happened on the 36 Candles (1957) as Himself (uncredited)
- La Parisienne (1957) as Le prince Charles
- Maxime (1958) as Maxime Cherpray
- The Buccaneer (1958) as Dominique You
- Fanny (1961) as Cesar
- Midnight Folly (1961) as Pierre
- The Four Horsemen of the Apocalypse (1962) as Marcelo Desnoyers
- Adorable Julia (1962) as Michael Grosselyn
- Love Is a Ball (1963) as M. Etienne Pimm
- A Very Special Favor (1965) as Michel Boullard
- How to Steal a Million (1966) as DeSolnay
- Is Paris Burning? (1966) as Docteur Monod
- Casino Royale (1967) as Le Grand
- Barefoot in the Park (1967) as Victor Velasco
- Hot Line (1968) as Vostov
- The April Fools (1969) as Andre Greenlaw
- The Madwoman of Chaillot (1969) as The Broker
- Lost Horizon (1973) as The High Lama
- Stavisky (1974) as Le baron Jean Raoul
- A Matter of Time (1976) as Count Sanziani (Last appearance)
- The Candid Camera Story (Very Candid) of the Metro-Goldwyn-Mayer Pictures 1937 Convention (1937) as Himself (uncredited)
- Hollywood Goes to Town (1938) as Himself
- Les îles de la liberté (1943) as Narrator
- Congo (1945) as Voice
- On Stage! (1949) as Himself
- 1955 Motion Picture Theatre Celebration (1955) as Himself (uncredited)
- Four Star Playhouse (29 episodes, 1952–1956) as Various characters
- Toast of the Town (2 episodes, 1953) as Himself
- Charles Boyer Theater (1953) as Himself / Host
- The Jackie Gleason Show (1 episode, 1953) as Himself
- I Love Lucy (1 episode, 1956) as Himself
- Climax! (1 episode, 1956) as Himself
- Hallmark Hall of Fame (1 episode, 1957)
- Playhouse 90 (1 episode, 1957) as Himself
- A Private Little Party for a Few Chums (1957) as Himself
- Goodyear Theatre (unknown episodes, 1957–1958) as Alternate Lead Player (1957-1958)
- Alcoa Theatre (3 episodes, 1957–1958) as Man / Lemerrier / Dr. Jacques Roland
- What's My Line? (4 episodes, 1957–1958, 1962–1963) as Himself - Mystery Guest
- The Dinah Shore Chevy Show (1 episode, 1960) as Himself
- The Dick Powell Show (4 episodes, 1962–1963) as Carlos Morell / Andreas
- A Golden Prison: The Louvre (1964, presenter) as Narrator
- The Rogues (8 episodes, 1964–1965) as Marcel St. Clair
- The Bell Telephone Hour (1 episode, 1966) as Himself
- The Name of the Game (1 episode, 1969) as Henri Jarnoux
- Film '72 (1 episode, 1976) as Himself
- Red Gloves (1948–1949)
- Don Juan in Hell (1951–1952)
- Kind Sir (1953–1954)
- The Marriage-Go-Round (1958–1960)
- Lord Pengo (1962–1963)
- Man and Boy (1963)
Golden Globe Awards
|1952||Best Actor - Drama||The Happy Time||Nominated|
- Obituary Variety, 30 August 1978.
- John Arthur Garraty, Mark Christopher Carnes and American Council of Learned Societies (1999). American national biography. Oxford University Press. ISBN 978-0-19-512782-9.
- TCM Film Guide, p. 29.
- Swindell, Larry (1983). Charles Boyer: The Reluctant Lover. Doubleday.
- "Charles Boyer – Biography". Classic Movie Favorites. Retrieved 24 September 2008.
- "Charles Boyer". All-Movie Guide. Retrieved 21 June 2009.
- Erickson, Hal. "Caravan". All-Movie Guide. Retrieved 21 June 2009.
- Boller, Jr., Paul F.; George, John (1989). They Never Said It: A Book of Fake Quotes, Misquotes, and Misleading Attributions. New York: Oxford University Press. ISBN 0-19-505541-1.
- TCM Film Guide, p. 31.
- "Charles Boyer". TCM Movie Database. Retrieved 21 June 2009.
- "Lux Radio Theatre Log". Audio Classics Archive. Retrieved 19 May 2010.
- What's My Line? - James C. Hagerty; Charles Boyer; James Michener (panel) (Mar 10, 1957)
- "HALLMARK HALL OF FAME: THERE SHALL BE NO NIGHT, ACT 1 (TV)". The Paley Center for Media. Retrieved 18 May 2010.
- "Don Juan in Hell by George Bernard Shaw". Amazon.com. Saland Publishing. 28 April 2009.
- Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. University Press of Mississippi.
- "Man & Boy". The Actors Company Theatre. Archived from the original on 28 July 2011. Retrieved 19 May 2010.
- "Charles Boyer Awards". Hollywood.com. Retrieved 24 September 2008.
- "Clambake – United Artists 1967". For Elvis Fans Only. EPE. Retrieved 24 September 2008.
- "Boyer Returns" (PDF). Broadcasting. December 15, 1939. p. 82. Retrieved 13 July 2015.
- "Jergens Summer Plans" (PDF). Broadcasting. May 15, 1940. p. 36. Retrieved 13 July 2015.
- Wilson, Paul F. "Charles Boyer (1899–1978)". Find A Grave. Retrieved 21 June 2009.
- "Celebrity Sightings – B". Bankruptcy & Debt Information from Doney & Associates. Retrieved 24 September 2008.
- British Film Institute (1995). Ginette Vincendeau, ed. Encyclopedia of European Cinema (Cassell FilmStudies). London: Continuum International Publishing Group (formerly Cassell Academic).
- "Entry for Michael C. Boyer". California Department of Health Services Office of Health Information and Research. Rootsweb. Retrieved 28 April 2012.
- Donnelley, Paul. Fade To Black: A Book Of Movie Obituaries, 2nd Edition. London: Omnibus Press, 2005, First edition 2003. ISBN 978-1-84449-430-9.
- "Charles Boyer". Google books. Retrieved 28 April 2012.
|Wikimedia Commons has media related to Charles Boyer.|
- Charles Boyer at the Internet Movie Database
- Charles Boyer at the TCM Movie Database
- Charles Boyer at the Internet Broadway Database
- Charles Boyer at Find a Grave
- Sur le site Quercy.net À propos de Charles Boyer et de Figeac.
- Photographs and literature